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It's pretty much expected that a VTuber is going to sing these days... so why not train to be the best?? UPDATE:  Medium just spotlighted my feature What Is a VTuber?   — and Part 2, VTubers, Singing, and the VShojo Collapse  — where I break down why virtual performers are rewriting the rules of entertainment and how the recent shifts in the space are shaping what’s next. Exactly one year ago today, I had my very first encounter with a VTuber . I had no idea what was going on and didn't have time to think about what I thought about it yet, before just going with it at the hands of the VTuber I happened to cross paths with. At the time, I had no idea what a VTuber was, let alone how popular VTubing culture was around the world. I also had no idea that VTubing would become such a big part of my life as a vocal coach. Since it's technically the first anniversary of me having any exposure to the VTube world, I want to celebrate with a little backstory into how a year being exposed to this phenomenon has really made an impact on me as a vocal coach and what I've done over this past year to help this cultural phenomenon make its mark. For those of you cold-hearted souls out there that don't care about my incredible backstory about VTubers, you can go ahead and skip to the "real" content. But you're cold-hearted. VTuber Virgin There I was, one year ago, basking in the success of Fiverr Pro's online music lessons launch, something I had been headhunted to develop over the course of 7 months. As part of the launch, I agreed to create an actual profile on the website to offer my services as a vocal coach. I really hadn't planned on continuing there for very long since I thought the Fiverr crowd would be put-off by my prices, but I was pleasantly surprised at the traction my little Fiverr Pro profile received right off the bat. Of course, as with any sort of digital messaging platform, you see all kinds of messages popping into your inbox from people all around the world. Some of them are spam, some of them are bored and just want to chat, some of them are not really interested in what you have to offer, but the rest of the messages I received were from very interesting people with very interesting backstories who legit wanted to learn how to sing. One of those came from a very shy girl from Taiwan who had trained with a voice teacher before, but never really got anywhere after she was assigned a few boring exercises that you can tell the teacher just threw her way without considering her unique voice or goals (one of my biggest pet peeves!). She wanted to start right away, so we met for her first lesson immediately. She was quick to follow me into the Zoom meeting, and we connected to the audio about the same time. But when my camera switched on, hers didn't. Instead, her anime-style Zoom profile image remained in place, fixed in a pleasant smile. I complimented her image, saying that I liked her hair. This seemed to perk her up a bit. Next, she asked very politely if she could keep her camera off while I just listen to her voice. Sure, I said - and mentioned that I can totally do my job without seeing her, but it may help things go a little faster or smoother if I am able to lay eyes on her at least once while she sings sometime in the future. But it was no big deal at all. I could tell she was nervous, and I don't blame her - I was petrified the whole first year when I started taking voice lessons. (My first voice teacher was evil though, and my nerves went away when she did; my singers, on the other hand, warm up quickly!) So we got to chatting about her goals for taking voice lessons and she sent me a video to watch right there during her lesson. It was a video of a livestream karaoke singer, but the singer was not broadcast as a human; they were using an avatar that seemed to move in sync with the movements of the human doing the singing. I could tell immediately that the singing was live, not pre-recorded, and the avatar was, in fact, moving spontaneously with the music they were singing. To the right was an endless cascade of live commentary and reactions from an audience of over 80,000 viewers. "What IS this!?" I asked, utterly fascinated by what I was seeing. "She's a VTuber, like me, and I want to be able to do this on my streams one day," my new student replied. "A VTuber? Like, a virtual YouTuber or streamer of sorts?" "Yes, exactly!" After watching a bit more, I remember saying, "How peculiar, but really interesting. Does she get paid to do this?" "Yes, just look at all the fans reacting and commenting. Isn't she great?!" "Well, she's nothing to write home about vocally, but dang, she's certainly figured out how to make it work. If this is something you do, I want to know more about it so we can tackle this from every perspective and get you on top of the game here. From the little I know about you so far, I can think of a few strategies that we can approach singing from to get you on par with these vocals and FAR beyond in a matter of no time. Thank you for introducing me to this strange but oddly really cool little world here." Right after her lesson, I ran into the other room and showed the video to my partner, without any commentary beforehand. "What is this?" he asked. "You tell me. What do you think about it?" After watching for a little while, he said, "Someone who can't really sing well actually getting noticed and developing a fanbase because she's live-streaming as an animated character? Clearly she's onto something," he said, noticing the cascading fan reactions as she sang. "Is this weird?" I asked. "Yeah, it's weird." He replied. ...good thing I'm a weird person. I dove straight into Vtubing research. I searched all over the internet for the questions I needed answers to, but no one on the reddit forums were addressing the basics that I needed to know. At the time, the Wikipedia page wasn't very helpful either, so I turned to scholarly research for a comprehensive analysis of what exactly this VTuber phenomenon was, how it got started, who gets into it, how music and singing fit into the VTuber world, etc. I found this one Master's thesis called "Streaming as a Virtual Being: The Complex Relationship Between VTubers and Identity" by someone named Anna Birna Turner, which was very, very helpful in introducing me to the world of VTubers from scratch. This particular paper also shed some light on the parasocial relationships that can be formed between VTubers and their fans. I began to understand the allure of VTubers and why their fans are so enthusiastic supporters of them, and I began to see what an important role VTubers play in the lives of others who become members of this community to fulfill a need for socialization and belonging. We humans are social creatures, and this, I surmised, was the evolution of our survival as social creatures. "Life found a way," as Ian Malcolm said in one of the best movies history has ever known. My first VTuber student and I made incredible progress with her singing, which is typical for my singers. But one day, about a month into our lessons, she said something to me that absolutely made me stop in my tracks and be truly grateful that she had entered my life and gotten comfortable enough with me to say this off-the-cuff: "To hear my voice blossom like this is something I never dreamed was possible. In my culture, women cannot be great. They will never be great. It is very much a part of who I am to not expect such a thing in my life. From my very first memories, I was raised in a family where everyone told me how plain and talentless I am... And I believed them all these years. But meeting you, and working with you in these voice lessons... despite what I was brought up to believe about myself, this the first moment I've ever considered the possibility that my life may be an extraordinary one." (Read more testimonials from my singers here .) Y'ALL. I am a puddle just reading that back to myself again. I went back and watched the recording of our lesson a dozen times just because it was such a sweet and unexpected glimpse of how music can have transformative powers in the right hands . That was the moment I knew not only how special VTubing is, but how powerful music and VTubing can be together if they're under the right direction. Music and VTubing can change the world. For me, music is transformative and healing, and I teach my singers to look within themselves to express what they feel authentically, and it always comes out in remarkable vocals when they sing. Millions of people around the world look to VTubers to fulfill something missing in their lives. It's only natural that VTubers turn to music as a way to connect with their fans on a deeper level. From that moment, I was hooked. I wanted to vocal coach as many VTubers as possible so I could use my gifts as a vocal coach to heal people around the world who need it. Right as I made this discovery, I received a message on Fiverr from another VTuber, completely unrelated to my first student. This new message was more of a test, it seemed, than a curious inquiry. It contained several questions about my knowledge about VTubers and what I thought about the medium, if I even knew what it was. Of course I jumped at the opportunity to discuss my newfound obsession with someone who apparently knew quite a lot about it. As it turns out, this new VTuber was quite successful already and had representation that I had to interview with in order to secure them as a student. Of course I slayed the interview, and that's about all I can say about this one, given the watertight NDA I signed as part of our collaboration. What I can say is this: watching our work together take off around the world and connect with millions of people is exactly the validation I needed to cement by belief in the power of this medium. A few months ago, I was messaged by yet another VTuber, and this one happens to live close to my home here in New York City. Since she began studying with me, we've developed what I view as a special relationship between teacher and student, although my relationships with all my students are special in their own ways. It takes a different meaning when you meet them in person and have in-person lessons, too, though, which is exactly what has happened with us. Throughout this past year, I've welcomed another 6 or 7 VTubers to my vocal studio, and they all have something in common with each other, which I find to be refreshing and remarkable and oh-so-inspiring: they want to learn to sing because they know it's a way to connect more deeply with themselves and with others. And they all come to me knowing that already. With non-VTubers, I get a lot of "I want to learn to sing because I want to be famous," -type of answers. Fortunately I have the luxury of gently redirecting those singers to someone else if I can tell that's the extent of their interest in singing. Some of them just need a little time with me in order to see the light, though. So that's my anniversary celebration of being introduced to VTubers and the untapped potential this world is just now discovering through music. I'm totally here for it, and I'd like to encourage all VTubers to explore their voices from a different perspective if they haven't already. If that means reaching out to me for lessons, don't worry: you're in good hands. I have experience with others just like you, and we haven't even begun to scratch the surface of what kind of magic music and VTubing can create for the world. When you're ready: Shoot me a message over on my contact page . Or... Feel free to explore my portfolio (which is extremely lacking in the VTuber department because I've noticed that, as a whole, this community likes to keep the whole vocal coach thing to a minimum, lol. I guess vocal coaches don't fit into lore very easily, and that totally makes sense to me.) Maybe one day I'll upload the video audition I made for VShojo that, while it got me nowhere with the agency, is still quite entertaining. Anyway, maybe one day I'll be able to name names. Just let this be proof that your work with me will remain confidential unless you explicitly tell me you want to be featured in my portfolio. Then, I'll think about it... ;) I can hear you thinking, "Enough with the backstory already! Get to the content!" Okay, okay, sorry. LISTEN HERE: VTubers are people, too, and although the world might seem weird at first, they've got a lot to say and a lot to sing about, too. In a world where avatars come to life and personalities shine through pixels, one thing remains absolutely real: THEIR VOICES . Whether you’re a VTuber just getting started or a seasoned virtual icon ready to level up, your voice is your power—and it's time to train it like the star it is. If you've ever wondered, "Can VTubers learn to sing?"  or "Is there a vocal coach who actually understands what I do?" —congrats, boo. You just found your fierce. BTW- I just finished a ton of research on how much vocal coaches cost across all 50 United states and wrote a blog about it. Curious? Give it a look and LMK what you think. Pretty sure no one's claimed the title "World's Best Vocal Coach for VTubers," so Imma claim it for myself now. kthanks. Why VTubers Need Vocal Coaching Let’s be clear: VTubing isn’t just streaming. It’s performance art . One of my VTuber voice students put it beautifully one time to me: "To be a successful VTuber, you have to be really good at having a one-sided conversation for extended amounts of time." I love that. Vtubing is acting. VTubing is improvisation. VTubing is putting yourself out there. VTubing is community-building. VTubing is learning new skills in a very public forum. And, more and more these days, VTubing is singing. All behind a digital face. But that doesn’t mean VTubers' voices should be an afterthought. In fact, it’s your most direct, human connection to your fans. Here’s why vocal coaching matters: You’re performing live  (or live-ish), often for hours. You need vocal stamina  and techniques that preserve your energy. You might want to sing for karaoke, content, or full-blown VTuber concerts. You want your audience to hear you clearly, confidently, and authentically. What Makes My Vocal Coaching VTuber-Friendly Not every vocal coach gets it. Most don’t understand what it means to perform without being seen , to connect with emotion while wearing an avatar, or to speak for hours without burning out. I do. Online-First, Camera Optional Every lesson is virtual, and you’re never required to show your face . Most of my VTuber singers, I've never seen their real faces. And I don't need to see their faces to do my job. Trust me, I know everything about your voice from the moment you start speaking to me. Your comfort comes first. I’m a Stage Pro Who Trains Stars I coach celebrities, Broadway performers, and now, VTubers. And I treat you with the same precision, respect, and energy I give to the biggest names in entertainment. I Help You Find Your Authentic Voice Many VTubers are neurodivergent, introverted, or rebuilding confidence. I can say this because, believe it or not, I am naturally extremely introverted. Before I discovered music and singing, my parents would meet with my teachers at school because they were so concerned about my ability to socialize and be comfortable in front of others socially. That all changed when I discovered music... until then I realized that performing for others brought on paralyzing stage fright. Don't worry, I've conquered stage fright and performance anxiety SO HARD that people actually fly me around the world to give masterclasses and speeches on how to manage performance anxiety. I'm one of you, I promise. And because I've been there, I meet you where you are—and we grow from there. I Developed the Dual Voice Method ™ It’s not just about technique. My method fuses technical mastery (your physical voice) with emotional authenticity (your inner voice). When both align, your audience FEELS it. This isn’t just about singing. It’s about learning to be heard. Read that again and really let it sink in. I got you, boo. VTuber Vocal Coaching: What’s Included? Every lesson is tailored, fierce, and fluff-free. Each lesson starts with a personal check-in, and this is, to me, the most important part of the lesson. "How are you?" "How was your week?" Our voices don't hide anything from the experienced vocal coach, and it's important to discuss any emotional baggage that happened since we last worked together so I can help you process those emotions with your voice throughout the lesson. Voice lessons are like therapy, I'm telling you. Other vocal coaches might go through the motions of the pleasantries, but I form the rest of my lessons around how this one part goes down. It's so important to forge a working and an authentic relationship with your vocal coach, and this is a cherished time for me to get to know my singers before we begin the technical work each week. Then we get down to the technical work. Breath Control  – Learn to support your voice with efficient breathing. Build vocal stamina with breath that is supportive and gives your voice a signature sound that only you are capable of producing. Pitch & Resonance  – Whether you want to sound more masc, fem, cute, cool, or anything in between. We're going to work with what Mother Nature gave you and go from there using healthy techniques that enable your voice to do anything. Karaoke Repertoire Building  – We’ll build a song list that fits your vibe and goals. Performance Confidence  – So when it’s showtime, you don’t shrink—you slay. YOU NAME IT. Most of my singers are shocked when they work with me and we discover parts of their voices that are mind-blowingly amazing. So it's literally impossible to tell you what to expect in your lessons when I haven't heard what amazing things lie in store for us! If you read the other blog I plugged about how much voice lessons cost and are shocked, check out this other blog post where I dish on some secrets to saving you money in voice lessons ! FAQ: VTuber Vocal Coaching Question: I'm a VTuber and I want to take singing lessons... Do I have to show my real face? Answer:  Nope. Never. Some clients work with me for months and I never see their human face. You’re safe here. Not that any VTubers need this at all, because no one is better at troubleshooting audio and video catastrophes than a streamer, but here's a list of best practices when taking online voice lessons in case you're curious . Question: Can I take voice lessons as my VTuber avatar? Answer: Yes, of course! I love it when my VTuber voice students appear as their models. I can even diagnose bad singing habits from the rigging, so having your avatar on screen is very helpful for me and will speed up your own progress with singing. Question: Do you vocal coach other VTubers? Answer: Yes, I train several VTubers to sing and am always a major player in recording and releasing their singles. My VTuber singers range from brand new, independent VTubers to established VTubers in agencies. All are welcome. Question: Can I livestream my vocal coaching sessions on my Vtube streaming channels? Answer: Yes! In fact, I encourage it! Your fans will eat it up! So far, all of my VTuber singers are too nervous to livestream their lessons, but I am waiting for the day when someone actually wants to! Question: I'm a VTuber and I’ve never sung before. Can I still start? Answer:  Absolutely. Beginners welcome. If you can speak, I can teach you to sing. Question: I'm a VTuber and I have performance anxiety... Can you help me overcome it? Answer: Yes, this is one of my best skills. Scroll back up and read the backstory at the top of this post. I talk about how nervous I was when I started singing in lessons, too. Don't worry, I got you, boo! Question: Can you help me improve my speaking voice too? Answer:  Yes. We can work on tone, pacing, delivery, articulation, enunciation, resonance, clarity, vocal fatigue—anything related to your speaking voice, whether on stream or in real life. Question: What if I have stage fright? Answer:  Even better. I specialize in helping performers overcome stage fright with custom mindset coaching. You’ll also love my free resource: Stage Fright to Stage Might Ready to Become a Singing VTuber Icon? You don’t need to sound like everyone else. You need to sound like YOU—fierce, confident, and unforgettable. Book your first vocal coaching session  today. Contact me  if you have questions or want a custom plan. Try my vocal warm-up generator  before your next stream. Or if you're feeling really adventurous, try my Interactive Tongue Twister Generator . Further Reading on Medium Want to go deeper into the VTuber world? I’ve written a two-part series on Medium that pulls back the curtain: What Is a VTuber? Virtual Performers Rewriting the Rules of Entertainment  — where I unpack the basics of VTubing and its explosive rise. VTubers, Singing, and the VShojo Collapse  — my follow-up exploring how VTubers are resilient, why their voices matter more than ever, and what lessons their community collapse scandals have provided. Final Thoughts You’ve built a character, a brand, and a following. Now it’s time to build a voice that carries it all. Your avatar may be virtual, but your voice is very, very real. Let’s make it unforgettable. Sing out. Be heard. And always remember—don’t force it. Fierce it. May the fierce be with you, VTuber fam. 💅🎧🎙️

Tour de Fierce celebrates 81 Glorious (????} Years of Madame Florence Foster Jenkins at Carnegie Hall. Image Courtesy of Tour de Fierce I. October 25, 1944: Florence Foster Jenkins Makes History at Carnegie Hall Of all the performers to grace Carnegie Hall in its first 54 years, none filled its seats as quickly or unexpectedly as Florence Foster Jenkins. Billed as a coloratura soprano, the 76-year-old vocal arts activist sold out her debut concert in less than two hours. The demand was astonishing. Even after accommodating every possible overflow—packing the aisles with patrons eager to stand shoulder-to-shoulder—the venue's management had to turn away over 2,000 hopefuls. These individuals flooded the sidewalks and streets outside, desperate to witness the most talked-about concert in Carnegie Hall's history, a title it still holds today. Want to join the "I've Sold Out Carnegie Hall Club" with Florence Foster Jenkins and me? All you need is a dream (check!) and some top-tier performance coaching . I got you, boo. Notable audience members that evening included American composer Cole Porter, famed soprano Lily Pons, and numerous professional singers from the Metropolitan Opera Company. These were her closest friends and fellow lovers of song. Today, archival custodians at Carnegie Hall report that more inquiries are made about Mme. Jenkins' performance than any other. This includes legendary appearances by musical icons like Judy Garland, Frank Sinatra, and The Beatles. Even the Chicago Symphony Orchestra's famed 1970 concert of Mahler's 5th Symphony, which holds the record for Carnegie Hall's longest ovation at a staggering 35 minutes, pales in comparison. Florence Foster Jenkins tapped into a cultural zeitgeist that resonates even today. Exactly 81 years after her concert at Carnegie, people worldwide remain captivated by the improbable career and legendary performances of this eccentric, ambitious, and audacious singer. Was it her extravagant costumes? Or her larger-than-life theatrics? Yes, every bit of flair added to her allure. Yet beneath the razzle-dazzle lies the story of a woman who, despite enduring sixty years of medically sanctioned poisoning with arsenic and mercury, never lost her sense of self-determination. She used it to make her biggest dreams come true. As we celebrate her enduring spirit, let's remember that Florence Foster Jenkins, despite enormous challenges, insisted on being heard in a world that didn't know what to make of her. And isn't that, by and large, the dream of every artist? II. How I Fell for Mme. Florence Foster Jenkins, Long Before Hollywood Did I discovered Florence Foster Jenkins while attending the South Carolina Governor’s School for the Arts and Humanities as a junior. As a vocal major, I quickly devoured every recording in the school's music library, leading me to explore other vocal gems online. One of the first websites I found featured the highest and lowest voices in recorded music history. It included audio clips of various voice parts, from Mado Robin to Luciano Pavarotti. At the bottom of the webpage was a novelty mention of a woman named "Florence Foster Jenkins," along with a short clip of her singing "Der Hölle Rache." Florence Foster Jenkins: The Glory (????) of the Human Voice was first released by RCA in 1962 and remains one of the rare albums to be continuously reissued on LP, CD, and digital streaming platforms. The author of the webpage intended this to be a light-hearted send-off for readers. However, I saw the audio clip as a cliffhanger—a breadcrumb leading to a treasure I had to find. I remember calling every music store in upstate South Carolina. No one carried this album. After weeks of searching, I finally found it on eBay. I snatched it up and soon became the local expert on all things Florence Foster Jenkins. For many listeners, including myself, the novelty of her terrible singing wears off quickly. Yet I couldn't let it go. Why was I so intrigued by this woman? If she had known she was bad, wouldn't she have leaned into it more? All I heard was her voice. While it was bad enough on its own, she sounded committed to her delivery, making me think she wasn't in on the joke like everyone else. Although her singing left much to be desired against the standards we expect, I heard an authenticity in her voice that was absent in others. I developed a profound respect for her bravery in unabashedly presenting something she was clearly passionate about to the world. The Power of Passion Florence Foster Jenkins' story is not just about her singing; it's about her passion for music. Her unwavering dedication to her art reminds us that the love for what we do can shine through, even in the face of criticism. Her journey encourages us to embrace our passions, regardless of how others perceive them. In a world that often prioritizes perfection, her example teaches us that authenticity and joy can resonate more deeply than technical skill. III. The Woman, the Hullabaloo, the Courage, the Authenticity Whatever your opinion of her singing abilities, you must acknowledge her determination to make her dreams come true. She immersed her life in music and shared it with others in any way she could. As a wealthy patron and seasoned concertgoer, she used her resources to fund her art and forge her own legend. In an era when women rarely self-produced, Florence was her own label, manager, and PR machine. Her monthly tableaux vivantes “Musicales” at the Ritz-Carlton became social events attended by New York’s elite. She was, in every sense, an early influencer of imperfection. Quirky Fact According to Nicholas Martin and Jasper Rees’ biography of Jenkins, she preferred her audiences to sit in mismatched dining chairs for her recitals. She loved the absurdity of it all and believed comfort encouraged better listening. This was entirely on-brand for a woman who refused to fit the mold. Mme. Jenkins preferred her audiences to be seated in mismatched dining chairs for each of her regular performances at the Ritz-Carlton in New York City. The Legacy of Courage Florence Foster Jenkins' legacy is one of courage and authenticity. She dared to be herself in a world that often demands conformity. Her story inspires us to embrace our uniqueness and pursue our passions, regardless of societal expectations. In a time when many artists feel pressured to fit a certain mold, Jenkins' example serves as a reminder that true artistry comes from being unapologetically oneself. IV. The Physiology of a Miracle Among all the reviews I've found of her singing, none mention a crucial detail: Florence Foster Jenkins was seventy-six years old at her Carnegie debut. By that age, the female voice typically loses elasticity due to post-menopausal changes. Any coloratura, even those who achieved international success, would struggle to sing these arias at 76. In my humble opinion, she sounds just as one would expect for someone her age tackling opera's most difficult coloratura selections. But here's the kicker. Florence was diagnosed with syphilis at 18 and underwent nearly 60 years of neurotoxic medical treatments with mercury and arsenic to manage the disease. It's astonishing she lived as long as she did. These treatments relentlessly poisoned her body, compromising her nervous system and auditory capabilities. Performing at Carnegie Hall under such conditions borders on the impossible. Her recordings are not merely curiosities; they are miracles of willpower. To mount an entire program of Verdi, Mozart, and Delibes under those conditions was heroic. Listening with empathy reveals not the folly most attribute to her abilities, but fierce stamina and joy. If Jenkins had sung in our century, her engineers could have easily “fixed” her intonation. The irony? We might never have known how extraordinary her courage was. The Impact of Adversity Florence Foster Jenkins' story illustrates how adversity can shape an artist's journey. Her struggles did not deter her; instead, they fueled her passion for music. She transformed her challenges into a source of strength, reminding us that our obstacles can become stepping stones to greatness. In a world that often celebrates perfection, Jenkins' legacy encourages us to embrace our imperfections and find beauty in our unique journeys. V. Did She Know? The Unretouched Voice in an Autotuned Age Florence Foster Jenkins absolutely knew what good singing sounded like. She attended the Met, corresponded with professional musicians, and hired top-tier conductors and accompanists to aid her vocal journey. She also held leadership positions in most of the women's clubs she belonged to. Including the Verdi Club, the organization she founded herself, she was also a member of the Mozart Club, the Manhattan Study Club, the Genealogy Society Club, National Society of Patriotic Women, Daughters of the American Revolution, The Round Table Club, the Fresh Air Fund, the Eastern Star Club, the Knickerbocker Relief, Arts and Sciences Club, the Euterpe Club, the New Yorkers, the Musicians Club, the Rubinstein Club, and the Drama Comedy Club. One simply cannot surround oneself with such things and not develop a somewhat refined artistic taste. It was the slow decline of her hearing and sanity, for lack of a better word, that created the delusion. Plus, no one wanted to tell the most significant arts benefactor of the time that she was not the skilled singer she thought she was. Let's also point out that Florence lived before digital editing, pitch correction, and autotune. What you hear on her records is exactly what she sounded like — unretouched, unfiltered, and fearless. I'd love for any contemporary singer to try the same. Today, entire pop careers are tuned beyond recognition. The YouTube channel Wings of Pegasus analyzes this phenomenon, showing how technology disguises vocal flaws. If Jenkins had sung in our century, her engineers could have easily “fixed” her intonation. The irony? We might never have known how extraordinary her courage was. Her honesty, forever immortalized for us, reminds us that transparency is a higher form of artistry . In her imperfection, one can still hear truth. In her unedited vibrato and in each quarter-tone she sings, we hear humanity itself. "The truth of it is, most of us are more like Florence than we are Tetrazzini… but Florence had something else too: a sheer joy in her performances.” - Tom Service, The Guardian (2016) The Importance of Authenticity Florence Foster Jenkins' journey highlights the importance of authenticity in artistry. In a world filled with filters and edits, her unfiltered voice serves as a powerful reminder that true artistry lies in being genuine. Her story encourages artists to embrace their unique voices and share them with the world, regardless of societal expectations. In doing so, we can create a more inclusive and diverse artistic landscape. VI. The Joy of Singing — Untamed and Unapologetic Florence Foster Jenkins was, like many of us, a devotee of music’s magical power. Neuroscience confirms what she lived every day: singing releases dopamine and oxytocin, boosting confidence and joy. Florence didn’t just love music — she relied on it. It was her emotional lifeline, and perhaps her physical one, too. Her joy was palpable. Witness accounts from Carnegie Hall describe audiences oscillating between laughter and awe. At the heart of their reactions was a tinge of catharsis. When a performer dares to love the sound they make, even imperfectly, that energy becomes contagious. As a coach, I tell my students: authenticity always trumps technique . With enough practice, anyone can deliver a technically sound performance. But an authentic performance requires a self-awareness that is rare. Florence reminds us that technique can be taught, but joy must be reclaimed. The Transformative Power of Joy Florence Foster Jenkins' story illustrates the transformative power of joy in music. Her passion and enthusiasm for singing inspired those around her, creating a sense of community and connection. In a world that often prioritizes technical perfection, her example encourages us to embrace the joy of creation. By sharing our authentic selves, we can inspire others to do the same, fostering a culture of acceptance and celebration of individuality. VII. Democratizing Art: Florence as the People's Diva The best thing about Mme. Jenkins is that she cracked open opera’s marble facade and made it accessible to everyone. For centuries, classical music had been a gated domain of “the trained.” Florence burst through those gates with carnations in her hair and costumes she designed herself, proving that the love of art, not technical mastery, grants you citizenship in its kingdom. In doing so, she democratized art. She became a patron saint for every shower singer, every karaoke hero, and every untrained music lover who sings because they can’t help it. The laughter she inspired wasn’t derision — it was recognition. She gave us permission to participate. The Legacy of Inclusivity Florence Foster Jenkins' legacy is one of inclusivity and empowerment. She showed that art belongs to everyone, regardless of skill level. Her story encourages us to embrace our creative expressions and share them with the world. By breaking down barriers and challenging societal norms, Jenkins paved the way for future generations of artists. Her example reminds us that art is a universal language that can unite and inspire us all. VIII. From Carnegie to Broadway: A Legacy Reimagined I'm not the only one inspired by Florence Foster Jenkins' performances. Her story inspired Souvenir , Stephen Temperley’s 2005 Broadway play starring Judy Kaye, which reframed her life as an ode to self-preservation and honesty. Seeing her story honored on the same stages I now work upon feels like a form of poetic justice. Florence had always belonged in the theatre — she just arrived eighty years early. Kristin Chenoweth and Joseph Stanek singing "The Prayer" during Ms. Chenoweth's ongoing international concert tour , accompanied by Mary-Mitchell Campbell on piano. At Tour de Fierce in Queens, NYC, we refine the same courage Florence Foster Jenkins embodied: authentic, radiant, unapologetic. Source: Tour de Fierce The Impact of Theatre Theatre has the power to transform stories into experiences. Florence Foster Jenkins' legacy continues to inspire artists and audiences alike. Her story serves as a reminder that every voice matters and that authenticity can shine brightly on any stage. As we celebrate her contributions to the arts, let us also recognize the importance of storytelling in shaping our understanding of ourselves and each other. IX. Lessons for Today’s Singers: Have the Audacity to Be Yourself Five Things Florence Taught Me About Singing & Life Authenticity outlasts approval. The applause fades; integrity stays. Confidence is contagious. Believe so completely that others must too. Audience connection trumps perfection. Jenkins made people feel something, which is rarer than hitting high C. Your brand is your truth. She built hers on fearless transparency. There’s power in imperfection. The quiver, the crack, the breath, the wobble — they’re what make you human. Ready to find your authentic voice? Explore Tour de Fierce's voice lessons online and learn how to sing with joy, not fear. The Importance of Lifelong Learning Florence Foster Jenkins' journey is a testament to the importance of lifelong learning. She embraced her passion for music and continually sought to improve her craft. Her story encourages us to pursue our interests with curiosity and dedication. By committing to our growth, we can unlock our full potential and inspire others along the way. X. The Audacity to Sing Anyway Florence Foster Jenkins died just a month after her Carnegie triumph, but her memory lives on in every voice that dares to sing despite what others may say. She reminds us that happiness, too, is an art form — and that sincerity outlives virtuosity. Perhaps her fame will continue to grow, as it has for other misunderstood geniuses. The question isn’t what she achieved in her lifetime, but what she inspires in ours. Because in the end, Florence’s true gift wasn’t her delusion. It was her permission. She sang so that we might dare to, too. The Legacy of Courage Florence Foster Jenkins' legacy is one of courage and inspiration. Her story encourages us to embrace our unique voices and share them with the world. As we reflect on her life, let us remember the importance of authenticity and the power of music to connect us all. References Service, Tom. “Florence Foster Jenkins: we may laugh, but to be this bad took talent.” The Guardian , 4 May 2016. Martin, Nicholas & Rees, Jasper. Florence Foster Jenkins: The Inspiring True Story of the World’s Worst Singer. St. Martin’s Press, 2016. Bullock, Darryl W. Florence Foster Jenkins: The Life of the World’s Worst Opera Singer. The Overlook Press, 2016. Souvenir , by Stephen Temperley. Broadway Play, Lyceum Theatre, 2005. Florence Foster Jenkins: The Singer Who Missed Every Note (Documentary, YouTube). Wings of Pegasus YouTube Channel – Analysis of Vocal Transparency and Autotune. “Florence Foster Jenkins.” Wikipedia .

"Who is the best singer in the world?" An Introduction: Opinion Vs. Fact Consider the question. Note: there is no mention of "favorites" anywhere, i.e. "Who is your favorite singer in the world?" That's a different topic altogether. If I were collecting a survey of opinions, I would have posted the question on Reddit. Who is the best? Contrary to what you may assume, there is  an answer to this question. If we view singing as a learnable skill (which... it is) made up of measurable, gradable components (which... they are) and tally up scores for all eligible contenders, who are each held to the same exact grading standards, one individual will inevitably, always, out-perform the rest. It's not rocket science. Unlike other competitions that pit us against each other in battles to determine the "best," (think: competitive chess, Olympic swimming competitions, spelling bees, etc.), singing has no official and universally accepted rulebook that determines which components together form the required elements of singing mastery. (Unfortunately, the human race seems to have universally adopted the "popularity contest" as the standard means of defining what accounts for great singing.) And that is the exact standard I'm asking you to completely disregard while reading this webpage. This type of democratic procedure, a "majority-wins" convention of scoring, does not bestow titles that fairly identify someone as the "best" at anything. Instead, we'll consult with an expert. To determine the individual alive today who is the best singer in the world , I'm not asking America to call in and vote for their favorite singer (American Idol). Nor am I prepping elaborately staged performances of original songs, each representing its own country and scored by the masses (Euro Vision). No. That doesn't accurately answer the question. To determine who the best singer in the world is , I'll follow a much more streamlined process: I'll simply tell you who it is. Along with, of course, ample support about how I reached the conclusion. Meet the Expert Chances are, you have no idea who I am. Don't feel bad, there's really no reason you should know who I am. BUT, if you've ever watched the Super Bowl, or tuned into an internationally televised concert featuring a global singing sensation, or attended a Broadway show in New York City, chances are you've seen and heard my work out in the wild, maybe even on more than one occasion. When I'm not performing on stage myself, I'm behind-the-scenes creating opportunities to showcase other artists. Pictured is an image I took from a concert I co-produced for international singing sensation Andrea Bocelli at the Historic Roman Colosseum . Image courtesy of Tour de Fierce®. My name is Joseph Stanek and I've dedicated nearly 20 years of my life to creating performances that are meaningful, tastefully disruptive, and unapologetically authentic. I've worked with thousands of singers across the world, both famous and non-famous, of all ages and skill levels across all languages and musical genres. It's been an honor to have worked with some of the biggest icons in the entertainment industry  for some pretty historic performances. It's also been an honor to discover new voices from all corners of the planet that could give the famous singers a serious run for their money. The reason for this bit of background information (and for the gallery of images at the top of this page) is to demonstrate that I am uniquely positioned to determine who, of all the singers in the world, is the best. My take on who the best singer in the world is has been objectively constructed in part as an expert in vocal science; the other part comes from real world experience with many, if not all, of the final contenders themselves, or from their bodies of work, with which I have thoroughly acquainted myself. The answer to the question "Who is the Best Singer in the World?" is not a matter of opinion. If all eligible contenders are held to the same assessment standards, no matter the field or industry, one contender will always rise to the top. My conclusion is not my opinion. It is a fact. For a taste of my qualifications, please read more about me or peruse my portfolio of favorite projects . The Assessment: An Overview of Significant Elements of Singing In a nutshell, my reasoning is supported by a simple philosophy comprised of a number of very complicated processes that work together when we sing. To begin with, the best singer in the world must strike the perfect balance between physics, physiology, and psychology. Breath support, efficient use of air, pitch precision, resonance control throughout their entire range and across all dynamic levels, emotional connection to both the material and the audience... these are all quantifiable elements of singing that were carefully scrutinized and assessed before I arrived at the final verdict. I'm writing this introduction after my assessment, and as I reflect on my decision, there's really no surprise. Because my answer to the question, " Who is the best singer in the world? " really should have been a no-brainer, despite the numbers I've crunched to arrive at the winner. And I've got enough receipts to prove my point to write a textbook about it. For now, it's contained within the pixels on this webpage. Without further ado, please sit back and allow me to define "great singing," and who does it better than anyone else on the planet. This blog could easily be turned into a multi-volume textbook waxing poetic on all the ways this singer is better than all the others. Keep reading to see the receipts. Pay Attention to the Lesson of the Day, Children. Singers do not equal Recording Artists, and vice versa. "Singer" Vs. "Recording Artist": A Paramount Distinction I must preface this assessment with a crucial distinction in terminology to establish a baseline for what is acceptable and what is not acceptable when it comes to calling someone a "singer." Read this loud and clear: The terms "singer" and "recording artist" are not synonymous. This is a fact, and not my opinion. (If you were unaware that these words are not interchangeable before now, it's nothing to be ashamed of; for marketing purposes, many artists play off of the general population's naiveté, as it blurs the lines between what they want you to think they are capable of and what they are truly capable of in reality. It's not your fault, but please continue in life now knowing the distinction:) Anyone who is able to phonate can be considered a singer, and anyone who can create noise of any kind, even by the sound of their breathing, can be considered a recording artist if those sounds are ever recorded in any capacity. But for the purposes of determining who the world's "best" singer is, a comprehensive evaluation requires us to reach a common ground with the understanding of a slightly more specific definition of each, as they are commonly identified and accepted by experts like myself within the entertainment industry: "Singer" For our purposes here, a "singer" possesses exceptional vocal technique focused on live vocal performances. A true singer is able to engage their vocal technique on command, most often in live concert engagements without relying upon performance enhancements or smoke-and-mirror-type illusions that give the audience the impression that they have singing abilities that they actually do not (lip synching, pitch correction, and the likes). "Recording Artist" Again, for our purposes here, a "recording artist" excels in crafting polished, commercially viable recordings, most often with the help of a team of engineers and producers. I think of recording artists as producing music in which the studio itself is as important to the final sound as the human beings actually providing the sounds. Most scholars consider the studio an actual instrument in the recording artists' final releases. As a collective, "recording artists" is not exclusive to singers, and can include instrumentalists and electronic instrumentation, dabbling a bit into the recording engineer's territory. When Singers Aren't The Best Recording Artists While the two terms can overlap, they don't always. Many singers' live performances eclipse their recorded work. The singer Orfeh gives incredible live performances, leaving all her audiences in pure shock with the power behind her vocals, but for some reason recording media cannot capture the same power. Her "Freedom" performance on Club Broadway was mind-blowingly electric in the room, but the real phenomenon that IS Orfeh can only be captured by firsthand account; that video, while still impressive, does not do the "real" Orfeh justice. In addition, from all historic accounts, it is widely accepted that Astoria-native opera singer Maria Callas had a similar issue with recording; microphones and video cameras simply couldn't capture the magic she created when she was seen performing live on stage. When Recording Artists Aren't the Best Singers Much more commonly, recording artists produce their best work in the studio, but struggle to replicate the same sounds at the drop of the hat, something that true singers can easily showcase. For the most part, this is due to the significant amount of influence that goes into their music beyond their own solo capabilities. Enya, for example, has never given a concert due to concerns about not being able to replicate the sounds of her music on stage. Sure, she has performed for audiences before, and on television before, but she's the first to admit that these are heavily "produced" performances, with the backing tracks obscuring any live feed that may be coming from her own microphone. This awesome article on MSN summarizes the Enya phenomenon quite well, and it's often in Enya's own words. I also like to direct people to this video featuring the isolated vocals of Britney Spears in concert. Yes, the world caught glimpses of Britney Spears as a "singer" in the early Britney days on Star Search , but once she really hit it big as a recording artist, it's clear from the former video that she learned to prioritize her dancing and lip synching skills over live vocal performance as she had settled into her role as a recording artist. Why The "Singer" and "Recording Artist" Differentiation Matters The reason I even mention this difference between "singers" and "recording artists" is because I am often met with backlash when I offer my (highly researched and well-supported) assessment on who the best singer in the world is . The backlash tends to be accompanied by quantifiable metrics, things like, "But [insert recording artist's name] has sold over [obscenely high number] of records and is coming off an over-sold international arena tour." While those metrics may be impressive for a recording artist, they don't carry as much weight, if any at all, when we only consider the singers out there making music. Most likely, the artist in question is really more of a recording artist than a singer. The purpose of this study is to determine the identity of the best singer in the world. Don't get it twisted, though; one of the skills the "best singer in the world" should readily have up their sleeves is a masterful command of their voice while in the recording studio... an ability to use their voice to connect with audiences without being in the same room. Through earbuds and surround-sound Bose speakers alike. If you're the best singer in the world , your vocal abilities know no boundaries and can translate effectively through any medium. Speaking of the world's best singers, if you want to become one yourself, I'm offering a 50% off discount on weekly lessons to fill a couple of rare openings in my studio. Check it out the limited-time pricing plan here . Parameters Assessed to Determine the "Best" Now that we've gotten that out of the way, let's go over what it means to truly be the " best singer in the world ." (Recalling the above, it's not album sales.) My professional assessment of who the best singer in the world is has been determined through meticulous consideration of the following categories, with the winner being the singer who has mastered each of these conventions both on their own and in combination with the others—the individual who most successfully executes the following criteria—better than anyone else on the planet: Technical Prowess: The singer's mastery over vocal techniques, including breath control, pitch accuracy, agility, and the ability to execute complex and otherwise challenging vocal passages effortlessly. Emotional Depth: The capacity to genuinely express and evoke feelings through vocal performance, resonating deeply and authentically with listeners of all demographics, ages, levels of interest, and singing abilities themselves. Versatility: The singer's ability to excel in diverse musical genres, adapt stylistically, and perform convincingly in various musical contexts. Vocal Range: The span of pitches a singer can comfortably sing—often used to measure technical ability, but distinct enough to be its own category. Tone Quality: The unique timbre or coloration of the singer’s voice—what makes them instantly recognizable and appealing. Tone should be even throughout the entire range of pitches available to the singer's unique instrument, though can be disregarded by choice of the artist if their interpretation favors a stronger, more effective color without consistent tone. Interpretative Skill (Artistry): How effectively a singer conveys meaning, nuance, and intention beyond emotional depth alone; this includes phrasing, dynamics, and subtle artistic choices. Cultural Impact: The extent to which the singer’s work has influenced music, society, and other artists globally. Consistency and Reliability: The ability to maintain vocal quality across live performances, studio recordings, and various conditions (e.g., touring). Authenticity: How genuine and true-to-self the artist appears in their vocal performances, affecting connection and believability. Longevity: The singer's ability to sustain vocal excellence, relevance, and influence over an extended period, demonstrating adaptability and growth through the various phases of their career, through natural changes as the vocal apparatus ages along with the body, and through major life events that impact expression through the music they sing. So... Who Is the Best Singer in the World? Who not only meets these formidable criteria... but who rises above countless exceptional artists to earn the title of the " Best Singer in the World "? After carefully assessing each of the categories listed above, one name consistently shines brighter than the rest— Kristin Chenoweth . Her vocal artistry doesn't merely meet these expectations—it transcends them. Chenoweth effortlessly blends technical mastery with unparalleled interpretive genius, leaving audiences captivated, moved, and deeply affected by her extraordinary gift. I've worked with celebrity singers for the better part of my career, primarily based out of New York and LA. Often as their vocal coach, my role is to help them navigate specific vocal challenges, addressing technical vulnerabilities through targeted exercises and strategically emphasizing their vocal strengths during live performances. Understanding intimately what each singer can and cannot do with their voice is essential to my job. Typically, this close knowledge of a singer’s vocal limitations might naturally exclude them from topping a "world's best" list of singers. However, since I began working with Kristin Chenoweth in 2016, my lofty suspicions about her singing abilities have, much to my surprise, proven to be true. Kristin doesn't just meet the highest vocal standards—she defines them. Her voice possesses no discernible weaknesses, only unmatched strength and clarity that elevate her to a level all her own. Whether she is performing on stage, recording in a studio, or harmonizing with a security alarm in a hotel lobby on social media , Kristin Chenoweth demonstrates flawless vocal technique, profound emotional expression, and a versatility that continuously defies expectations. Simply put, working with Kristin has taught me that vocal perfection isn't merely theoretical—it’s embodied in her every note. Here are the receipts to back it up: The Girl in 14G: Kristin Chenoweth's Masterclass in Vocal Versatility When Kristin's career took her to Hollywood, away from New York and the leading role she had been workshopping in Thoroughly Modern Millie, composer Jeanine Tesori made her a promise to write a special song for her. A "showcase" to show off Kristin's abilities like nothing else before. That's a hefty promise. But boy, did she deliver on it! One year later, Jeanine called Kristin and said, "I'm making good on my promise," and mailed her a copy of "The Girl in 14G" - at the perfect time in her career when Kristin was really gaining stride in the public eye. I remember seeing Kristin perform this on The Rosie O'Donnell show and being blown away by it. The song cleverly incorporates several styles of singing back-to-back. Watch and have a listen to "The Girl in 14G" here: But let's break down these vocal techniques one-by-one just to make sure everyone comprehends her mastery over this interpretation, and how they each developed. We've got belting (the vocal style featured in the song's main character), opera/classical/legit coloratura singing (from 13G) and jazz (in 15G). Check out the next two sections for a bit more on her belting and classical singing, and I'll return to her jazz singing further down as I discuss how her voice ages. Belting on Broadway My personal journey with Kristin began long before our professional collaboration. I was Snoopy in my high school's production of You're a Good Man, Charlie Brown , and I worshipped the new soundtrack from the Broadway revival that had just come out. The album featured a standout musical number that unfortunately wasn't in the version my school had licensed for our production. Sure, Andrew Lippa's "My New Philosophy" was composed exquisitely with a catchy melody and exciting vamp throughout, but I couldn't get the singer, someone named Kristin Chenoweth, off my mind. I had never heard someone belt like that, or as high as that, ever before. "My New Philosophy" was such a showstopper , it earned Kristin a TONY® Award pretty much on its own... even after the revival had already closed on Broadway. (Winning a TONY® for a role in a show that has closed already is a nearly impossible accomplishment in and of itself, but on top of that, Sally Brown is a role with a one-liner here and there, and she's really got only one song, which is technically a duet, not a solo!) That's the work of a remarkable artist. Kristin Chenoweth Sings "My New Philosophy" as Sally Brown, the role for which she is about to win the TONY® Award for Featured Actress in a Musical, during the live broadcast of the 1999 TONY® Awards. "Glitter and Be Gay" - A Benchmark for Future Performances When you mention the name "Kristin Chenoweth" to any trained singer in the world, the first thought that will cross their minds is Kristin's rendition of "Glitter and Be Gay" at Lincoln Center, which THANK GOD was immortalized on film for a national broadcast on PBS. (She later told me that the contract for this performance had already been already signed when Wicked transferred to Broadway, which meant she had to juggle Candide rehearsals for the performance on national television while performing Glinda 8 times a week in Wicked . I mean...) Anyway, her rendition of "Glitter and Be Gay" at Lincoln Center was monumental, to say the very least. Her interpretation of one of the most difficult vocal compositions in history was so definitive that it became the benchmark for all subsequent performances from then on after. In fact, for the culturally-attuned audience member, if a Cunégonde dares to perform "Glitter and Be Gay" without boldly swinging those necklaces overhead like a triumphant lasso, her performance immediately devolves into a regrettable misstep—so glaringly bland and uninspired that it becomes permanently etched as a disappointing "should-have-been" moment, if it's even committed to memory at all after that. This is just one example of her incomparable ability to leave an "indelible mark" on every piece she touches. Kristin Chenoweth's "Glitter and Be Gay" interpretation became the benchmark for all future performances of the coloratura staple after her performance of it aired on national television in 2004. Leaving "Indelible Marks" Upon Her Songs In fact, there isn't much that Kristin Chenoweth does NOT leave her indelible mark upon when it comes to song interpretation. For instance, in Stephen Schwartz's score for the Broadway musical Wicked , it was Kristin Chenoweth, not Stephen Schwartz, who created the yodel in the song "Popular" . (Listen to the chorus: "You, will, be... Popular! You're gonna be pop- u-u -lar...") Her creative genius when it comes to the tiniest details like this are not only drawing techniques from left field, but they're so incredibly unique and always so perfectly in line with what the music and lyrics BEG for, that the song simply does not exist the same way without them. There have been quite a number of singers to tackle "Popular" on stage in Wicked, and I guarantee every single one of them sang the yodel on the second syllable of the titular word, a subtle nod to the creative genius of Ms. Chenoweth. Chenoweth's Broadway Debut (The Real One) and Her Work as an Actress I'm not quite sure how every digital news outlet incorrectly credits Kristin Chenoweth's Broadway debut as Precious McGuire in Steel Pier , which is a coloratura feat in which she sustains an E6 whilst being hoisted in the air, because it's entirely false information. Kristin Chenoweth made her Broadway debut in a non-musical play called Scapin in 1997. The fact that her Broadway debut was in a speaking role speaks wonders for her acting abilities. Two years later, she would be cast in another play on Broadway called Epic Proportions, a further testament to her acting chops so early in her career. Contrary to every news outlet I can find online, Steel Pier was not Kristin Chenoweth's Broadway debut. The real answer is a non-musical called Scapin , a testament to her acting chops early in her career. But for now, enjoy this song from Steel Pier. ;) Of course she went on to win the EMMY® Award for Supporting Actress in a Musical or Comedy for her portrayal of Olive Snook in the short-lived Pushing Daisies , and snag a few additional EMMY® nominations for playing April Rhodes on the hit series Glee . Her TONY® and EMMY® Awards were not factored into the "best singer in the world" criteria, but they are worth mentioning. Personal photo taken of Kristin Chenoweth's EMMY® Award at the Kristin Chenoweth Theatre in Broken Arrow, Oklahoma. Pictured here with her Vanguard Award (GLAAD) and her Hollywood Life Magazine Breakthrough of the Year Award 2005 ( Bewitched ). We all know what a difference such skilled acting makes in song interpretation; having access to hundreds of different timbres throughout the vocal range to color the lyrics for dramatic purposes in such distinct nuances is a hallmark of Kristin's singing. The Queen of the Sopranos Any discussion of Kristin Chenoweth's singing will surely contain several instances of the word "soprano," because, after she proved her acting talents in Scapin, her role in Steel Pier solidified her as a formidable coloratura force to be reckoned with. But if you rewind a bit to her college days, she was already famously hitting high notes on pretty visible platforms. Check out this video of her singing the ending of Victor Herbert's "Art is Calling for Me" as Miss Oklahoma City University in the 1991 Miss Oklahoma Pageant. (She ended up sweeping the talent category, but not the crown.) For those of you who aren't aware, Kristi Dawn Chenoweth, former Miss America Susan Powell , Lara Teeter , and Kelli O'hara were all students of the same master voice teacher, the late Florence Birdwell. Honestly, it's a toss-up as to whether the best part of Kristi Dawn Chenoweth's 1991 Miss Oklahoma package were these high notes in "Art is Calling for Me" or her tangerine bathing suit, which I can't find evidence of (someone help me!) this black one will have to do for now . An Unexpected Development: Kristin Chenoweth's Middle and Lower Registers Blossom with Age, Rivaling Her Famed Coloratura While everything I've covered up to this point is impressive on its own, here comes an unexpected twist. I bore witness to a development in Kristin Chenoweth's voice in 2016 that sealed the deal on her " Best Singer in the World " title. My very first project in collaboration with her, a studio album of American songbook classics called The Art of Elegance (Concord Music ) , introduced the world to the rich, chocolatey, golden warmth of a newly (and naturally) developed middle and low registers of her voice. We caught a glimpse of this lovely lower tessitura of hers when she delivered the lower harmonies in Wicked 's "For Good," (which, by the way, if you ask Stephen Schwarts what his favorite musical moment of the entire show is, he'll have the same answer every time: Glinda's, "...changed for the better," which he wrote to be a supporting harmony underneath Elphaba's upper melody, but was so masterfully sung by Kristin Chenoweth that, upon hearing this section, most listeners assume the lower part is the melody with little attention paid to whatever is happening above it. Again, Stephen Schwartz's favorite moment in Wicked . Again, an indelible mark.) Speaking of Wicked , I loved working with Kristin Chenoweth, Idina Menzel, Ariana Grande, Jennifer Hudson, Adam Lambert, and more on NBC's A Very Wicked Halloween: Celebrating 15 Years on Broadway Halloween Special. Check it out! If you are unfamiliar with her album The Art of Elegance , I beg you to give it a listen. For those of you who follow the Billboard charts, you'll know that Frank Sinatra still holds court over the traditional jazz albums all these years after his passing, but The Art of Elegance debuted at Number 1 on Billboard's Top Jazz Albums chart, bumping Mr. Sinatra to second place for a whopping eight consecutive weeks. This is virtually unheard of. Go listen to the album. Any track will do, although a personal favorite is, "I Get Along Without You Very Well" - you'll hear what I'm talking about how Ms. Chenoweth's middle and lower registers are uncharacteristically robust for the typical high coloratura voice, and the singing couldn't be healthier, more natural, or more sumptuously rich with interpretation throughout the entire album. That voice was created by divine intervention. One example of Kristin's exquisite middle and lower registers: "I Get Along Without You Very Well" from her hit studio album The Art of Elegance . My first project working with Kristin Chenoweth: her remarkable studio album of American Songbook classics The Art of Elegance . Wonder why this image didn't make the cover? My very first Billboard Number 1 record. The Art of Elegance is the album that introduced the world to Kristin Chenoweth's newly developed sumptuous middle and low registers. How Did She Score with the Parameters? Kristin Chenoweth embodies the pinnacle of vocal artistry by excelling exceptionally across every essential metric: Technical Prowess: Kristin Chenoweth’s vocal technique is extraordinary, characterized by impeccable breath control, pinpoint pitch accuracy, remarkable agility, and the effortless execution of complex vocal passages. Her iconic performance of "Glitter and Be Gay" from "Candide," with its challenging coloratura soprano demands, showcases her mastery vividly, navigating rapid-fire notes and intricate ornamentation with astounding ease and precision. Emotional Depth: Chenoweth possesses a profound capacity for emotional expression, deeply resonating with listeners through authenticity and heartfelt delivery. Her interpretation of "For Good" from "Wicked," conveys genuine vulnerability and emotional sincerity, leaving audiences profoundly moved and deeply connected to the narrative. Versatility: Few artists navigate diverse genres with the ease and conviction Chenoweth displays. She fluidly transitions from operatic arias and Broadway anthems to jazz standards and contemporary pop, as demonstrated in albums like "The Art of Elegance," where she effortlessly inhabits classic jazz songs with sophisticated finesse and genuine charm. Vocal Range: According to the internet, Kristin Chenoweth's vocal range spans D3 to F6. However, I've vocalized her down to a B3 and up to touch a brilliantly resonant B-flat7 in real life. Either way, it's impressive. Chenoweth’s vocal range spans multiple octaves, comfortably embracing both the demanding coloratura soprano territory and expressive lower registers. Her ability to execute a wide vocal spectrum is exemplified by roles ranging from the stratospheric high notes of Cunégonde in "Candide" to the emotionally nuanced, lower-range melodies in songs such as "I Will Always Love You." Tone Quality: Kristin’s voice is instantly recognizable, boasting a distinctive timbre that uniquely combines crystalline clarity, warmth, and brightness. Her signature vocal color is appealingly evident in performances like "Taylor the Latte Boy," where her vibrant and engaging tone captures listeners immediately and unmistakably. Interpretative Skill (Artistry): Chenoweth’s interpretative genius sets her apart, as she masterfully conveys nuanced meanings and emotions beyond mere vocal technique. Her subtle phrasing and dynamic variations in songs such as "My Funny Valentine" reveal layers of emotional storytelling, transforming familiar melodies into profoundly impactful musical experiences. Cultural Impact: Chenoweth’s artistry has significantly influenced musical theater, contemporary performance, and popular culture, inspiring countless artists and reaching broad audiences worldwide. Her portrayal of Glinda in "Wicked" reshaped Broadway's landscape, becoming an iconic character embedded in popular culture, widely recognized and emulated internationally. Consistency and Reliability: Known for exceptional consistency across various performance settings, Chenoweth delivers vocal excellence whether on Broadway, in concert halls, or studio recordings. Her flawless live performances, such as her widely acclaimed concert at Carnegie Hall, affirm her unwavering reliability and dedication to vocal quality under any circumstance. Authenticity: Kristin Chenoweth brings a profound authenticity to every performance, creating intimate connections with audiences through genuine, heartfelt expression. Her performances always feel truthful and deeply personal, as evidenced by her emotionally resonant interpretations of classics like "Smile," where her sincerity and honesty shine brightly. Longevity: Chenoweth has maintained vocal excellence, relevance, and influence throughout a distinguished career spanning decades. She continuously adapts and evolves with each phase of her life, gracefully navigating natural vocal changes and personal milestones. Her enduring presence in both theater and music, consistently demonstrating adaptability and growth, cements her status as a timeless and iconic vocal powerhouse. The Other Singers in Comparison While non-experts are certainly entitled to their own opinions of who the best singer in the world is, against the standards I've established on this page, they are, in a word, wrong. For the sake of counter-argument, I've included a smorgasbord of alternatives, posited by random, non-experts on the internet, along with a brief statement of mine below: Aretha Franklin (the queen of R&B during a pivotal time in civil rights, the voice of the movement that inspired much-needed change) Elvis Presley (a rare baritone on this list, with beautiful low notes and equally impressive high notes, rock and roll, with gospel and country influences) Ray Charles (infused different styles of music to become a pioneer for the creation of soul music) Ella Fitzgerald (hands-down the best jazz vocalist in history, her improvisations are unbelievable) Whitney Houston (I mean come on, that national anthem) Mariah Carey (I mean come on, that national anthem!) Christina Aguilera (agility for days, instantly recognizable style) Celine Dion (a true singer who only dabbled in smoke and mirrors on tour and during her Vegas residency when she was vocally under) Renee Fleming (the only singer in history to sing the national anthem live at the Super Bowl. Don't start with me, this is a huge accomplishment, and yes, Whitney Houston lip synched the performance broadcast for the nation, don't get me started.) These other singers are all truly some of the greats. They all do what they do very well, that is certain. But consider the mastery it takes to sing: A vocal tour de force like "Glitter and Be Gay" so well that it creates an archetypical interpretation of the song forever after it was introduced; pair it with Chenoweth's TONY Award-Winning role Sally Brown with her song "My New Philosophy," which has some of the highest belting ever heard on Broadway; then add her interpretation of "Popular" which, again, left a permanent mark on the piece for all eternity; and then contrast all of that with her silvery, chocolate, immediately-recognizable middle and lower registers so beautifully captured in "The Art of Elegance" Suddenly, the singers known for their mastery of a single style lose a bit of their luster in comparison. Disagree? I'd love to read your comment below. Final Send-Off From the measurable vocal virtuosity and immeasurable artistic attributes I've touched upon in this study (although there are many more to her name than these), Kristin Chenoweth is simply in a league of her own when discussing the best singers in the world . Which is why she is the highest-paid symphonic singer in the world, second-to-none. Do yourself a favor and catch her the next time she makes a stop on her ongoing concert tour around the world, and you just may be a convert yourself... Extra Credit: Kristin Chenoweth Rapping? Patter Song? What IS This? I'm not exactly sure how to classify this last song here, but God bless Kristin Chenoweth for agreeing to perform it. It takes a singer who is totally confident in their abilities to attempt something from left field like this. People online call this a rap, but to me, it's more of a Gilbert and Sullivan-esque patter song with rhythmic dialogue. Whatever it is, it's a hard sell for any performer, and I can't imagine anyone outshining this particular performance by Kristin Chenoweth . Enjoy. FAQ: Who Is the Best Singer in the World? Question: What is the difference between a singer and a recording artist? Answer: A singer is someone with live vocal mastery who can consistently perform with technique and authenticity without enhancements. A recording artist specializes in polished studio work, often relying on studio tools and production for their final sound. While many recording artists are also singers, the two are not synonymous. Question: Why is Kristin Chenoweth considered the best singer in the world? Answer: Kristin Chenoweth is a rare artist who checks every box: impeccable technique, emotional depth, versatility across genres, flawless tone, powerful storytelling, cultural impact, and unmatched consistency both live and in studio. She also brings authenticity and longevity, performing at the top of her game for decades. Question: What are some signature songs that show off Kristin Chenoweth’s skills? Answer: Glitter and Be Gay, My New Philosophy, and The Girl in 14G are standout performances that highlight her vocal agility, range, belting ability, classical training, and jazz fluency. Her studio album The Art of Elegance showcases her rich middle and lower registers. Question: Has Kristin Chenoweth received awards for her singing? Answer: Yes, she’s a TONY® and EMMY® Award winner, but this study emphasizes that her technical and emotional vocal brilliance goes far beyond accolades—it’s in the artistry and the legacy of her performances. Question: What vocal qualities set Kristin Chenoweth apart? Answer: A voice with no discernible weaknesses, supreme vocal technique, incredible control and agility, interpretive brilliance, and a tone that is instantly recognizable. Question: What is Kristin Chenoweth’s vocal range? Answer: According to public sources, her range spans D3 to F6. However, I’ve vocalized her personally down to a B3 and up to a thrilling B♭7. This wide spectrum enables her to sing the most demanding soprano repertoire while delivering surprising warmth and color in her lower register. Extra Credit People ask me all the time how I can do so many different things for my clients, and while my formal education certainly enabled me to develop the foundation of my industry knowledge and skills, it is my work with Kristin Chenoweth that really did the heavy lifting in my acquisition of these skills. I always tell them, "I learned how to do everything from Kristin Chenoweth." She literally taught me everything about everything, even life skills that have nothing to do with entertainment. And I love sharing that with others, as she so graciously does with me. If you want in on these skills, let's work together! Use me for what you need, and then go make the world a better place with the message you've got to share. I work both in-person (based out of my music studio here in New York City, and can travel anywhere in the world if needed) and online via virtual coachings . Check out my pricing plans here , and the other services I offer through Tour de Fierce. I hope to see you soon!

Out with the Old - In with the New! NYC's Tour de Fierce Vocal Coaching is Open for Business! Updated November 2025: Tour de Fierce continues to redefine New York vocal coaching for the digital age. Why NYC is Still THE Place for Vocal Training – And How You Can Tap In From Anywhere Let’s be real— the old-school New York vocal coaching you’ve heard about? It’s giving… outdated.  🎤💀 The industry has changed. You’re not just another singer running scales in a cramped studio. You’re an artist, and you deserve coaching that treats you like one. Traditional vocal coaching methods aren’t built for today’s singers.  Traditional New York City vocal coaches don't understand how to make your voice industry-ready  in a world where genres blend, technology drives performances, and authenticity wins every time. Welcome to the NEW era of New York vocal coaching—where your voice isn’t just trained, it’s transformed. ...Just gonna put this right here. The NEW New York Vocal Coaching? It’s Giving Evolution, Not Tradition. Trust Me, I Know. My name is Joseph Stanek, and I'm here to make sure you know: the bar has been raised for vocal coaches today. It's not enough for a vocal coach in New York to just know how to coach healthy, beautiful, powerful vocals. This is a new era of vocal coaching where a vocal coach needs to actually work within the industry he is coaching you to be a part of. When you're about to decide on a coach, ask yourself these questions: "Is this vocal coach working in a capacity beyond their vocal studio RIGHT NOW?" "Is this vocal coach tapped into the entertainment industry?" "Does this vocal coach have a finger on the pulse of what's happening in the real world?" "Have this vocal coach's glory years passed by?" "Is this vocal coach's business model in desperate need of a facelift?" "Do I deserve a better vocal coach?" Tired, OLD New York City Vocal Coaching Back in the day, NYC vocal training meant: The same one-size-fits-all exercises, no matter your style. Rigid, classical techniques that didn’t evolve with the industry. No focus on how to perform, captivate, and OWN your sound. But babes, this isn’t your grandma’s voice lesson anymore. Next-Level New York City Vocal Coaching for Fierce Singers The new era of New York vocal coaching  is built for today’s performers: Personalized, artist-first training  – Your sound. Your goals. No cookie-cutter methods. Tech-powered lessons  – High-quality online coaching with no audio lag , so you can train like you’re in NYC from anywhere. Industry-level insight  – You’re learning from someone who’s actually in the business, not just teaching from a textbook . Mindset + Confidence Work  – Because a fierce voice needs a fierce performer behind it. By the way, check out our tips on how to leave boring vocal warm-ups behind ! 🔥 NYC Vocal Coaching with Tour de Fierce's Joseph Stanek : The Glow-Up You Need If you’ve ever thought: “My voice is decent, but I wanna sound like the pros.” “I feel stuck—how do I break out of my vocal comfort zone?” “How do I make my voice not just technically good, but actually unique?” Then Tour de Fierce New York City vocal coaching  is for you. ✨ (You don't even have to live in New York City; we've got virtual lessons on lock, too.) Here’s what makes Tour de Fierce NYC vocal training different: You Know Your Teacher from Day 1: Joseph Stanek isn't just the face of the Tour de Fierce brand. Most other vocal coaching companies lure you in with one coach's philosophies on singing, but when you sign up for lessons, you're outsourced to study with someone else; or, even worse, you may be led to purchase their online courses or streaming tutorials instead of working with a live human being who can give you corrections in real time. At Tour de Fierce, you study with Joseph Stanek, one-to-one, not pre-recorded, either with in person voice lessons or online. Period. Performance-Driven Approach  → Whether you’re a pop star in the making, dreaming of Broadway, or are already an international singing superstar, Joseph Stanek coaches you beyond the practice room and into the real world. Trust. Genre Fluidity  → You’re not locked into one style. You can belt like a Broadway diva, riff like an R&B legend, and still sound uniquely YOU . Industry-Connected Coaching  → NYC isn’t just a place—it’s a network, and Joseph has worked with everyone . Training with him at Tour de Fierce, whether in-person or online, means learning from someone who knows the business inside and out and can help you find your place in it all. Forget the Old, Step Into the New. You’ve heard of the old New York vocal coaching ? That tired, textbook-style teaching? It’s not the moment anymore. THIS is your singing era. More from the Tour de Fierce Blog: Find out how much voice lessons cost & what to expect → Click here to read the full guide The new generation of NYC vocal training is here —smarter, more tailored, and designed for your success in today’s industry. Virtual lessons that sound like you’re in the room together. Custom exercises designed for YOUR voice, not just the same old video tutorials the entire world has access to. No matter where you are, you can access Tour de Fierce and the new NYC-level coaching that’s built stars , literally. Wanna Train Like You’re in NYC? Let’s Make It Happen. Whether you’re in Queens or Queensland , you can train with Joseph Stanek , a New York vocal coach  who actually gets your voice, your goals, and your sound . Read more about him here. Or check out Joseph Stanek's impressive body of work– his main character portfolio , not supporting role tyvm–to get more insights on the kind of glow up you'll get when you train with him. Book a session today and live your best life.  Because your voice deserves the new NYC treatment. 👉 BOOK A SESSION NOW FAQs: New York Vocal Coaching Question: Why is NYC still considered the mecca of vocal training? Answer: New York has the deepest bench of vocal experts anywhere on earth. It’s home to Broadway, Juilliard, and world-class voice pros. Even online, NYC coaches set the bar. Question: Can I train with a NYC vocal coach if I don’t live there? Answer: Absolutely. Coaches like Joseph Stanek bring the NYC standard to singers worldwide through online lessons, with the same high-level results and tailored methods. Question: What makes modern NYC vocal coaching different from traditional methods? Answer: Modern NYC vocal coaches blend elite training with real-world performance insight, mental health awareness, and career strategy—focused on results, not rigidity. Question: Is vocal coaching in NYC only for Broadway singers? Answer: Not at all. While NYC training is ideal for stage actors and pros, it’s also perfect for influencers, streamers, content creators, and anyone who uses their voice to stand out.

Voice Lessons Near You or Far Away... It Doesn't Matter: Don't Be Basic! Let’s get this out of the way: If you’ve been Googling, “voice lessons near me” and ended up learning the same basic boring scale from a coach who’s stuck in 1985, it’s time for a serious upgrade. Your vocal warm-ups should be anything but bland, boring, or basic. Such a buzzkill! They should leave you energized, excited, and ready to conquer whatever stage or studio you step into. Whether you’re searching for voice lessons near you  or training online with a professional vocal coach, you’ll get much further if your warm-ups actually inspire you. Here are five ways to ditch the boring scales and level up your vocal prep. Mediocre Singers Have Mediocre Warm-Ups. Fierce Singers Have ______________ Warm-Ups. (fill in the blank) 1. Ditch the “Me-Me-Me” Scale for Sickening Riffs Old-school scales definitely have their place, but let’s face it: doing the same pattern day in, day out can get stale fast. Try This : Incorporate contemporary riffs or short segments of your favorite songs. Focus on rhythm variations—break them down into smaller, more digestible pieces; start slow, then speed up. If you're a regular riff-singer, I know you've got your top 3 favorite riff-singers that you idolize (Christina Aguilera better be on that list, too!). Pull out some of your favorite riffs from their collection—it doesn't matter which songs they come from—and work them into your vocal exercises. You'll thank me later. 2. Get Your Body Involved (Yes, Really!) Vocal warm-ups aren’t just about your vocal folds. Your entire body plays a role in producing sound. We know this. Now act on it. Pro Tip : Add arm stretches, gentle neck rolls, and even a bit of dancing to loosen tension. Feeling “fierce” means releasing stiffness from head to toe. And when I say to "add" them, don't just do them silently; do them while you sing! It always makes me giggle when I ask my singers to get some movement going in their bodies and then the moment they start to sing, they freeze again. Singing IS movement. You've got this, don't be afraid to look silly at first. Then you can make it fierce. 3. Add Character & Storytelling It doesn't matter what type of music you're singing, or if you think the lyrics relate to you or not. Your job as the singer is to make your audience believe every word you sing comes from the depths of your soul. If you can't draw a direct connection to the lyrics, get creative. I'm food motivated... so what? Wanna know my secret when I can't find anything super relatable in the lyrics? Don't judge me. I figure out a way to sing the song to a McDonald's McFlurry (#NotAnAd I promise!). For instance, I'm singing Toni Braxton/Diane Warren's "Un-Break My Heart" in a concert coming up. I'm in a great place with my personal life, although I have BEEN THROUGH the emotional breakups before... but I really don't want to go back to those memories, so I figured why not sing the song as if I am in my car at the McDonald's drive-thru at 11pm and all I want is an Oreo McFlurry, the Oreo McFlurry I've been craving all day long... You know what I'm talking about. When I place the order, I hear the employee's voice come crackling through the speaker: "I'm sorry sir, the ice cream machine is broken." AGAIN!? When the music is queued up and the introduction is playing, here in my imaginary world as I'm taking my first breaths to sing the song, I'm thinking: "Is the ice cream machine really broken, or is my precious Oreo McFlurry just ghosting me because it doesn't want to see me anymore? Who's Oreo McFlurry in there with? Why wasn't I invited? How could my life turn out like this, when all I ever needed in life was an Oreo McFlurry!?" ::START SINGING!:: Don't leave me in all this pain Don't leave me out in the rain Come back and bring back my smile Come and take these tears away I need your arms to hold me now The nights are so unkind Bring back those nights when I held you beside me Un-break my heart Say you'll love me again Undo this hurt you caused When you walked out the door And walked out of my life Un-cry these tears I cried so many nights Un-break my heart My heart See what I mean? It might be silly to you, reading it here on the blog like this, but I'm telling you: it works. Give it some context by imagining the character’s mood. Trying a pop ballad? Envision the story behind the lyrics. Why It Works : Engaging your imagination triggers emotional depth, which helps your voice open up in a more authentic way. 4. Sing in Different Spaces Switch up your environment—a stairwell, a bathroom with killer acoustics, outside at the park, or a corner of your living room you never hang out in. Fun Fact : Changing the acoustics challenges your ear and helps you adapt your vocal technique to new environments. You might have to concentrate a bit more depending on the space you choose. 5. Use SOVT (Semi-Occluded Vocal Tract) Exercises— Without Being Boring SOVT exercises (like humming, lip trills, tongue trills, straw phonation...) can transform your tone, but who says you have to stare at a clock while you do them? Spice It Up : Put on your favorite beat, hum through a straw, and feel the backpressure realign your vocal folds. It’s fierce science, baby! By the way, if you're looking for a regular way to shake up those vocal warm-ups, try our Interactive Vocal Warm-Up Generator - it's in Phase 1 for now, with some new exciting updates coming VERY soon... stay tuned. The Tour de Fierce Interactive Tongue Twister Generator And if you're really looking for something different to spice up your vocal exercises, try your hand at some tongue twisters. Lucky for you, I've just coded the hell out of an interactive tongue twister generator and it's up and running on Tour de Fierce. But before you go getting your tongue twisted... Tour de Fierce's Interactive Tongue Twister Generator is a favorite among my students - read the tips below first, then the link to the generator is just below! Here are some tips to help you get the most out of these tongue twisters: For some reason, everybody wants to fly through tongue twisters as quickly as they can on their first time through them. Maybe it's some sort of, "Challenge accepted!" mentality, but while that's entertaining, you're missing the point if you stumble through it once and then never look at the tongue twister again. After you get your first crash run through the tongue twister (if you insist!), go back to the beginning and read the tongue twister silently, noting where the tricky spots are going to be when you actually say the words out loud. Don't fall victim to speaking them with an unnatural cadence. Think of the words and what they mean in context with each other, don't think of it as a tongue twister. Think about where the natural emphases would fall within the sequence of words if it was just like any other boring sentence. Focusing on a natural cadence of speech weakens the challenge of speaking a tongue twister correctly. Sometimes, before I say it out loud for the first time, I like to quietly go through the words to myself, making sure I move my tongue and lips exactly where they need to be throughout the tongue twister. This sort of "dry run" helps you feel the mmovement in your articulators first, so it's easier to slip right into using them again when you put the words with it for real the next time. Start slow. Make sure you get every syllable perfect. Then, work it until you are able to speak the tongue twister perfectly, without tripping on your diction or going too slow. The point of the exercise is to say the words correctly, not fly through them. So don't worry about going super fast. Just make sure you are able to be correctly understood when you say the tongue twister. BAM! Check it out here: Interactive Tongue Twister Generator Ready to leave mediocrity behind? There are plenty of other people out there who do mediocrity so well... just leave it to them, ok? We're fierce here. Check out some of our service options for private voice coaching : Vocal Coach for Belting Singing Lessons for Adults Vocal Coach for Beginners If you're more of an "in-the-room" type of person, check out my space, Tour de Fierce Music Studio, that my singers enjoy for in-person voice lessons NYC . Final Thoughts Your warm-ups should excite you, not bore you. If you’re typing “voice lessons near me” into Google, make sure the coach you find—whether online or local—challenges you to break free from the same old, same old. Because guess what? Basic is boring, and we’re not here for that. Don’t force it. Fierce it. Wondering how much voice lessons cost these days ? Check out this blog post that summarizes all the research I did into this very same question from all 50 United States. Hashtag eye-opening. FAQs: Vocal Coach Near Me, Send Me Some EXCITING Vocal Exercises! Question: What’s wrong with traditional vocal warm-ups like 'me-me-me'? Answer: They can feel repetitive, unmusical, and disconnected from real-life singing. Unless customized, traditional warm-ups often ignore the singer’s actual style and goals. Question: How can I make vocal warm-ups more fun? Answer: Use song-based riffs, rhythmic variations, movement, improvisation, or tongue twisters. These tools keep your mind and body engaged while strengthening your voice. Question: Are SOVT exercises better than normal warm-ups? Answer: SOVT (Semi-Occluded Vocal Tract) exercises like straw phonation or lip trills reduce vocal fatigue and improve resonance. They’re especially effective for recovery and coordination. Question: Can creative warm-ups still improve technique? Answer: Absolutely. In fact, they often accelerate technical progress by involving breath, rhythm, emotion, and language—all while keeping the process enjoyable.

Joseph “Seph” Stanek performing in Temple of the Souls — a confident, commanding moment that embodies how to sing with confidence. You know how some words get tossed around so much they lose their meaning? Like “authentic.” It’s everywhere these days. “Be your authentic self!” gets shouted from every self-help corner of the internet, and at this point, it feels like one of those phrases we nod along to without really acknowledging what it really means anymore. I mean, sure, we get the general idea: don’t be someone you’re not. But when we gloss over it, we miss the real point—what it actually  means to celebrate what makes us different and unique in a world where identity is so reliant upon how many of us can replicate the latest TikTok challenge. For the longest time, I thought I had a pretty solid handle on living authenticity. For as long as I can remember, I've been unapologetically myself, loud and proud, no filter. But then in December of 2016, I suddenly found myself surrounded by the cast of NBC's Hairspray Live and realized there was an entirely new realm of "being authentic" I hadn't ever thought was possible. I remember looking at Harvey Fierstein, who was there, larger than life... He’s got a voice so gravelly that, by all conventional standards, he should’ve never written himself into a musical—let alone won a TONY® Award for it. But there he was, an icon, his authenticity breaking all the rules in the best possible way. Two of the most authentic people I've ever met! In rehearsals for NBC's Hairspray Live: Harvey Fierstein, Joseph Stanek (me), and Kristin Chenoweth. ©TourdeFierce.VIP 2025 And then there was Kristin Chenoweth , who’s four-foot-eleven and has a speaking voice so high and squeaky that you’d never peg her as one of the world’s most celebrated sopranos. But she leaned into her unique color of voice, made it her signature, and now she’s got a career that most singers only dream of. Her authenticity wasn’t something she tried to cover up; it was her golden ticket. Oh, and let’s not forget Jennifer Hudson. I mean, talk about a powerhouse. She was born with an instrument so incredible that her first major film role won her an Academy Award. And the thing is, she didn’t downplay her gifts or try to mold herself into what people expected. She fully embraced that voice, that presence, and leaned in with everything she had. It hit me hard that day... Authenticity isn’t just about not pretending to be someone else; it’s about finding what makes you extraordinary, and letting that shine, even when (especially when) the world tells you it won’t work, or it shouldn't work. But before you can even think about authenticity as a singer, you've got to come to terms with the confidence it takes to embrace that authenticity . Confidence isn’t about delivering the perfect performance; it’s about believing, truly believing, that your voice deserves to be heard just the way it is without copying someone else. In this post, I’ll show you how to summon some bravery and how to sing with confidence; how to strengthen your stage presence; and how to reveal the authentic voice your audiences will remember long after you step off stage. The Confidence Equation Look, I hate math, too... but this equation will serve you for life. Confidence = Authenticity + Preparation + Presence Most beginner singers focus way too much on perfection when they should really be concerned about connection. Even the biggest Broadway stars experience performance anxiety, but they rehearse through it until courage becomes second nature. Authenticity: Sing from truth, not imitation. Preparation: Train your voice so thoroughly that your body takes over when nerves try to interrupt. Presence: Stay rooted in the moment; audiences mirror your energy (good and bad!). Joseph Stanek and Jennifer Hudson immediately after the final bow of Hairspray Live! on NBC. Ready to experience your own confidence transformation? Book a voice lesson online and make confidence your new default setting. Stop Sounding Polite; Start Sounding Fierce OMG, there is nothing more boring than a polite singer. GROSS! Politeness keeps singers insufferably forgettable. Fierceness makes them legendary . Micro-Managing Kills Magic Over-thinking pitch, breath, and placement drains all kinds of energy that could be used to support your performance instead of bringing it down. Prepare, then trust your preparation. Let instinct take the wheel once the spotlight hits and enjoy cruise control for a change! Mimicking Is for Cover Bands Copying another artist may feel safe, but you're doing yourself a huge disservice if you do it. Copying someone else's singing robs you of your individuality. Plus, there's already one of them, the world is ready to hear you now. Hiding Is for Prey Look, it may feel like you're standing in front of a pack of hungry lions when you get in front of people to sing, but that's just your brain playing a trick on you that it hasn't grown out of since we were animals in the wild. (Seriously.) When fear creeps in, the temptation is to shrink and run. Instead, enlarge and plant yourself. Use open posture, breathe deeply, and make deliberate eye contact. Confidence looks bigger than fear. You'll thank me, I promise. Stage Presence Coaching: The Art of Stillness and Spark Stage presence coaching isn’t pre-planned choreography; it’s energy alignment. Confidence begins in your breath and radiates outward. Focus on intention , not motion. Let silence work for you; stillness can be electric. Channel nerves into kinetic energy rather than suppression. Practice delivering a single lyric as though it’s the last thing that will ever come out of your mouth. When your body and breath agree on that truth, you’ve experienced what it's like to have presence. How to Book Online Vocal Coaching Worldwide You don’t have to live in New York to train like a Broadway star anymore. Tour de Fierce® Voice Lessons Online bring world-class vocal coaching directly to you—wherever you are. Are you local to NYC or are planning on being in New York City sometime soon? Let's book in-person voice lessons and show the Big Apple what you're made of! If stage fright is part of your story, explore my guide on how to deal with stage fright for immediate relief strategies. Your Opening Act Contrary to what most people think, confidence isn’t a personality trait you're born with; it’s a practice. The more you exercise it, the stronger it grows. You don’t need to sound like anyone else—you need to sound like you , fully amplified. Find your voice. Find your confidence. Then sing like the world’s been waiting for you, because they have been. Book your private session today  and let’s turn self-doubt into spotlight power. FAQ — How to Sing with Confidence 1. How can I sing with confidence? Start small: record yourself daily, practice mindful breathing, and work with a coach who blends mindset with vocal technique. 2. How to improve singing performance techniques? Master alignment, breath control, and phrasing. Performance mastery happens when technique and emotional storytelling merge seamlessly. 3. What is stage presence coaching? Stage presence coaching trains you to project energy, confidence, and charisma. You’ll learn to communicate before you even sing a word. 4. Where to book online vocal coaching worldwide? Schedule sessions directly through Tour de Fierce® Online Voice Lessons —available anywhere in the globe. 5. What’s the difference between confidence and authenticity in singing? Confidence is the energy you project; authenticity is the truth you express. Together, they make the voice unforgettable. Before & After Singing Transformations in only 3 Online Lessons. Hear them to believe them.

Voice Lessons in Queens NY? Yeah, You Read That Right: Voice Lessons in Queens NY Just Got a Major Upgrade I get it: people come to New York City for New York City-level experiences. And most of the time, people assume that means sticking exclusively to Manhattan. I can't speak for everyone, but when I moved from Manhattan and set up shop in Queens, my celebrity clients went from having me come to their places in Manhattan to insisting on coming to my new studio in Queens. Just sayin'... My neighbors get such a kick out of asking which handful of celebrities will be coming and going from my house any given day of the week. Why? My team of world-class Grammy-winning vocal pros happen to love coming to my home studio here in Astoria for private coachings. And those same celebs are the reason so many singers ask me how to “break onto the scene.” If you're looking for voice lessons in Queens  NY or searching for the best music lessons Queens NY  has to offer, or, if you're my kind of person, the best voice lessons Queens has to offer: you’ve definitely, 100% come to the right place. Voice Lessons in Queens NY are seriously fire. This is the 1986 Kawai upright I have in my vocal coaching studio here in Astoria, Queens. I mean, come on. Voice lessons Queens style have never looked so good, amiright?? Image: Tour de Fierce Why You Should Consider a Vocal Coach in Astoria To be quite honest, my celebrity clients love to come here to take their voice lessons queens style because the work we do together is serious, and when they need to work, what better space to do it in than THIS place? 100% sound-treated acoustics, colorful and glittery vinyl fabric on the walls, view of our private backyard and garden, en suite fully stocked kitchen and separate bathroom, plus my dog Winston is the cutest ever... I mean come on. I'd cross boroughs to get here, too. If you're looking for voice lessons in Queens , you guessed it: you're in the right place. Queens County is the most diverse county in the entire world, and you better believe the music around here reflects that diversity as well. But a word of caution if you're actively searching for vocal training around Queens... At least from what I've seen, the vocal coaches around Astoria, Long Island City, and surrounding neighborhoods tend to be not as qualified as the ones who base their studios in Manhattan. Clearly, this is not a strict rule because I'm here in Astoria, but my warning is this: not all vocal coaches are created equal, so do your due diligence when it comes to researching. This blog post will help you through it. Whether you’re an aspiring Broadway star, a professional singer, or just someone who loves to sing, finding the right vocal teacher  is essential to your growth. Lucky for you, if you live in Queens (or better yet, Astoria!), I know just the place you can go for world-class vocal coaching. (wink wink) Unlike Manhattan, the right diamond in the rough vocal coach in Queens  provides you with higher value , an atmosphere meticulously designed to enhance the learning and performing experience, and more personalized coaching . So buckle up, kids - this is your guide to finding the right vocal teacher in Queens! Here we go. Tour de Fierce Music Studio in Astoria is so baller that we have EMMY, GRAMMY, OSCAR, and TONY Award Winners here polishing their vocals like everybody else. Image: Tour de Fierce What to Look for with Voice Lessons, Queens! 1. Experience & Credentials A great vocal teacher in Queens  should have a proven track record  of training singers across various genres. Look for a coach who has real industry experience , whether in Broadway, recording studios, or live performance settings. I like to ask other vocal coaches what other non-coaching projects they're working on at the moment. Wanna know why? This gives me insight into how well they know the current landscape of the entertainment industry as a performer or member of a creative team at this very moment. Here's the truth: vocal technique is only part of the equation. If you don't know what to do with that technique once you've got it down, what good is it? You need a vocal coach who is currently working and actively involved in current projects in some way or another. Otherwise, you're wasting your time, no matter how "good" you think the coach is or how much you think they care about you and your career. 2. Teaching Philosophy & Methodology Every teacher has a different approach, but the best ones tailor their methods to YOU . And vocal coach worth their salt should be able to answer what their teaching philosophy is, so please go ahead and ask them when you're testing them out. If they can't answer, that's a huge red flag. Abort! The Dual Voice Method  (my unique approach) integrates both technical mastery  and artistic authenticity , ensuring that your singing isn’t just technically sound but emotionally powerful . I mean, if it's good enough for Jennifer Hudson ... 3. Location & Accessibility We already know you're looking for voice lessons in Queens NY. Let's get specific: are you looking for voice lessons in Astoria ? Maybe vocal lessons in Queens  that are easy to access by public transit? Consider travel time and convenience when choosing a singing coach . You want it to be convenient enough to not be a burden. More from the Tour de Fierce Blog: Find out how much voice lessons cost & what to expect → Click here to read the full guide Where to Find the Best Voice Lessons Queens NY Has to Offer If you're searching for voice lessons in Astoria , you're in one of the best spots for performing arts training  in Queens. I'll even be so bold as to say here that for the absolute best voice lessons Queens has to offer, you're going to end up coming to Astoria, period. Coming from my experience living here and a ton of research into the subject, these are the best places for voice lessons Queens has to offer, hands down: Astoria  – A cultural hub with many independent vocal studios (including Tour de Fierce , the fiercest of them all) Long Island City  – Close to Manhattan with passable-quality training options. Forest Hills  – A quieter area but home to some of the best private music teachers. (Caution, these are the ones who may not be active in the industry anymore. Which is fine if you want to learn vocal technique alone. Career advice? You might want to search elsewhere for someone more in-the-know with current industry goings-on. A simple inquiry to the point will give you all the answers you need.) Finding the Best Vocal Studios in Astoria I'm pretty active in my community here in Astoria... everyone within a 5-block radius either knows me by name or knows I'm the voice coach that has celebrities popping in and out of his house all day, lol. Which is why I find it so hard to believe that I don't know any vocal instructors around here! Naturally, I took to the internet to find my nearest colleagues. First up: Google Maps, then Yelp. Google Maps: "Voice Lessons in Queens, NY" From a quick Google search, it appears that I lucked out in terms of location, as there aren't any other vocal coaches south of Astoria Park near my house for 20 blocks or so. I plan on reaching out to introduce myself to the other vocal coaches in Astoria, and when I do, I'll update this blog entry with more information. Whether you're a beginner or a seasoned pro, Queens is one of NYC’s most underrated gems when it comes to voice lessons Queens NY  and professional music lessons in Queens NY . Let’s shine a spotlight on that, shall we? Here are my initial assessments of the best vocal coaches in and around Astoria, based purely on their appearance in Google Maps and their websites (in no particular order, yet!): Leah Ginsky of Sparkle Song Studio : Sparkle Song Studio seems to target a younger demographic and teaches the fundamental basics so that singers are primed for success as they continue their vocal journeys beyond this studio. She offers free trial lessons, which is very cool, and I like that Leah totally hooks her students up with a binder and their first piece of sheet music in their first lesson. Voice lessons often seem so intangible, so providing these physical tokens really goes a long way for the learning process. Leah looks lovely and fun to work with. Galliard Music : Galliard Music has several locations listed on their website (Manhattan, Brooklyn, Queens, Nassau, Suffolk), so I'm not sure if this one is exactly eligible for this list, which is covering vocal studios in Astoria. They list many music instructors on the website, which is awesome, but it makes me wonder if maybe just one of their teachers lives in Astoria, so they decided to hit up Google Maps and capitalize on it? Jury's out on this one, although they seem to be a well-oiled machine for younger musicians-in-training (same as Sparkle Song Studio above). NYLA Voice Studios : Unfortunately, there isn't much online about this studio. The Facebook page they list on their Google Business Profile says that the training is with a graduate of Juilliard's Masters of Music program, and they have been training others for 20 years. I mean, Julliard is quite impressive to have on your resume, but withotu any other information about the training they provide, I'm left to assume that, based on Juilliard's reputation in the industry, the training at NYLA Voice Studios is stiflingly classical. Unfortunately, the jury's still out on this one, too. Frank Toscano Music School - their website seems to be defunct, and it looks like they specialize in guitar, bass, and piano lessons, though voice is tacked onto the end of some reviews they have on Google. They have a brick-and-mortar storefront on Steinway, which is cool, but unfortunately with no internet presence of their own, they aren't really eligible to be on this list, either. Joseph Stanek with Tour de Fierce : Maybe I'm biased, but from what I can tell on the internet, no vocal studios around Astoria offer the level of vocal training I offer across all ages and genres like I do, period. Check out my portfolio to see some of the projects I've created or co-created to give you an idea of the caliber of projects I put my name on. Come on, Astoria, aren't you here for this!? Updated on May 5, 2025: Yelp: "Voice Lessons in Queens, NY" Score! This search yielded different results than Google Maps. I always skip the sponsored results, as anyone can pay to have their business featured at the top... and we're looking for geography-based vocal lessons in Queens, while this particular sponsored business is actually in Midtown. (Yelp, Imma need you to get your algorithm a little sharper, especially when people are paying for these promotions!) Here are the most promising finds for Voice lessons, Queens NY: Astoria Voice, Guitar, and Piano Lessons: Oh yes, now we're talking! Jeneen Terrana has restored my faith in Queens vocal coaches in the first 30 seconds of me viewing her page on Yelp . What really sold me was her website though, and the awesome video she has at the top of her homepage where she introduces herself in such approachable language and eloquent diction ! Also, she's got her phone number in huge font at the top of her page. Talk about trust and transparency! Jeneen, you are amazing already, and I can tell you give some of the best voice lessons in Queens hands down just from your internet presence. Stay tuned for more updates on Jeneen, y'all. Art House Astoria Conservatory for Music and Art : wow, 0.2 miles away from my house, amazing! Art, music, and theatre. This summer, they're hosting 5 summer camps, they've got a production of Finding Nemo for children's theatre coming up, they are a non-profit that provides arts education to all ages... I'm so into this, they have tons of group classes (sewing design for various skill levels, high school/adult choir rehearsals, etc.), you can take private lessons, there are a ton of performing opportunities. Yes, stay tuned for updates on this one, too. Michael Jacobs Vocal Studio : Michael's website and services have put the final nail in the coffin for the Google Maps results for the search term, "voice lessons in queens." Clearly, the caliber of vocal coaches on Yelp is much higher with much more current information. Anyway, from what I'm gathering on Michael Jacobs' website, he's offering something completely unique in terms of vocal training. Not only is he a trained performer, but he's also got a PhD in clinical psychology. Fusing his two specialty areas together, he's carved out his own niche for helping singers cope with the often overwhelming and all-too-stressful lifestyle of a singer. Michael, you're the man. I'll be contacting you soon to update this write-up. True Voice with Jess McAvoy : Oh, this copy on their website makes me love Jess' style: "My teaching blends traditional vocal techniques with somatic, intuitive, and even esoteric methods, allowing us to approach your voice in ways that feel natural and resonate with your personal learning style. I draw on my own decades of vocal exploration and craft each session within a trauma-informed, LGBTQIA+ BIPOC (and all other identities) affirming space. My goal in every session is to help you shed layers of inhibition and discover a voice that feels fearless, authentic, and wholly yours." Yes, please, and thank you. However, Jess' website says that 1-on-1 lessons take place in Brooklyn, the zip code is in Manhattan, and there's a pin on a map in Woodside. I'm not sure if this one qualifies for our study here. More research needed on this. The Vocal Lessons Queens Deserves You’ve seen what’s out there, and I'll keep updating this post as I learn more information about the vocal lessons Queens has to offer, including updates to the Queens vocal lessons identified above. From group classes to generic technique videos, most vocal lessons in Queens  seem to fall into one of two categories: are they listed on Google Maps or are they on Yelp? Ha. Yelp has far exceeded the helpfulness of Google Maps in this case. Good thing Tour de Fierce is on both lists (the only one, from what I can tell). At Tour de Fierce, we believe singing lessons in Queens  should live up to the talent and ambition of the artists who call this borough home. This is where Broadway actors come home after their shows; it's where indie singers cut their first records; and I know more than a few TikTok stars who film their next viral moment in Queens, too. Doesn't your voice deserve coaching that’s just as bold? What sets us apart? It's not just the celebrity clientele or the high-end studio in Astoria (...or is it?) — it's the fact that every lesson is built around you . Your voice. Your goals. Your pace. Your style. No fluff, no filler, no one-size-fits-all. If you’re serious about your voice — or just ready to stop second-guessing yourself every time you sing — then Tour de Fierce offers the vocal lessons Queens has been waiting for . This is an ongoing study in Voice Lessons in Queens NY: Astoria Voice Teachers and Astoria Performance Coaches, so stay tuned for updates. Benefits of Working with a Vocal Teacher in Queens More personalized attention  compared to bigger schools in Manhattan. Affordable rates  compared to Manhattan-based coaches. Diverse styles of music  – from opera to R&B to musical theatre. Real access to quality voice lessons in Queens NY  without the midtown price tag Strong creative community in Astoria, perfect for all types of music lessons Queens NY Take the Next Step Ready to start your vocal training ? Whether you need voice classes in Astoria , singing lessons in Queens , or a coach to help you find your unique sound , now’s the time to invest in your voice. Check out Tour de Fierce's Voice Coaching page to find out about the services we have available. Curious about Tour de Fierce's most popular training? Check them out below: Online Voice Lessons : Get Broadway-caliber vocal coaching from anywhere in the world. Whether you're a beginner or a seasoned pro, this 60-minute private voice lesson is custom-built to skyrocket your vocal skills—no fluff, just real results.→ Includes a free 30-minute trial with monthly subscription Broadway Vocal Coach : Train with Broadway's favorite vocal coach, trusted by Tony winners and TV stars alike. Whether you're preparing for auditions, working on a callback, or polishing eight-show-a-week stamina, this program delivers the exact technique and mindset needed to perform at the highest level—without burnout. Vocal Coach for Belting : Belting doesn’t have to feel like screaming. Learn how to unlock your belt voice with power, precision, and vocal safety in this intensive training series. Perfect for musical theatre performers, pop/R&B vocalists, and singers looking to expand their upper register without strain. Singing Lessons for Adults : Whether you're coming back to singing after a long break or starting for the very first time, these lessons are designed specifically for adult learners. You'll gain vocal technique, musical confidence, and artistic authenticity in a supportive, no-judgment space. Voice Coach for Beginners : Just starting out? This is the ideal entry point. Learn the fundamentals of healthy vocal production, pitch accuracy, breath support, and basic song interpretation from a coach who specializes in helping first-timers make fast, dramatic progress. 📩 Have questions? Contact me here . FAQ Section: Voice Lessons in Queens, Voice lessons Queens NY, Singing Lessons Queens, Vocal Lessons Queens Q: How much do voice lessons cost in Queens, NY? A: Voice lessons in Queens typically range from $75 to $250 per hour, depending on the teacher’s experience, lesson length, and whether the lesson is online or in person. Group classes are often more affordable than private coaching. Q: Do I need to be a professional singer to take voice lessons? A: Not at all! Voice lessons are for everyone—whether you're a complete beginner, a karaoke lover, or a Broadway-bound belter. A great vocal coach will tailor your training to your level and goals. Q: Can I take voice lessons online if I live in Queens? A: Absolutely. Many of the best vocal coaches in NYC—including those based in Queens—offer online voice lessons via Zoom or Google Meet. This is a flexible, convenient option if you have a busy schedule. Q: What should I look for in a vocal coach in Queens? A: Look for someone with professional experience, clear teaching methodology, and a vibe you connect with. Bonus points if they know the local performance scene or specialize in the style you want to sing. Q: Am I getting lower quality vocal lessons in Queens than in Manhattan? A: You should vet any potential vocal instructor using the same metrics, whether they are based in Queens, Manhattan, or Topeka. Scamming vocal coaches are everywhere, so just because they teach in Manhattan doesn't mean they aren't just out to get your money. While I can't speak for every vocal coach Queens NY has to offer, I can attest to the quality of work my clients get as a result of my coaching. And it ain't too shabby! Q: Where can I find voice lessons in Queens NY for beginners? A: Many voice teachers in Queens specialize in beginner training. Look for vocal coaches who offer trial lessons and have a track record of helping new singers build technique and confidence. Q: Do vocal coaches in Queens NY teach different styles? A: Yes. You can find voice lessons in Queens NY for musical theatre, pop, R&B, classical, and more. Always ask your vocal coach about their stylistic strengths during your consultation.

A Deep Dive into the Definition, Demands, and Debate Is singing a sport? We know Taylor Swift has been to the Super Bowl. I wonder if Travis Kelce considers Taylor Swift's singing a sport? Introduction: Is Singing a Sport? So, wait... "Is singing a sport?" It sounds cheeky, even a little absurd at first. Most people, myself included, might instinctively laugh the question off because the two activities are complete opposites (...or are they?). Why are we so quick to jump to this conclusion without really thinking it through? I'll tell you why. Think back on your high school days. Do you remember there being a lot of crossover between the football team and the people who sang in chorus? There certainly wasn't any crossover between the two groups at my high school. They were completely separate entities, from two totally different planets. The football team had things like cheerleaders, mascots, and locker rooms. Chorus had things like choir robes, altos, and crescendos. It's quarterbacks vs. quarter notes, and these preconceived notions are embedded in the way society things about sports and singing. They just don't belong in the same sentence, let alone actually classifying them both as sports. But what if our instincts are misguided? Everyone can think of a concert they've seen or a televised performance of a singer who, at the end of their performance, is seen drenched in sweat and breathing heavily, the same way a tennis player is drenched in sweat and catching their breath after a vigorous match. For those who don't immediately dismiss the question and put some thought into comparing the two, the answer isn't as straightforward as we might have assumed at first. There are enough similarities between the acts of training to be a singer and training to be an athlete that it warrants careful consideration in order to reach a solid, confident conclusion. And, lucky for you: you've found an expert in both fields to guide you through a meticulous analysis as we determine the answer once and for all. Let's get objective here and level the playing field between the two (did I just make a sports reference?). Let's establish some ground rules so we know exactly what we're studying here by first examining the origins of the word sport , how singing stacks up, and why maybe, just maybe, it’s time to rethink what kind of activities qualify as athletic endeavors. RELATED ARTICLE: Science says that singing is an athletic activity... so, does that mean singers are considered athletes? Read about the athleticism of singing here . Part I: What Is a Sport, Really? The Etymology The word sport  originates from the Old French desport , meaning “leisure,” “amusement,” or “diversion.” It entered Middle English as disport , referring to a form of entertainment or leisurely fun. Ah, well this is enlightening. The original definition of the word "sport" is all about recreation. There is no mention of any kind of competition here. Nor is there mention of any teams, touchdowns, or tackling. The earliest form of the word "sport" in our language had to do with any form of mental stimulation to help the time pass. In this case, yes, singing could 100% be classified as a sport, as long as it helps divert your attention in amusement. To the same point, bird-watching, joke-telling, reading, and even thinking could all be consider sports in their own rights. I'm going to pause for a second to ask a very important question. Have you ever actually looked up the word "sport" in the dictionary? It's such a common word; why would anyone need to look it up when we all know what it means? I mean, we do all know what it means, right? Are you second-guessing yourself right now like I am? According to Merriam-Webster: The first definition of "sport" is the verb version of the word. We're looking for the noun, not the verb. Here we go. The word "sport" (noun) is "a source of diversion: recreation" Don't believe me? Check this screenshot out: According to Merriam-Webster Dictionary, a sport is a source of diversion, recreation. Who knew?! Let's find another source. How about the OG English language authority, Oxford Dictionary? Here we go... According to Oxford dictionary, the word "sport" is defined as, "d iversion, entertainment, fun ." ... Merriam-Webster and Oxford agree on the fundamental meaning, from its origins to present-day: a "sport" is any activity that simply passes time. It wasn’t until the 19th century  that “sport” evolved into its modern sense: “An activity involving physical exertion and skill in which an individual or team competes against another or others for entertainment.” That’s a big shift—from leisure to high-stakes competition. But it's clear from the two authoritative dictionary sources we've examined, Merriam-Webster and Oxford, that the word's most common and fundamental usage encompasses a much broader spectrum of activities than we might be aware of. If a sport is simply a source of amusement or diversion, then singing easily clears the bar—case closed. But to truly unpack the question "Is singing a sport?"  we have to stretch beyond textbook definitions and dig deeper. Because while words shape meaning, culture shapes perception. And in today’s world, how we feel  about an activity often matters just as much as what it is . So before we hand singing a gold medal at the newest sports category in the Olympic games, let’s move past the semantics and dive into what it really takes—physically, mentally, and emotionally—to do this thing we call singing. Next up: the anatomy of vocal athleticism. Part II: Singing as Physical Performance As both an expert singer and a decorated athlete, I can assure anyone who might not be as intimately acquainted with the mechanics involved in delivering a song to an audience that singing is, to put it plainly: not a passive way to amuse yourself and others. Here is a brief overview of the physical demands required of a trained singer's performance: The Athletic Reality of Singing Controlled breath support  using carefully coordinated movements within the musculature of our bodies, including the diaphragm, intercostals, and abdominal wall Postural alignment  of our skeletal, muscular, and emotional processing systems to support airflow, tone, and focus Fine motor control  of the larynx, tongue, soft palate, and articulators Cardiovascular fitness , stamina, and mental focus (especially for long-form pieces or shows) A trained singer manages: Respiration  (energy) Phonation  (sound creation) Resonance  (sound shaping) Articulation  (clarity) That’s four systems working together in sync —a complex feat that’s absolutely physical, and absolutely trainable. Singing = neuromuscular coordination on par with traditional athletic sports. Part III: The Role of Conditioning Singers, like athletes, must: Warm up before activity Cool down after exertion Hydrate strategically Avoid overuse injuries (vocal nodules = vocal "sprains") Cross-train (many include yoga, Pilates, or Alexander Technique in their regimen) And because singing utilizes so much of the physical body, singers, like traditional "sports" athletes, have career primes when their performances are optimal due to their body's maturation, followed by a natural decline in performance. You see this in dance, as well, particularly in ballet. Part IV: The Competition Factor “But wait,” some say. “Sports are competitive. Singing isn’t.” Let’s examine: Is Singing Competitive? Choirs and show choirs  compete at state, national, and even international levels Soloists  compete in competitions like NATS, the Metropolitan Opera National Council Auditions, and reality shows like The Voice  and American Idol A cappella groups , musical theatre troupes , and barbershop quartets  often square off Even without a traditional opponent, singers are constantly competing with themselves —to improve range, agility, and expressiveness. 98% of a professional singer's job involves staring at themselves in the mirror to critique what is right and what is wrong. Renee Fleming, the world's best opera singer, famously says, "If it looks wrong, it is wrong." Singers are always in competition with themselves to overcome weaknesses in their technique and performances. And let’s not forget: many sports like gymnastics , figure skating , and diving  are judged on aesthetics, musicality, and execution—just like vocal performance. Part V: What About Other Gray-Area Activities? To adequately answer "Is singing a sport?" let's take a quick look at some other activities in similar boats. Marching band : Demands strength, stamina, synchronization, and precise movement—often in tandem with playing an instrument Cheerleading : Once dismissed as extracurricular fluff, now recognized by the NCAA as a sport Chess : Recognized as a sport by the International Olympic Committee due to its competitive structure Pole dancing: requires incredible conditioning of your strength, flexibility, endurance, and artistry So if chess is in... shouldn’t singing at least be up for debate? Part VI: The Subjectivity Problem One sticking point: Most sports have empirical scoring rules. Singing does not. A soccer ball is either in the goal or it isn’t. A sprinter either beat the clock or they didn’t. Singing?There are objective elements —intonation, breath support, resonance, diction—but so much is subjective : Taste Style preference Tone color bias Cultural expectations Even in competitions with trained judges, singer A  may win one day, and lose to singer B  the next. That’s less sport, more art. Part VII: 100% Athletic Singing Still not convinced singing can be as physically demanding as traditional sports? Let’s take a moment to spotlight just a few vocal athletes whose performances would leave even a triathlete gasping. First, enter Jessye Norman  in Ariadne auf Naxos . Her interpretation of the titular role isn’t just vocally transcendent—it’s visceral . About 12 minutes into the video, in the middle of delivering Strauss’ demanding passages with unflinching stamina and control, the audience is suddenly aware that Ms. Norman, in character, is sweating profusely, and she remains visibly glistening throughout the end of the act, a testament to the sheer physicality of operatic singing at its highest level. (Jessye, you continue to inspire me. You are sorely missed.) Next up, Sutton Foster  on the Tony Awards stage in Anything Goes .  Yes, I have referenced this in another blog post, and I'll probably reference it again in the future. It's amazing. In the performance, Ms. Foster doesn’t just sing—she tap dances at Olympic level  while belting 11 o’clock numbers with pitch-perfect charm and vocal ease. You don't even have to know a thing about singing or dancing to see: this is not stagecraft, it’s endurance training with sequins . And then there’s my good friend and former roommate Marcy Richardson , the burlesque singing aerialist who redefines the phrase “defying gravity.” In her comedic burlesque performance of The Jewel Song she lights up the room with coloratura fireworks while twirling, suspended upside-down in heels . That’s right: upside-down, mid-spin, nailing notes, nailing life. These aren’t just performers. They’re vocal athletes in every sense of the word—defying gravity, defying expectations, and redefining what it means to train  for the stage. Part VIII: The Final Verdict - IS SINGING A SPORT? Let's review what we've learned. Criterion Singing Traditional "Sport" Physical exertion ✅ Yes ✅ Yes Training & discipline ✅ Yes ✅ Yes Requires warm-up & recovery ✅ Yes ✅ Yes Competitive structure ✅ Sometimes ✅ Always Judged by clear rules ❌ Often subjective ✅ Usually empirical Entertainment component ✅ Yes ✅ Yes Performance Affected by Physical Maturity / Body Development ✅ Yes ✅ Yes Requires Mental Focus ✅ Yes ✅ Yes Based on the above criteria, we are able to make the following well-researched claim: Singing, by definition, is a form of "sport." Beyond semantics, it is an athletic artform that shares many characteristics with our collective understanding of traditional athletic sports, but it doesn’t meet all modern expectations of what “sports” entail. But by historic definitions  and biomechanical standards , there’s a very strong case  that singing should be considered a form of sport —or at least treated like one when it comes to training and respect. Final Thought So maybe instead of asking, “Is singing a sport?” We should be asking: “Why don’t we treat singers more like athletes?” Because when we do, they slay. 🎤💪 FAQ: Is Singing a Sport? Q: What is the definition of sport? A:  The word sport  originates from the Old French term desport , meaning amusement or leisure. In modern usage, it's typically defined as a physical activity involving skill, competition, and entertainment—though interpretations vary across time and culture. Q: Does singing meet the physical requirements of a sport? A:  Yes. Singing requires controlled breath support, fine motor coordination, postural strength, cardiovascular stamina, and neuromuscular precision—fitting the biomechanical criteria of athletic exertion. Q: Is singing competitive like traditional sports? A:  While not always head-to-head, singing is often competitive. Choirs, show choirs, a cappella groups, and soloists compete nationally and internationally. There are adjudicated competitions like NATS, The Voice, American Idol, and countless others that hold singers to high performance standards. Q: Is show choir considered a sport? A:  In many schools, show choir occupies a unique space—requiring both vocal athleticism and physical choreography. It blends musical and physical training and is often more physically demanding than traditional sports like golf or bowling. Q: Why isn’t singing widely considered a sport? A:  Cultural bias, lack of standard rules, and subjective judging systems make singing harder to quantify than traditional sports. Unlike clear wins and losses, singing competitions rely on aesthetic preference, taste, and artistry—often judged inconsistently. Q: What other activities blur the line between sport and art? A:  Marching band, cheerleading, rhythmic gymnastics, and even chess have all sparked debate. These activities involve strategy, discipline, endurance, and finesse—but are not always officially recognized as “sports.” Extra Credit: Is Singing a Sport? Just like in traditional sports, if you want to be a gold-medal singer, you've got to find a gold-medal coach. Lucky for you, you've found one already. Be sure to check out my portfolio to see the kind of caliber of work I deliver. Once you're ready to start training, visit my book now page and let's get crackin'! Two of my most popular services that will give you full-blown athletic training: Purchase a package of Singing Lessons for Adults , where I'll whip you into shape to deliver the best vocals of your life. Hire me as your personal Broadway Vocal Coach and then we're REALLY talking...no one does physical exertion plus singing better than Broadway.

In June 2022, I had the honor of being a panelist at the Miss Pennsylvania Competition, a preliminary event for the Miss America Competition. That week was filled with unforgettable moments, but one stood out above the rest. A young woman entered the interview room, showcasing her talent for singing. As this is my area of expertise, I seized the opportunity to connect with her. I asked whether she viewed herself more as a live performer or a recording artist. I also inquired about her thoughts on famous singers who lip-sync to pre-recorded tracks, creating the illusion of live performance. She responded with grace and insight, addressing the ethical dilemmas surrounding authenticity and audience trust. Just as she concluded her thoughts, she shifted the conversation towards the future of live performance in a way that left a lasting impact. She referenced the newly launched ABBA hologram concert in London and posed a thought-provoking question to the panel: “If audiences are willing to buy tickets and cheer for holograms, what will authenticity in live performance mean in the next decade? Is it still possible to fully experience an artist's message if our collective cultural tastes evolve in ways that celebrate production over presence?” If she had a microphone, she could have dropped it right then. This moment was prophetic. Virtual performers are no longer a niche; they are now headlining streams, selling tickets, and cultivating real fandoms. The future is here, and we can learn a lot about virtual performances from the VTubing community. Medium recently featured my two-part series on VTubers and voice. If you’re a creator or coach interested in the future of entertainment, this is essential reading. Part 1 — What is a VTuber? To start, check out What Is a VTuber? Virtual Performers Rewriting the Rules of Entertainment . In this article, I explore the origins of VTubers, their global rise, and why the voice —not the rig—remains the most human and impactful connection to fans. Part 2 — VTubers, Singing, and the VShojo Collapse Next, read VTubers, Singing, and the VShojo Collapse . This follow-up examines the cultural shifts affecting the space and the crucial lesson for creators: trained, reliable vocals are essential. Stamina, tone, clarity, and confidence are vital for performance, especially when platforms and agencies change. Why Singing VTubers Matter Voice is Unique : The voice is the only part of a VTuber that is 100% you . It builds trust and connection with fans. Singing is Expected : Karaoke, covers, concerts, and collaborations are now standard. Technique leads to longevity in the industry. Sustainable Growth : Achieving sustainable growth relies on repeatable excellence, including healthy onsets, breath control, resonance, and a positive mindset. Industry Growth : Analysts credit singing VTubers for the industry's exponential growth, which is projected to reach an impressive $6 billion by the end of 2024. How I Help Singing VTubers Win I coach streamers and agency talent using my Dual Voice Method™ . This approach combines technical mastery (your physical voice) with emotional authenticity (your inner voice). My sessions are online, camera-optional, and tailored to your specific goals. Whether you need to build vocal stamina for long streams, expand your karaoke repertoire, work on your vocal range, align your mix, improve clarity on mic, or boost your stage and stream confidence, I offer creative direction for your releases. Ready to Level Up? Book a Free Trial Lesson : Just fill out a simple registration form on our Contact page. Explore Online Voice Lessons : Enjoy top-notch training from the comfort of your home with Tour de Fierce's Online Vocal Coaching . In-Person Coaching in NYC : Check out Tour de Fierce's In-Person Lessons . Read the Full Medium Series Sing out. Be heard. Don’t force it—fierce it. 💅🎙️

Choosing a voice instructor isn’t just about a nice studio and a friendly vibe—it’s about whether their process consistently produces healthy, repeatable results. Below is the 10-point checklist I use when evaluating teachers (including myself). If you’d like to road-test this framework with me, you can book a trial lesson right here . Looking for the perfect singing voice coach? I got you, boo. 10-Point Checklist for a Great Voice Instructor Diagnostic first lesson (they assess breath, onset, vowels, range, and goals—before prescribing drills) Clear lesson plan (what we’re working on this month and why) Evidence of results (audio/video before-afters or case studies) Vocal health literacy (SOVT, straw phonation, NG/lips/tongue tools used correctly) Technique + artistry balance (not just scales, not just “feelings”) Transparent progress tracking (benchmarks for range, stamina, consistency) Style fluency (they can demo or at least coach stylistic specifics you need) Communication style (specific feedback you can act on that day) Ethics & boundaries (no shaming, no risky stunts, realistic promises) Homework design (2–3 targeted exercises with “how it should feel” cues) Red Flags box Guarantees “add an octave in two weeks.” Never does diagnostic work—just sings along. Says “pain is progress” or pushes you to sing sick/fatigued. Can’t demo or explain the sound they’re asking for. No video/audio receipts of student progress (with permission). FAQ: What Makes a Great Voice Instructor? How fast should I see results with a good instructor? Most singers feel some relief or clarity in the first lesson. Noticeable stability often shows up in 3–4 lessons with consistent practice. What should a first lesson include? A structured diagnostic: breathing, onset, vowels, range, and 1–2 targeted exercises you can take home—plus what “success” should feel like. Do certifications matter? They can, but outcomes matter more. Look for continuing education and student results recorded over time. Is online training as effective as in-person? Yes—if your tech is decent (USB mic or headset, quiet room, stable internet) and your coach knows how to teach to camera. Want to know how much voice lessons cost on average? You might be surprised... Check out this post all about the cost of voice lessons today. Importance of Voice Coaching Voice coaching (for singers especially) plays a crucial role in enhancing vocal performance and communication skills for a variety of individuals. Whether you are a singer, actor, or public speaker, the ability to express yourself clearly and confidently is essential. Voice coaching provides the tools and techniques necessary to refine your voice, enabling you to convey emotions and messages more effectively. This transformative process not only improves vocal quality but also fosters a deeper understanding of how your voice works, allowing you to utilize it to its fullest potential. Moreover, voice coaching is not just about hitting the right notes or projecting your voice; it’s about discovering the unique characteristics of your vocal instrument. Each person's voice is distinct, and a skilled voice coach can help you identify and enhance your natural voice. This self-discovery journey can lead to greater self-awareness and confidence, which are invaluable in both personal and professional settings. Understanding your vocal capabilities empowers you to take risks with your voice and explore new styles and genres. Additionally, the importance of voice coaching extends to overcoming common vocal challenges. Many individuals struggle with issues such as breath control, pitch variation, and vocal strain. A voice coach can diagnose these problems and provide targeted exercises to address them. By working on these areas, you can not only improve your vocal health but also prevent potential damage to your instrument. In a world where effective communication is paramount, investing in voice coaching can be one of the best decisions you make for your vocal journey. Benefits of Working with a Great Voice Instructor The benefits of collaborating with a great voice instructor (see checklist) are very real, making vocal coaching an essential investment for anyone looking to improve their vocal abilities. One of the primary advantages is the personalized feedback and guidance that a coach provides. Unlike self-directed learning, which can often lead to the reinforcement of bad habits, a voice coach observes your vocal technique and offers constructive criticism tailored to your unique needs. This individualized approach accelerates the learning process, ensuring that you make progress in a shorter time frame. Another significant benefit is the structured approach to vocal training that a voice coach can offer. Many individuals may not know where to start or which techniques to prioritize. A coach can create a customized curriculum that focuses on your specific goals, whether that's preparing for an audition, improving public speaking skills, or honing your singing ability. This structured plan not only keeps you accountable but also helps you stay motivated as you witness your progress over time. Additionally, working with a voice coach can have profound effects on your mental and emotional well-being. Singing or speaking in front of others often comes with anxiety and self-doubt. A voice coach not only teaches you the technical aspects of vocal performance but also provides emotional support and encouragement. This nurturing environment allows you to step outside your comfort zone and build resilience, leading to increased confidence both on and off the stage. The growth you experience through this relationship can extend beyond vocal performance and positively impact other areas of your life. Qualities to Look for in a Voice Coach When searching for the perfect voice coach, certain qualities can significantly influence the effectiveness of your training. First and foremost, look for a coach with a solid educational background and experience in vocal training. A qualified coach should have a deep understanding of vocal techniques, anatomy, and pedagogy. This expertise ensures they can provide appropriate guidance and help you navigate the complexities of vocal performance. Additionally, a coach with a background in diverse musical styles or speaking techniques can offer valuable insights and versatility in your training. Another important quality to consider is the coach's teaching style and personality. A successful coach should be able to create a supportive and encouraging environment that fosters growth and creativity. Their ability to communicate clearly and effectively is crucial, as it allows them to convey complex concepts in an understandable manner. Pay attention to how the coach interacts with their students during the initial meeting or trial lesson; their approach should resonate with your learning preferences and inspire you to reach your goals. Lastly, consider the coach's reputation and testimonials from previous students. A coach who has successfully trained individuals with similar goals can provide reassurance that they will be able to help you too. Look for feedback on their effectiveness, professionalism, and overall impact on students’ vocal journeys. Personal recommendations from trusted sources can also provide valuable insights into a coach's abilities. By evaluating these qualities, you can make an informed decision and find a voice coach who aligns with your aspirations and needs. Finding the Right Voice Coach for You Finding the right voice coach is a critical step toward achieving your vocal goals, and it requires thoughtful consideration. Begin your search by identifying your specific needs and aspirations. Are you looking to improve your singing skills, refine your public speaking abilities, or prepare for an audition? Understanding your objectives will help you narrow down potential coaches who specialize in those areas. Once you have a clear vision, you can start researching coaches in your area or online who align with your goals. Utilizing online platforms and social media can be a valuable resource in your search. Websites that focus on connecting students with music and voice coaches often provide profiles, reviews, and ratings for various coaches. Engaging in forums or social media groups dedicated to vocal training can also yield recommendations and insights from fellow aspiring vocalists or speakers. This research phase is vital, as it allows you to gather a list of potential coaches to consider further. Once you have a shortlist, scheduling trial lessons or consultations can provide a clearer sense of which coach is the best fit for you. During these sessions, pay attention to how comfortable you feel with the coach and whether their teaching style resonates with you. Take note of their communication skills and the types of exercises they introduce. This first-hand experience is invaluable in determining the right voice coach who will support and guide you on your vocal journey. Voice Coaching Techniques and Approaches Voice coaching employs various techniques and approaches tailored to the individual needs of each student. Among the most common techniques is breath control, which is foundational to effective vocal delivery. Proper diaphragmatic breathing allows for better sound production and pitch control, enabling the voice to project with power and clarity. Coaches often incorporate exercises that focus on breath support, teaching students how to manage their airflow while singing or speaking, which is critical for sustaining notes and delivering impactful performances. Another essential technique in voice coaching is resonance training. Understanding how to use resonance chambers in the body can enhance vocal richness and depth. Coaches may guide students in exploring different vowel sounds and pitches, allowing them to discover the full spectrum of their vocal range. By working on resonance, students can learn to produce a more pleasant and captivating sound that engages their audience effectively. Vocal warm-ups and exercises are also central to voice coaching. These routines are designed to prepare the vocal cords and muscles for performance, much like athletes warming up before a game. Coaches often introduce a variety of exercises to improve flexibility, strength, and range. These may include scales, arpeggios, and articulation drills that target specific vocal challenges. Through consistent practice, students develop greater control and dexterity, paving the way for more confident and expressive performances. Voice Exercises and Practices Incorporating voice exercises into your daily routine is crucial for maintaining and improving your vocal abilities. These exercises not only enhance your technique but also promote vocal health. One effective exercise is the lip trill, which involves blowing air through closed lips to create a buzzing sound. This simple yet powerful exercise helps to warm up the vocal cords, promotes breath support, and improves pitch accuracy. By practicing lip trills regularly, you can build strength and flexibility in your voice. Another useful practice is the siren exercise, which involves gliding through your vocal range from low to high and back again. This exercise helps you become familiar with your vocal range and encourages smooth transitions between different notes. The siren exercise also aids in developing resonance and control, making it an excellent tool for singers and speakers alike. Incorporate this exercise into your warm-up routine to enhance your vocal agility. Finally, practicing tongue twisters can be an enjoyable way to improve articulation and diction. These phrases challenge your ability to enunciate clearly, which is especially beneficial for public speakers and actors who need to project their words effectively. Regularly incorporating tongue twisters into your practice sessions will not only enhance your clarity but also contribute to overall vocal confidence. By committing to these exercises, you will see significant improvements in your vocal performance over time. You've heard all the classic tongue twisters ("Red leather, yellow leather," "Unique New York," etc.) but have you heard these before? See how many Tour de Fierce Tongue Twisters you can nail on the first try! Overcoming Common Voice Challenges Many individuals encounter common voice challenges that can hinder their vocal performance. One of the most prevalent issues is vocal strain, often caused by improper technique or overuse. A voice coach can provide guidance on how to use your voice efficiently, helping you avoid strain during singing or speaking. Techniques such as proper breath support, relaxation exercises, and vocal rest can aid in overcoming strain and maintaining vocal health. Another challenge many face is anxiety or nervousness when performing in front of an audience. This fear can significantly impact vocal delivery, leading to shaky notes or unclear speech. A voice coach can help you build confidence through targeted exercises and mock performances, allowing you to practice in a supportive environment. By gradually exposing yourself to performance situations, you can reduce anxiety and learn to channel that energy into a powerful vocal presence. BTW - I travel the world to give classes on how to manage stage fright, so I'm kind of an expert at this. Download my free e-book about learning to manage your own performance anxiety or go check out my blog post about learning to deal with stage fright . Lastly, pitch issues can also be a common struggle, particularly for singers. Difficulty in maintaining pitch can arise from a lack of ear training or improper vocal technique. A voice coach can introduce ear training exercises and pitch-matching drills to enhance your musical ear and improve pitch accuracy. With consistent practice and guidance, you can overcome pitch challenges and develop a more reliable and controlled vocal performance. Voice Coaching for Different Audiences (Singers, Public Speakers, Actors) Voice coaching is not one-size-fits-all; different audiences require tailored approaches to vocal training. For singers, a voice coach focuses on vocal techniques that enhance musicality, tone, and range. This often involves working on breath control, resonance, and stylistic interpretation. Coaches may also emphasize the importance of emotional expression in singing, encouraging students to connect with the lyrics and convey the intended message. Through targeted exercises and repertoire selection, singers can cultivate a powerful and authentic vocal presence. Public speakers, on the other hand, require a different set of skills. A voice coach for speakers will focus on clarity, projection, and audience engagement. Techniques such as breath support and vocal variation are crucial for maintaining interest and capturing attention. Coaches often work on pacing, articulation, and body language to enhance overall delivery. By honing these skills, public speakers can communicate their ideas effectively and leave a lasting impression on their audience. Actors also benefit immensely from voice coaching, as vocal performance plays a vital role in character portrayal. Coaches guide actors through voice exercises that enhance diction, projection, and emotional range. Understanding how to adapt their voice to different characters and scenarios is essential for effective storytelling. Additionally, voice coaches may work with actors on dialects or accents, providing tools to make performances more authentic. By catering to the unique needs of singers, speakers, and actors, voice coaching helps each individual unlock their full vocal potential. Testimonials and Success Stories Hearing success stories from former students can provide motivation and insight into the impact of voice coaching. Many individuals share how their journey with a voice coach transformed not only their vocal skills but also their confidence and self-esteem. For instance, a singer might recount how, after months of dedicated practice and guidance, they landed a coveted role in a musical, attributing their success to the techniques learned from their coach. Such testimonials highlight the tangible outcomes of voice coaching, demonstrating its effectiveness in achieving specific goals. Public speakers often share similar transformative experiences. Individuals who once struggled with stage fright may recount how consistent coaching helped them develop a commanding presence on stage. They may describe how learning to control their breath and articulate their thoughts effectively allowed them to deliver presentations with confidence and poise. These stories emphasize the personal growth that comes from working with a mentor who understands the nuances of vocal performance. Actors, too, have valuable insights to share about their experiences with voice coaching. Many recount how coaching improved their vocal delivery, enabling them to embody their characters more authentically. Through tailored exercises and techniques, actors often find that they can access a broader emotional range, leading to more compelling performances. Testimonials from diverse individuals illustrate the universal benefits of voice coaching, reinforcing the idea that investing in vocal training can lead to profound personal and professional growth. Some of the testimonials from my singers have wound up as full-blown magazine articles in top entertainment industry publications. Check out my testimonials page to read more about what my singers say about working with me. Conclusion and Next Steps As you embark on your journey to find the perfect voice coach, remember that this decision is pivotal in unlocking your true vocal potential. The right coach will not only provide you with the necessary skills and techniques but will also inspire and motivate you to push beyond your limits. Reflect on your goals and aspirations, and take the time to research and connect with potential coaches who align with your vision. Once you have identified a coach, engage in trial lessons to ensure the fit is right for you. This experience will allow you to assess their teaching style and how well they resonate with your learning preferences. Be open to the process and commit to consistent practice, as improvement takes time and dedication. Voice coaching is a collaborative journey, and the relationship you build with your coach is integral to your success. Ultimately, investing in voice coaching is an investment in yourself. And honestly, with voice coaches, you get what you pay for. The skills and confidence you develop will not only enhance your vocal abilities but also enrich various aspects of your life. Embrace the challenges and celebrate the milestones along the way, and soon you will find yourself unleashing your true potential as a captivating vocalist, speaker, or performer. Here's a Place to Start Check out the services offered here at Tour de Fierce, including in-person lessons (NYC) , online voice lessons , and pro recording services . Don't miss my portfolio to see the caliber of projects I take on and rock out. Don't worry, I set the bar just where it needs to be so you can compare others to me. I've got testimonials and everything! Real Testimonials from Singers who Train with NYC's Top Singing Voice Coach FAQ: Guide to Finding and Working with a Voice Coach Q. How do I choose the right singing voice coach? A. Look for a coach whose style, experience, and personality align with your goals. They should have testimonials, clarity around pricing, and a coaching method that resonates with your learning style. Q. What should I expect in my first voice coaching session? A. Expect a vocal assessment, a conversation about your goals, and some initial exercises. A good coach customizes the experience rather than forcing a one-size-fits-all approach. Q. Is it better to work with a local or online singing voice coach? A. It depends on your learning preferences. Many students find that online voice coaches offer more flexibility and access to top-tier talent regardless of location. Q. How much does a good voice coach cost? A. Prices range widely depending on location, experience, and format (group vs. private). Premium voice coaches may charge $100–$300+ per session. Check out my blog post dedicated to the cost of vocal coaching here . Q. How long does it take to improve your singing voice with a coach? A. Noticeable improvements can happen immediately with the right coach. Long-term progress depends on consistency and practice. Check out this blog post to hear real vocal transformations from my students in 3 lessons or less . And, if you'd like the perfect voice coach in your back pocket anytime, let's work together! Check out my services below (or save 50% with a payment plan! )

The quick checklist (save this) Real-world credits + teaching chops. Look for an instructor who performs/produces and teaches consistently. You want someone who can translate stage/studio realities into plain English. Clear method, not random tips. You should hear a simple framework for breath, resonance/placement, registration (mix/head/chest), agility, and artistry—plus how progress is measured. Immediate, audible change. A great first lesson gives you at least one durable breakthrough (freer breath, cleaner onset, easier high notes). Healthy, sustainable technique. No shouting, no “push,” no contorted faces. Sound improves while effort drops. Repertoire strategy. The coach maps songs to goals (range, style, stamina), not just “what’s fun.” Communication style you trust. Warm, direct, and specific feedback; you leave knowing what to do next. Proof of outcomes. Before/after audio, client wins, or testimonials you can reference Finding a great voice instructor is always a transformative experience. Once you find one, you'll know exactly what I mean. Whether you’re a beginner or an advanced singer, the right teacher will help you achieve your true vocal potential, improve your technique, and boost your confidence. In this blog post, we will discuss key qualities and considerations to keep in mind when searching for the perfect voice instructor. Qualities that separate excellent voice instructors from the others Diagnostic ears — They spot the one or two tensions causing five symptoms and give you a single, targeted fix. Process you can take home — Exercises, not mysteries. You should leave with a 10–15 minute warm-up that addresses your voice. Musicality beyond scales — Style, diction, phrasing, mic/stage craft, audition cuts, keys, storytelling. Ethical boundaries — They protect your vocal health, refer out when appropriate (ENT, SLP), and never coach beyond their scope. Momentum — A plan: weekly focus, checkpoints at weeks 2/4/8, and a song list that grows with you. Actual screenshot and caption from one of my lessons. Image: Tour de Fierce How to Vet a Teacher in 15 Minutes Website scan: Do they show credits, approach, and results? Start with About Joseph Stanek . One sample lesson: You should hear/feel a change in the first 10 minutes. Ask these two questions: “What’s your diagnostic process in the first lesson?” and “What will my warm-up target over the next four weeks?” Compare recordings: Sing 30 seconds before and after the session to gauge real progress. A well-organized stack of music sheets waiting for practice. How to Find the Right Instructor Now that you know what to look for in a voice instructor, let’s discuss how to find one that meets your needs. 1. Online Research Start by conducting online research. Use search terms related to “voice lessons near me” which may include local music schools or private instructors. Many teachers now offer online lessons , broadening your options significantly. Websites with reviews and testimonials can help you gauge the effectiveness and reputation of a potential instructor. 2. Ask for Referrals Word of mouth can be invaluable. Ask friends, family, or fellow musicians for recommendations. Personal experiences often provide insights into a teacher’s style and effectiveness that you may not find online. 3. Take Trial Lessons Most reputable instructors offer trial lessons . This is your chance to experience their teaching style and ask questions about their methods. Take note of how comfortable you feel during this initial session, as it can be a strong indicator of future lessons’ success. A beautifully arranged stage ready for an upcoming music recital. 4. Set Your Goals Before beginning lessons, clarify your goals. Whether you want to sing for leisure, perform professionally, or improve your technique, having clear objectives can help both you and your instructor create a focused plan. Final Considerations Before Choosing Your Instructor When narrow down your choices, consider a few final aspects before making a decision. 1. Location and Availability Verify the location of your potential instructor and their availability. If you prefer in-person lessons, proximity may be a crucial factor. Also, consider scheduling flexibility to ensure that your instructor can accommodate your timetable. 2. Cost of Lessons Voice lesson prices can vary widely. Consider your budget and discuss costs upfront to avoid surprises. While quality instruction may come at a premium, remember that investing in your voice is an investment in yourself. And if you're curious about how much voice instruction costs, check out this extremely well-researched post I wrote for singers just like you: How Much Do Voice Lessons Cost? 3. Personal Connection This is perhaps the most important factor. A good instructor-student relationship can significantly impact your learning experience. Choose someone you feel comfortable with and who inspires you. Finding the right voice instructor can open doors to new singing opportunities and help you develop your vocal abilities. By considering the qualities of effective instructors and following the tips provided, you'll be well on your way to a rewarding singing journey. Embrace the process, stay motivated, and soon, you'll be singing with confidence! And if you're serious about getting incredible results with your singing, have a peek through my portfolio to see the kind of results I get with my singers... Ready to start strong? Book a trial and bring: two 30-second song clips (contrasting), a glass of water, and 24 hours of vocal rest beforehand. I’ll give you a personalized warm-up you can use the same day. FAQ: What to Look for in a Voice Instructor Q: How fast should I notice results with a great voice instructor? A: You should hear or feel at least one meaningful change in your first lesson—freer breath, cleaner onsets, easier top notes, or less strain. Long-term polish comes with consistency. Q: What red flags should I watch for? A: Pain or hoarseness after lessons, shouting to reach high notes, vague feedback, or no plan between sessions. Ethical teachers protect your vocal health and give clear next steps. Q: Do beginners need a different kind of teacher than pros? A: A skilled instructor adapts the same core process to any level—diagnose, target, and measure. Beginners need more fundamentals; pros need refinement, stamina, and strategy.

I know there are millions of singers out there that are sick of vocal exercises and simply feel stuck; if that's you, this is your sign to focus on training your mindset for singers first. Technique matters. So does stage presence. But you can't get anywhere without mindset. A singer's mindset lets the technique show up under pressure. In this post I’ll show you quick mental shifts I use with clients to calm the body, focus the breath, and perform with authority on stage and in the studio. You’ll leave with a pre-performance routine, a warm-up reframe, and a few “in-the-moment” resets for auditions, gigs, and recordings. If you want hands-on help, you can work with me 1:1 or learn more about who I am and how I coach —and you can always dive into more voice coaching articles after this one. Singing is 90% Mindset. For better performances, training mindset for singers is non-negotiable. Image courtesy of Tour de Fierce . The Day I Learned that Great Singing is Mostly Mental Have you ever heard of the musical Next to Normal ? My mentor Mary-Mitchell Campbell was the original music director when it was just getting started at 2nd Stage Theatre, and she had me tag along to most rehearsals as her protégé / assistant music director. This was before the show became a Broadway hit. It had buzz, yes—but no guarantee of a future. Then one afternoon, just hours before curtain, the team found out the show wasn’t transferring. Financial issues. The run was ending. That was it. Everyone involved had a couple of weeks left and then we were all jobless. Devastated doesn’t even begin to describe how we all felt. Despite losing her voice that week, the star of the show—Alice Ripley—showed up. And not just to support. She decided, that night, to go on. No voice, no problem. She embodied the role on an entirely new level that night. When the notes were too high for her limited range, she made up new melodies that cut through the notes that she did have. She delivered with newfound, heart-wrenching conviction that gives me goosebumps even as I type this out. She was brilliant. Arena Stage producers were in the audience that night. They loved the show and offered everyone contracts to mount the show in D.C. There, they fine-tuned the flow and found their rhythm. Then they all returned to New York and headed straight to Broadway. It opened on Broadway. And Alice Ripley won the TONY® Award. The show won a Pulitzer. That’s mindset over mechanics. So yes, I teach technique. No one teaches it better. But I don't stop there. I sharpen my singers' emotional aptitudes to prepare them for their very own Alice Ripley moment. Singing. Is. So. Much. More. Than. Just. Technique. Coaching Mindset for Singers—Why It Matters Technique is any singer's rocket. But mindset is the launchpad. Confidence Affects Tone A tense mind creates a tense vocal tract. The more you second-guess yourself, the more you hold back physically and emotionally. Release the doubt and your voice opens up. Performance Anxiety is Real (and Reclaimable) You don’t banish anxiety—you name it. My stage fright persona is Marcia. She’s rude. I show her the door before every performance. You can too. Speaking of stage fright, I've got a copy of my "Stage Fright to Stage Might" e-book with your name on it, completely free. Claim your free copy here . Visualization Changes Everything Picture yourself slaying the stage. See the lights, hear the applause, feel the energy. Mental rehearsal builds trust in your own voice. Mindset Shifts You Can Start Using Today Power Statement A fierce affirmation like “I slay these notes” or “I’m the star of this stage.” Or my personal mantra: "Don’t force it. Fierce it." Say it out loud. Let it ground you. Micro-Wins Celebrate the little things: a clean phrase, a smoother run, a fearless belt. Stack those wins. Controlled Breathing Use the 4-1-4 method: inhale for 4 counts, hold 1, exhale 4. Do this before each lesson or performance. Why This Matters for Online Vocal Lessons Online voice lessons aren’t just about convenience—they’re about accessing your best self  from wherever you are. As a vocal coach for beginners , pros, students, hobbyists, amateurs, influencers, content creators, and VTubers alike, I’ve seen that when mindset work is baked into vocal coaching, the results are effing incredible. With online vocal lessons, there’s space for: Safe, comfortable environments for vulnerable singing Regular consistency without commute stress Immediate mindset breakthroughs—whether you’re in NYC or across the globe Related resource: Best Online Vocal Warm-Up Exercises Final Thoughts: Your Voice Deserves a Mindset Upgrade There’s a reason you’re searching for singing coaches , vocal teachers NYC , or voice classes NYC . You know deep down that singing is more than hitting the notes. And you’re right. It’s mental. Emotional. Energetic. Want to experience the shift for yourself? 👉 Book a virtual voice lesson now Let’s slay. Together. FAQ: Vocal Coach NYC Claims that Singing is 90% Mindset Q: Why is mindset important in singing? A:  Your mindset directly affects how confidently and consistently you perform. Singers with a strong mindset tend to progress faster, stay more resilient, and recover more easily from mistakes. Q: Can mindset improve your voice? A:  Yes! A strong mindset can eliminate tension, reduce self-doubt, and unlock better tone, pitch control, and breath support. It’s often the missing piece for rapid improvement. Q: How does a vocal coach help with mindset? A:  A great vocal coach helps you reframe negative thoughts, identify confidence blockers, and guide you through the emotional challenges of performance. You’ll gain vocal AND mental strength. Q: Is mindset more important than vocal technique? A:  In many cases, yes. Without a strong mindset, your technique won’t be fully accessible. Confidence, clarity, and mental focus allow your technique to shine through.

16 years ago this week, Fran Drescher released her one and only solo single: "Eye for an Eye." And I am LIVING for it. Happy Sweet 16, "Eye for an Eye," and a big shout-out to Fran Drescher for giving us so many sides of her artistry! The Unexpected Talent of Fran Drescher This past weekend, I was working with one of my singers to solidify a setlist for an upcoming televised concert. When we were almost finished with the program, I told her I thought she needed one more "feel-good" song—something that everybody watching at home would know and sing along to during the broadcast. Almost immediately, she said, "Oh, what about 'What the World Needs Now Is Love (Sweet Love)'?" "That's perfect," I responded. "Do you have it memorized already, or can I play around with the arrangement?" She laughed. “Oh please, I’ve done it before—in that big Broadway recording after Pulse. You know." I stared at her blankly. "C'mon, everyone was in it.” She started rattling off names she knew I had worked with before: Whoopi. Idina. Sara Bareilles. Kristen Bell. Orfeh— ORFEH?! Now she had my attention. (Orfeh is my favorite.) What on earth was this performance involving the people I've worked with for the past 15 years that I was completely drawing a blank on? Watch Broadway for Orlando’s all-star performance of “What the World Needs Now Is Love,” featuring theatre and pop legends—and yes, Fran Drescher singing among them. She pulled up the video on her phone and — yes, she was absolutely correct — it was wall-to-wall legends. Carole King, Nathan Lane, Audra McDonald, Lin-Manuel Miranda, Bernadette Peters, Chita Rivera, Orfeh... As it turns out, this was a recording made by a bunch of Broadway all-stars to benefit the LGBTQ+ community after the Pulse massacre in 2016 (class acts, every one of them). (Ah, that's it - I was knee-deep in Kristin Chenoweth-Land. That was the summer I started working exclusively for her, so I was briefly off-the-radar for other projects I'd normally be involved with. Unbelievably, this one eluded me for almost a decade.) As we watched the video, I was taking mental notes about our new arrangement when —don't blink, or you'll miss it — I clocked a face I instinctively recognized from somewhere, and although I couldn't place her name immediately, I knew she wasn't a typical suspect when it came to this group of people. Who was she, and what was she doing here? "Wait, who was that?" I asked. My singer shrugged. "I was listening to myself, sorry." I scrubbed back, hit PAUSE at the timestamp 3:05, and gasped. “ Wait. Is that… * FRAN DRESCHER* ?! ” Fran Drescher singing, front and center, amid a sea of Broadway and popular music icons. Look at how much the camera loves her - she's practically radiating sunshine. How does she do it? Yes. Yes it was. There before my eyes, looking absolutely radiant amid a sea of Broadway legends—with her hair swiped to the side the way only a seasoned pro wearing headphones instinctively does—was the one and only Fran Drescher singing with some of the world's best singers, for a benefit— Hold the phone. Fran Drescher... singing ? Is this a thing? Am I the only one who was completely unaware that Fran Drescher sings? The Surprising Discovery of Fran Drescher's Singing Career In other circumstances, it's amusing to me when others suddenly discover that one of their favorite actors also sings. Of course they can sing . Actors are trained to use their voices with dialogue, going even more granularly than one might imagine by studying the microscopic rising and falling of the voice through various inflections in any given dialect or accent. Singing is just a step to the right. Singing training is incorporated into most acting programs, and the two performance mediums have intertwined since we first told stories, danced, and chanted around fires thousands of years ago. So, I'm never surprised when I see an actor who is not known for their singing skills actually singing in the wild. ...Except this one. I almost feel betrayed. Fran... I know we've never met, but... how could you do this to me?? My mind reeled as it skimmed through its rolodex of related knowledge, personal experiences, and the typical follow-up questions I've got tucked away that are begging to be answered by this newfound information... Surely, if Fran Drescher was more confident in her singing skills, she would have given us a musical episode of The Nanny ... right? (Can you imagine?) I remember Fran Drescher being cast in Cinderella on Broadway back in 2013, but I was out on tour and didn't get a chance to see her; this barely registered on my radar at the time, since the production seemed to be engaging an effective marketing strategy called "stunt casting" - Nene Leakes being cast in the same role was a dead giveaway. Stunt casting is fun, but Fran's been around long enough that, if she were known for her vocals, she would have earned a spot singing on Broadway long before this casting decision was made. And of course, I'm the first to know any breaking news about The Nanny on Broadway ... but Fran has publicly announced that she "...really can't sing" on The View in 2021, so I guess I had taken her word for it. Will The Nanny Musical ever make it to Broadway? Read the latest. And then the vocal-coach reasoning connected the dots: of course  Fran Drescher can sing. Why Fran Drescher Singing Actually Makes a Lot of Sense When I’m training singers (especially women navigating their upper registers), one of my fastest routes to healthy, unbelievable high notes is this: try to make the “ugliest” noise you can, but make sure you're not doing it with any tension —we go through the usuals: the squawk, the squeal, the crying baby, the Valley-girl bratty twang, the witchy cackle—until we've got "the one." We know it when we hear it because it shakes the room with pingy overtones and resonance. Once we find their "ugly" noise, we work to sing it on different pitches, then we shape  that placement into sickeningly fierce vocals. Out of context, it's a witch's cackle. But at the right time in the 11 o'clock number, it's a show-stopping money note. When it comes down to it, the “ugly” noises we make are just highly efficient acoustics  in disguise. Using Fran Fine's signature vocal placement from The Nanny, Fran Drescher could have easily walked into the Wicked auditions and sung a convincing Elphaba AND Glinda. Fran Fine's iconically nasal, twangy, nails-on-a-chalkboard voice and laugh are exactly what I'm talking about. That hyper-bright, laser-focused, laugh-through-the-nose tone is a textbook example of where I teach my best singers to build their mix and high register safely. So once you strip away the comedic styling and let the placement sing… boom . It tracks. The Search for More of Fran's Music I needed more information. The moment my singer left the studio that evening, I was all over the internet searching for any and all clips I could dig up of Fran Drescher singing. I knew something had to be out there that featured her voice more than the ensemble singing of the Broadway for Orlando recording that started this whole obsession. And then I saw it. Fran Drescher released a single in 2009 called "Eye for an Eye." Fran Drescher’s 2009 pop single “Eye for an Eye”—the track that reframes the way you hear her voice.  Credit: Single artwork courtesy of rights holder; used for commentary/review. Listen to Fran Drescher Singing "Eye for an Eye" Here Then keep scrolling to read this celebrity vocal coach's perspective on how well she did. "Eye for an Eye" by Fran Drescher, Copyright 2009 Fran Drescher Down the Rabbit Hole: Fran Drescher Singing her 2009 Single “Eye for an Eye” I pushed "PLAY" on the video that returned on a Google search. First impressions... The Key: D Major Less than a second in, I realized we were in D Major. Perfect. Historically, D Major has been the sound of triumph and hard-won joy (think Beethoven’s ‘Ode to Joy’). It frames the song with resilience rather than despair—an inspired choice for lyrics that wrestle with betrayal. Of course, modern tuning means the emotional weight of a key is more about association than acoustics—but D Major still always feels powerful. It sits in a vocal range that feels dark and resonant for most low female singers in their lower registers, but can feel like a war-cry in the upper registers. Sliving for this. The Lyrics Let's look at the lyrics by themselves: Thought you had my back /Well you can be so selfish /And time will never be golden /When it rains so hard Taking an eye for an eye… If I was a sailor /I would skim the waters /I would rail the riptide /Just to be here by your side …All the hills were burning /All the streets were burning /All the homes, they were burning /The whole town was burning… Here's my take on interpretation/meaning: Betrayal → Vow of reciprocity.  The opening couplet (“Thought you had my back…you can be so selfish”) sets a personal breach of trust. The refrain “taking an eye for an eye”  isn’t subtle: it’s a mantra of equivalence —if you wound me, I answer in kind. (Some online summaries frame it specifically as revenge after betrayal; fair. But I think Fran Drescher is the type to rise above and find peace in the healing and growth she experiences from it.) Romantic absolutism vs. self-protection.  The sailor stanza is a classic codependent image : braving riptides “just to be here by your side.” That devotion rubs against the retaliation mantra— love’s pull  versus self-preservation . Apocalyptic burn-scape.  “All the hills/streets/homes… the whole town was burning” escalates the micro-betrayal to macro imagery—the way one betrayal of trust can feel like the entire world is against you , or how cycles of retribution torch communities , not just individuals. Like the title of the song, it's biblical, and also cinematic. Repetition as... spell.  (Hear me out on this one.) The stacked refrains work like a chant —less narrative, more incantation —cementing resolve. Accepting the past. Healing, knowing it's now a part of your story. The Music We already discussed D Major. Perfect way to frame a song of this nature. The arrangement and orchestration are simple: acoustic guitar electric guitar very sparse percussion (a sharp hit on the downbeat that sounds like the slam of a door almost, in the final refrains of the repeated song title) Fran Drescher's voice on the lead vocals ethereal, ghost-like voices providing upper harmonies throughout the chorus (which are not sung by Fran Drescher) Written in 12/8 time signature: a delightfully unexpected divergence from the expected, yawn-inducing 4/4. Typically, when someone comes out with a one-off single, it's written in 4/4, but the compound quadruple meter, engaging that delicious triplet over and over, earns some mad respect in my book. A Celebrity Vocal Coach's Quick Analysis of Fran Drescher Singing in "Eye for an Eye" I don’t do “reactions” very often; in fact, this is my first, and probably the only reaction I’ll ever write. First, my takeaway: for what it is, and for who she is, this is an outstanding, surprising piece of music from a multi-faceted artist. Fran Drescher’s first major exposure to mainstream audiences came with such signature comedic chops that I can’t imagine how difficult it is to try and break away from that. Sure, we all know her as The Nanny , but, like everyone else on the planet, she’s more than one role, more than one laugh, more than one voice. And that’s what “Eye for an Eye” proves to me. Beneath the nasal zing and iconic laugh is a woman who understands tone, placement, and storytelling—tools any singer needs in spades. This track isn’t some novelty single; it’s a fully-formed piece of pop theatre that sits right at the intersection of drama and music, exactly where Fran thrives. So no, this isn’t me reacting as a fanboy (though, let’s be honest, I totally am). This is me reacting as a vocal coach who spends his life dissecting voices—and Fran Drescher singing floored me. If you’re a Nanny  obsessive, a Broadway benefit junkie, or just someone who lives for hidden gems, put on headphones, crank the volume, and give this single your full attention one more time. You might just hear Fran in a whole new way. Here are some specifics to listen for: Fran Drescher's voice is much lower than I was expecting right off the bat. She has rich, warm, chocolatey low notes that sound gorgeous. I bet they're even more luscious now, as women's voices tend to settle lower with age. Vocally, my favorite moment in the song is when she sings, "...when it rains so hard" (00:42 in the video). She's not forcing the voice, she's not overthinking her singing... she just lets that part of the lyric come out like it wants to come out naturally and it's gorgeous. She even has some natural, sweet vibrato that shines through this line. Just beautiful. Another favorite moment: at 01:29, "Just to be by your side" with the little portamento on the word "your" - it's divine. Her breath is nice and connected to her voice throughout. Her vowels are rich, round, and resonant. I can feel her soft palate being raised as she inhales. My only criticism, if I HAD to say something constructive, because this is what I do for a living: When she jumps the octave toward the end, she's got a cool rasp in her voice. I love it, but I wish she had done it differently every time she repeats the phrase up there. It almost sounds like they got one take they really liked and they just looped it over and over. She's a fabulous actress that can give a line reading a thousand different ways on cue, so I want to hear more of that diversity in her interpretation up high. She does it everywhere else, why not up there? As a professional, when I hear my singers pull something like this, I immediately sense insecurity - which is fine, she's not out there trying to be a pop star or anything. I just think that if she let go of that fear of judgement and let it rip with those acting chops of hers, we'd be listening to an entirely different, more elevated performance at the end. My two cents. No key changes here, which I normally find boring. But it works for this song. I totally hear Lana del Rey in this, Lady Gaga, and I also hear Fran Drescher in this. Refrain design = resilience.  The hook sits in a warm low , the safest real estate for non-virtuoso voices to project meaning without fatigue—smart writing for persona-driven vocals. Imagery fuels the tone.  The “burning town” stanza invites a darker vowel palette  and heavier onset; if you’re a singer covering it, lean into the text and the tone will follow (don’t chase “pretty,” chase true ). These are wonderful compliments to Fran and her singing abilities. I could totally hear this in the end credits of a documentary about cancer that her nonprofit would produce. It's haunting and sung very well. Kudos to Fran Drescher for this gem of a single! If The Nanny Musical is looking for an out-of-town theatre, I can think of a perfect venue... right in the heart of Flushing, Queens! Whaddya say, Queens Theatre? The Mystery of "Eye for an Eye" For a song that’s been living rent-free in my head all week, the logistics behind Fran Drescher’s “Eye for an Eye” are nonexistent. I've searched ASCAP's database, Apple Music, Spotify, you name it... And there are no definitive, official credits for the song's: Lyricist Composer Musical Arrangement Recording Studio Production Notes The most trustworthy information I could find on the song comes from Discogs. Here's a roundup of information: "Eye for an Eye" was a single performed by Fran Drescher that dropped on September 28th, 2009. It is a stand-alone single. Apple Music labels Fran Drescher as “Singer/Songwriter.” That could imply she wrote or co-wrote it, but from my professional experience, I think someone tagged the "Singer/Songwriter" qualifier more as a genre of music, not as a credit. Although I'm sure she had a hand in writing the lyrics, no doubt. Discogs lists the release as “Not On Label,” meaning it was self-released, no big record machine behind it. There's nothing beyond that. Most of what exists about Fran’s creative life is about acting and activism, not music. And trust me, I went looking. No PRO registrations (BMI/ASCAP) popped up, no lyric sites have liner-note info, and even Last.fm just regurgitates the basics. It’s as if Fran recorded the song, pressed upload, and went back to conquering television without a second thought. Honestly, the lack of information almost makes it more intoxicating. You don’t need all the paperwork to know you’ve found treasure—you just listen. Final Take: The Nanny Sings! Discovering “Eye for an Eye”  felt like stumbling into a secret annex of the Drescher-verse: a musical artifact that reminds you what a diversely talented individual she is. It reframes Fran not as a novelty singer, but as a performer who truly understands how the voice is connected to past traumas, which makes it the perfect messenger to express them. In other words, we’ve just discovered an entirely new side of Fran Drescher living inside the sumptuous sounds of " Eye for an Eye." Frequently Asked Questions About Fran Drescher Singing Did Fran Drescher actually sing in Broadway for Orlando’s benefit single? Yes! Fran Drescher is visible in the all-star chorus of Broadway for Orlando’s “What the World Needs Now Is Love,”  singing alongside legends like Carole King, Idina Menzel, Sara Bareilles, and Orfeh. Does Fran Drescher really sing outside of The Nanny ? Absolutely. In 2009 she released a pop single called “Eye for an Eye.”  Though credits are scarce, it showcases her lower register, rich tone, and a surprising ease with phrasing and vibrato. What key is Fran Drescher’s song “Eye for an Eye” in? The track is written in D Major—historically associated with triumph and resolution. It’s a smart choice for lyrics about betrayal, transforming the song from bleak to resilient. Who wrote Fran Drescher’s “Eye for an Eye”? Official credits are not publicly available. Apple Music lists her as “Singer/Songwriter,” which may refer to genre more than authorship. Discogs shows the single as self-released, and no verified lyricist, composer, or producer has been identified. Why does Fran Drescher’s voice work so well for singing? Her iconic Fran Fine placement—bright, nasal, forward—sits exactly where healthy mix and upper-register resonance thrive. It’s the same “ugly noise to money note” principle vocal coaches use to build effortless high singing. What's that? You want to train with a celebrity vocal coach, too? For more information, visit online voice lessons, in-person voice lessons (here in New York City), and inquire within about availability for a free trial lesson.

New research tells us that our ancestors in the animal kingdom actually had much more complicated and developed vocal mechanisms that we eventually evolved away from. Without the extra anatomy, humans developed the ability to sing. NERD ALERT: I'm Making the Vocal Membrane Cool While I made the decision to pursue a career in the entertainment industry during my formative years, the world of science came in a very close second place. But even though I pay my bills via a life in showbiz, I've retained my curiosity for all things science - which undoubtedly has had an effect on the vast amounts of research I've done related to vocal science. Anyway, here is a rare glimpse into that corner of my brain on some pretty cool new findings related to how our species came to develop the vocal apparatus we have today that allows us to sing. Buckle up, it's about to get full-blown science nerd up in here. Vocal Evolution Said, "Edit, Simplify, & Trim the Fat" I often see a common issue in many singers when they start working with me: they are working far too hard to produce the sounds they want to hear. It's pretty common to hear me tell them, "Simplify, simplify, simplify... Don't work so hard." And guess what? A fascinating study from 2022 suggests that this urge to “work harder” might actually go against what nature has intended. According to recent research, humans have evolved away from a structure our ancestors once had called the vocal membrane. Anatomically, every one of our species' close relatives have had vocal membranes for quite some time throughout their own evolutionary journeys... but homo sapiens? Nope. Not anymore. The findings from this new research suggest to us that without the vocal membrane around to clutter things up, humans developed more fine-tuned control over our voices for speech and singing. This surprising bit of information supports the idea that simpler vocal anatomy can yield more stable, clearer tones and better control—exactly what I strive for when teaching students of my own in their vocal performances. Check out this quote from the study: We conclude that the evolutionary loss of vocal membranes allows human speech to mostly avoid the spontaneous nonlinear phenomena and acoustic chaos common in other primate vocalizations. This loss allows our larynx to produce stable, harmonic-rich phonation, ideally highlighting formant changes that convey most phonetic information. Paradoxically, the increased complexity of human spoken language thus followed simplification of our laryngeal anatomy. (source: https://www.science.org/doi/10.1126/science.abm1574 ) What Is the Vocal Membrane? In most nonhuman primates—chimpanzees, for instance—there is a thin, ribbon-like extension of the vocal folds, often referred to as the vocal membrane . According to the scientists in this 2022 study, humans have lost this membrane, which is thought to contribute to more complex (and sometimes unstable) sounds in other primates. By simplifying our vocal anatomy, specifically the larynx, humans gained: A steadier pitch  – crucial for singing in tune. Less noisy vocal quality  – essential for clarity in both speech and singing. Greater control over vocal fold vibrations  – helping us transition smoothly between notes and expressions. This loss of the vocal membrane  dovetails perfectly with the principle I emphasize in my lessons: simplicity . Often, overly complex mechanics result in tension and strain. But by simplifying your approach—just as evolution simplified our vocal folds—you allow your true, authentic sound to emerge. How Evolution Shaped Our Singing Ability The 2022 study, published in Science , examined the larynx of humans and various other primates. Researchers discovered that while most monkeys and apes have these thin vocal membranes, humans alone lack them. Surprising as it may seem, this “anatomical simplification” likely made it easier for us to control pitch and tone, paving the way for advanced vocal behaviors like singing and articulate speech. From an evolutionary biology standpoint, this indicates that a less complex structure can be more controllable. The end result for us? A melodious, stable voice  capable of the wide emotional and musical ranges we hear in singing performances. A Nod to Authenticity in Your Singing In my teaching philosophy, I frequently stress that “less is more.” When singers strain to force a particular sound, they often introduce tension into the throat, mouth, or even the facial muscles. This can choke out the natural resonance and expressive freedom that we desire in performance. Instead, I encourage an approach that honors your individual sound rather than mimicking someone else’s technique or style. This study on the vocal membrane  perfectly supports the notion that simplicity  in our mechanical setup is biologically baked into who we are as humans and the fundamental purposes that worked together in the evolution of our vocal apparatus. (Plus, our audiences aren't stupid. Ask any audience member watching someone being inauthentic on stage, and they might not be able to pinpoint the exact verbiage, but they'll definitely let you know something with that performance just wasn't right.) Steps to Embrace Simplicity in Your Practice Breath Awareness:  Focus on natural, comfortable breathing. Avoid pushing too much air through the vocal folds—our bodies are designed to function with efficiency. Release Tension:  Gently stretch your neck and shoulders before practicing. Tense muscles fight the natural ease of your voice. Explore Resonance:  Experiment with humming or siren exercises to let your voice “ring.” Embrace the sound that’s naturally yours. Listen to Your Body:  If you’re straining, ease off. Notice where the tension is creeping in, then recalibrate. By adopting these simpler, more organic approaches—just like the simplified anatomy of our vocal folds—you can unlock greater vocal control, clarity, and emotional depth in your singing. Explore More on Vocal Technique If you want to learn more about how I apply these evolutionary insights to actual vocal technique and singing lessons, be sure to swing by my Vocal Coaching page. And if you want in on the action, I've got you covered over on the Tour de Fierce Booking Page - with several in-person (NYC) and online singing lesson options to suit your taste. Through a combination of anatomical understanding and practical exercises, we can tap into what nature has already given us—a voice free of unnecessary complexity. FAQ: Human Beings and the Vocal Membrane 1) What is the vocal membrane? A thin, ribbon-like extension of the vocal folds seen in many primates. A 2022 Science  study suggests humans lost this structure, which may help us produce steadier, clearer sounds. 2) Do humans have a vocal membrane? No. Humans evolved without it, and that simpler setup likely supports more stable phonation for speech and singing. 3) How does not having a vocal membrane affect singing? A simpler larynx can reduce turbulent noise and make pitch more stable, which helps with clarity, resonance, and smoother register transitions. 4) Can a “less effort” approach really improve tone? Yes. Efficient airflow and reduced throat tension often lead to cleaner onsets, more consistent resonance, and less fatigue—aligning with current voice-science findings. 5) What exercises apply this “less is more” idea? Start with easy breath awareness, gentle sirens on open vowels, and semi-occluded exercises (straw phonation, lip trills). If strain appears, back off and reset.

You don't even have to live in New York City to train with a coach who lives there! Let’s face it: if you want to be a professional, full-time singer , you’ve only got a few options for where to live if you want to book enough work and get the right exposure. Here’s the list, ranked in order: New York City Los Angeles Nashville London … and maybe a few others if you’re lucky. But here’s the good news: with today’s technology, you don’t have to pack up and move  just yet. You can start training your voice with a bonafide professional  before you even set foot in one of these cities. That’s why singers everywhere  are on the hunt for a vocal coach in New York City —because it gives them direct access to the same level of training as Broadway performers and all of your favorite recording artists. You asked for 'em, you got 'em: here are 6 Facts About Training with a New York City Vocal Coach! If you want to take your voice and your singing skills to the next level, here are 6 facts supporting why working with a New York vocal coach  is a game-changer. There's a reason they say, "If I can make it there, I'll make it anywhere," about New York City. 1. NYC Is Home to the Best Vocal Coaches in the World New York City isn’t just a hub for theater, concerts, and recording studios—it’s also where the best vocal coaches in the world  live and work. These coaches train Broadway stars, major-label recording artists, and rising talent who want real results . Working with a singing coach in New York  means you’ll learn from someone who understands what it takes to succeed in high-pressure performance settings . (I need a quick interjection here. Don't roll your eyes when I mention Broadway if you're not a musical theatre singer... the performers on Broadway have conditioned their voices and their bodies to deliver 8 full-out performances each week to crowds of hundreds of people. That's high-octane performing, without lip synching, something the majority of recording artists can't do even at their top-billed price. So give a little respect to the Broadway peeps and the coaches that keep them in shape, ok?) With access to cutting-edge vocal techniques, expert ear training, and industry connections , a vocal coach in New York City  can help you master your technique, expand your range, and prepare for real-world auditions and performances . No matter what style of music you sing, vocal coaches in New York City are trained to help you rock it out. 2. Train in Multiple Vocal Styles (And Actually Get Work!) NYC is one of the most genre-diverse  cities on the planet. Here, you’ll find everything from: Broadway and musical theatre Opera and classical ("legit") singing Pop, Rock, R&B, and soul Jazz and cabaret Indie and singer-songwriter styles Taking voice lessons in NYC  (or even virtual voice lessons ) gives you access to coaches who specialize in multiple genres. That means you’re not boxed in —you can develop your own unique sound while staying versatile enough  to book more gigs. Networking in New York City is as easy as showing up to an audition. 3. Networking: Work with Industry Pros and Perform in Iconic Venues Ask any successful singer , and they’ll tell you: who you know is just as important as how you sing (and having really great timing, duh) . When you train with a vocal coach in New York City , you’re plugging into an industry network  full of working professionals—musical directors, producers, agents, and fellow singers  who can open doors for you. And if you're planning to move to NYC eventually, having a trustworthy vocal coach in the city  means you’ll already have connections before you even arrive. Imagine stepping into the New York music scene  with confidence, knowing you’ve already been trained by someone who works with industry pros. New York City allows you to surround yourself with artists who have similar goals as you. 4. Get Stage-Ready for Auditions, Tours, and Performances Performance is more than just vocal technique —it’s about stage presence, confidence, and storytelling. A New York vocal coach  understands what casting directors, talent scouts, and producers are looking for. They’ll help you refine not just your voice, but your overall performance skills —from breath control to microphone technique to body language. Plus, if you dream of performing in legendary NYC venues , your coach can help you prepare for gigs at places like: Broadway stages The Metropolitan Opera House Madison Square Garden Lincoln Center The Bitter End, Rockwood Music Hall, The Cotton Club, Birdland, 54 Below, Joe's Pub, and other iconic music venues Whether you want to nail your next audition , land a role in a musical , or command the stage at a major concert venue , training with a vocal coach in NYC  will get you there. New York City is the birthplace of most modern vocal techniques - or at least, it's where they are perfected. 5. Access Cutting-Edge Vocal Techniques and Science-Based Training The best singers aren’t just talented —they train smart. Many singing lessons in NYC  incorporate voice science, breath support techniques, and cutting-edge training methods  that help singers maintain vocal health while improving power and agility. NYC-based vocal coaches often work with: Broadway actors who sing eight shows a week Recording artists who need to tour without losing their voice Opera singers who need extreme vocal endurance TV and film actors who require speech and vocal coaching This level of expertise means you’re getting a world-class education  that goes beyond just singing scales. A top vocal coach in NYC  will teach you how to keep your voice strong for life —not just for one performance. Vocal coaches that live and work in New York City can coach you anywhere in the world as long as you have a wifi signal. 6. The Best Part? You Don’t Have to Be in NYC to Train Like an NYC Singer With virtual lessons , you can get access to the best vocal coaches in NYC  no matter where you live. Thanks to modern technology, singers worldwide are booking online lessons  with top-tier coaches who train Broadway performers, recording artists, and industry professionals . That means you can start training now , building your skills and confidence before you make the big move to NYC, LA, or wherever your career takes you. Ready to Work with a Vocal Coach in New York City? If you're serious about your singing career , working with a vocal coach in New York City  is one of the smartest investments you can make. Whether you’re preparing for auditions, gigs, studio recordings, or live performances , NYC coaches have the expertise, industry insight, and cutting-edge training methods  to help you succeed. Why wait? Book a lesson  today with Tour de Fierce's Joseph Stanek - NYC's Top Choice for Coaching the Voice - and start training like a pro— before you even set foot in New York City . New York City's Top Choice for Coaching the Voice Vocal Coach New York City, baby! FAQ: Vocal Coach New York City What are the benefits of training with a vocal coach from New York City? NYC vocal coaches often have direct performance experience in Broadway, opera, and television. They offer real-world insights, high-level technique, and industry awareness that can help singers grow faster and smarter. Can a New York vocal coach help me build confidence? Yes. Many NYC-based coaches integrate performance psychology into lessons to reduce fear, improve stage presence, and help you perform with authenticity and power. Is online vocal training with a NYC coach as effective as in-person lessons? Absolutely. With multiple camera angles, professional setups, and structured feedback, online coaching from top NYC coaches is just as transformative — and often more convenient. What makes NYC vocal coaching unique? In New York, the demand for excellence is high. Coaches focus on fast, personalized results, with no time for fluff. It’s a results-driven, practical, and deeply creative approach to vocal development. Where can I find personalized vocal coaching in New York City? Tour de Fierce Music Studio in Astoria offers one-to-one, genre-specific coaching for singers at every level—available in person in Queens and online. Book at tourdefierce.vip . Can I get professional vocal lessons online? Yes. Work with Tour de Fierce remotely via a multi-camera, pro-audio setup for clear technique demos and real-time feedback—worldwide scheduling available.

If you're not getting callbacks and booking jobs, it's time to find a new coach! In 2019, at a TONY® event, Bernie Telsey—the world’s top casting agent —told me something I’ll never forget: “I can always spot one of your singers in auditions. Their audition material is noticeably specific and always true to who they are, unlike the rest who come in singing the same ten songs on repeat.” Coming from someone of his caliber, it just might have been the greatest compliment I've ever received. Bernie, who regularly casts my singers for major television, film, and stage projects, affirmed what I’ve always believed: authenticity is key. Any audience member can spot someone trying to be something they're not. For a more in-depth look at authenticity, check out this other blog post . But authenticity doesn’t happen by accident. A standout audition starts long before a singer enters the room. It begins with a vocal coach who takes the time to uncover and amplify what makes each singer unique. At least, that's what the world's top casting agent believes, and he's the one who decides whether you have a career or not. Me, Joseph Stanek , on the red carpet of the TONY® Awards 2019 Why Mediocre, Cookie-Cutter Vocal Coaching Fails Singers Unfortunately, many singers never experience this level of personalized guidance. Even in New York City, I’ve encountered countless vocal coaches who rely on cookie-cutter curricula. While the percentage of such coaches may be lower here than elsewhere, the detrimental effects of this one-size-fits-all approach remain consistent—and damaging. When singers are subjected to standardized training, the magic that makes their voices unique is often overlooked or suppressed, leading to serious consequences: Loss of Authenticity:  Singers are molded into homogenous vocalists, stripped of the individuality and nuance that make their voices memorable. Misguided Technique:  Without tailored training, singers risk developing poor habits, inadequate technique, and even long-term vocal strain. Stalled Careers:  Generic training leads to generic auditions. Singers struggle to stand out, limiting their opportunities and long-term success. Generic auditions don't get callbacks; without callbacks, you don't book the job; without the job, you're not making money. Most singers don't realize how something like their vocal coach's methods of teaching severely affects their livelihood. (That is, until they start to question why they can't seem to book work...) Why does this happen? Often, these vocal coaches lack the ability—or training—to recognize and nurture what makes a voice special. Many are products of the same rigid systems they perpetuate, clinging to outdated techniques that underestimate the voice’s potential. The result? A cycle that churns out singers who all sound the same and don't book jobs. Cookie-cutter voice lessons are great... if you want to sound like everyone else. Wouldn't you want a voice coach that doesn't train away the magic in your voice? The sad thing is that most of the vocal coaches who teach in the cookie-cutter style actually claim the opposite. (I realize the irony in me, a vocal coach, saying this.) There are ways to test your vocal coach's abilities, though: try throwing them a curveball by expressing interest in a style of music that is completely different than the style you're currently working on with your coach. Think extreme: Swiss yodeling, Gregorian chant, metal screaming. You'll know if your coach is worthy from their reaction, trust. Chances are, they're just stealing your money without really coaching toward your goals. Speaking of stealing your money, how much SHOULD you be paying for a vocal coach ? Check out my in-depth research and analysis on the matter here. A Different Approach to Vocal Coaching In contrast, my teaching philosophy centers on celebrating what makes each singer unique. Every voice tells a story, and my role is to help uncover and amplify that story. By listening—truly listening—I create lessons and audition material that reflect a singer’s individuality and aspirations. This tailored approach doesn’t just build better singers; it creates confident, authentic artists who stand out in auditions and beyond. A Success Story in Personalized Coaching Take one of my newest Fiverr students, for example. When she booked her first lesson, I didn’t start with scales or repertoire. Instead, I focused on something far more important: getting to know her. I learned that she’d never sung before, but she had a remarkable knowledge of music across genres and dreamed of releasing covers on social media. She’s also a passionate gamer, with a tenacity for mastering new skills. By listening to her speaking voice, I identified her rare, stratospheric coloratura soprano range. That's all I needed to know in order to prepare a customized plan for her second lesson: “I reached out to X, the composer behind Y video game, and he’s given us permission to use orchestrations from the soundtrack for a cover project,” I told her. Though skeptical at first, she embraced the idea. We transformed instrumental pieces into vocalises, using her voice as the instrument. This approach not only showcased her unique sound in a completely unique way, but also helped her develop essential vocal skills. Four lessons later, we released her first cover. Within 24 hours, it had over 400,000 views, and my student was over the moon. The Power of Listening: A Vocal Coach's Greatest Tool To create a fully realized artist, a coach must meet students where they are—not impose a rigid system upon them. Listening helps uncover the stories, passions, and potential within each student, allowing them to discover their authentic selves through music. So, what’s the secret to success in auditions? You've got to have a vocal coach who gives a damn. And the most important thing they can do is listen. Listen to YOUR goals, listen to YOUR interests, and listen for all the little golden nuggets in each voice that comes their way. Then, it's their responsibility to guide you in polishing those nuggets up, instead of eliminating them. If you’re ready to uncover your voice’s unique magic, book your first lesson today. That's me, Joseph Stanek : Broadway actor, professional singer, concert producer, tv producer, and vocal coach extraordinaire. Check out my portfolio to see what kind of next-level stuff I create. FAQ: Is Your Vocal Coach Bad for You? Question: Why does my vocal coach affect my audition success? Answer: Your vocal coach directly impacts the techniques, material choices, mindset, and individuality you bring into auditions. A mediocre coach can make you sound indistinct, while a great coach amplifies your authentic strengths — making casting directors take notice. Question: How can a mediocre vocal coach hurt my chances of getting cast? Answer: A coach who teaches outdated techniques, assigns generic repertoire, or fails to tailor your training to your goals can make you blend into the crowd. Poor coaching can also lead to bad habits, vocal fatigue, and a lack of strategic audition preparation. Question: What qualities should I look for in a top-tier vocal coach? Answer: Look for a coach who is creative, adaptable, and highly individualized in their approach — someone who stays current with industry trends, knows how to craft standout audition packages, and has real-world connections to the entertainment industry. Question: How does working with a well-connected vocal coach create unexpected advantages? Answer: A coach with strong industry ties can open doors to opportunities, offer insider audition tips, help you align your branding with market demands, and recommend you to casting directors and agents — giving you an edge beyond just great technique. Question: How do I prepare for a singing audition in New York City? Answer: Start with material that fits you — not what’s trending. Choose 16–32 bars that tell a clear story and show your best resonance, diction, and emotional point-of-view. Rehearse with a metronome and a clean piano track, then run it in “performance conditions” (standing, marked breaths, no do-overs). Lock in your slate, cuts, and tempo marks on the sheet. Two days before, do a light technical tune-up: airflow, vowel alignment, and one full-out run. If you want pro polish, book a 60-minute audition prep with me — in person in Astoria or online — and we’ll tailor the cut, key, and interpretation for your casting lane. Question: What’s the best place for audition prep coaching in Queens? Answer:  Tour de Fierce Music Studio in Astoria. I specialize in personalized audition packages for theatre, film, and TV — from selecting the right cut and key to crafting a compelling slate and story beat. Sessions are available in person  (Astoria, Queens) or online worldwide  with a multi-camera setup so you can see posture, breath, and mouth shape in real time. You’ll leave with a custom plan, a marked score, and clear practice notes. Ready to stand out? Book at tourdefierce.vip  or grab a free 30-minute trial to get started.

The Nanny on Broadway: In my imagination, the costumes alone are reason enough to get tickets! UPDATED September 22, 2025: The Nanny on Broadway is "Moving Forward at a Very Healthy Clip" Today, September 22nd, 2025, Fran Drescher's nonprofit Cancer Schmancer reposted a press interview of hers from her 2021 children's book (a cheeky alphabet book called N is for Nanny in which each letter of the alphabet is represented by some aspect of the 90's hit sitcom The Nanny ). In the interview , Fran Drescher was asked about The Nanny Musical coming to Broadway. Her nonprofit bringing this interview to the surface again breathes a bit of excitement into the wait for the musical's premiere on the Great White Way. Here's what she said: We cannot wait to get our production up on its legs. It's moving forward at a very healthy clip. And (Rachel Bloom is) one of those millennials that grew up watching it. She totally gets the voice and the humor and was really the perfect person to write the lyrics for the show. Fran Drescher + The Nanny Musical = A Project So Perfect, Nothing Could Stop It from Imminent Broadway Success* (*except perhaps if we experienced some global cataclysmic event that essentially put everything on hold until we figured out how to survive as a species beyond that cataclysmic event. But come on, what are the chances of something like that actually happening? lol) Eight days into 2020, star of stage and screen Fran Drescher turned an otherwise blasé January into what I'm dubbing "Fran-uary" when she triumphantly announced to the world that she was developing a staged musical version of her hit 90's sitcom The Nanny . At least here in New York City, every Broadway actor I know seemed to collectively burst out into a flash mob of precisely choreographed musical theatre singing and dancing in celebration of the announcement, and this flash mob kept going through the night, all the next day, and it continued for weeks and weeks, non-stop, until one day... ...a global cataclysmic event essentially put everything on hold for months upon months until we figured out how to survive as a species beyond that cataclysmic event. Don't worry, Fran, the flash mob is ready to start again when you are. I MEAN COME ON, the timing couldn't have been worse, and it's not Fran Drescher's fault. In fact, she was a hero! The first week of January is when Broadway shows close in droves—holiday tourists head home, box offices tank, and even long-running hits can’t escape the icy grip of attrition. No one is safe, unless you're in Hamilton or The Phantom of the -- oh, wait. Sorry, never mind about that one. After the first couple weeks of January, the theatre industry more or less hibernates until Tony season starts to stir things up in late spring. It’s a tough time to launch any  kind of buzz, let alone a new musical, but had COVID-19 not swept across the lives of everyone on the planet, I think this project would have developed quite smoothly all the way to the Great White Way. But, as things turned out, the freshly-announced project vanished under the weight of a global pandemic, and in theatre, momentum is everything. She says she’s still working on it—and I, for one, am rooting for her. Broadway could use a dose of fabulousness and Queens-born chutzpah. For those of you who, like myself, have developed a sense of style inspired by cheetah print, polka dots, and loud, bold colors because of The Nanny , you've got to be asking the same question: "Whatever happened to The Nanny musical they announced a few years ago? ”  — I am right there with you. But there should have been some movement on it by now... So… what gives? The Nanny On Broadway's Creative Dream Team… and a Devastating Loss The Nanny ... on Broadway. Produced by Fran Drescher. Starring leopard-print high heels, loud patterns, and black-and-white houndstooth with a solid red beret. And today's most talented stage performers. What's not to love? The original announcement was HUGE in the musical theatre world: Fran Drescher herself would be producing, Crazy Ex-Girlfriend  creator Rachel Bloom was on board to pen the lyrics and book, and Adam Schlesinger (of Fountains of Wayne  fame and Rachel’s longtime songwriting partner) would compose the score. This was a team that knew musical comedy — not just how to write it, but how to write it smart. Plus, those 90's sitcoms were literally written and staged to be performed in front of a live audience, so the characters we all love and adore would have a seamless transition onto the Broadway stage. Tragically, in 2020, Adam Schlesinger passed away from complications related to COVID-19. His death sent shockwaves through the entertainment industry, particularly in the musical theatre world, where his genius was only beginning to gain widespread recognition. To those in the know, Adam was the  one to watch. He had range, he had bite, and he loved The Nanny  musical project. His absence wasn’t just a loss of talent — it was a loss of momentum, energy, and collaborative synergy that is nearly impossible to replace. President Drescher and the SAG-AFTRA Actors Strike Y'all, let’s not forget: Fran Drescher  isn’t just a beloved actress and comedic genius — she’s also the President of SAG-AFTRA , and in 2023–2024, she led the actors union through one of the most pivotal labor strikes in Hollywood history . When major studios refused to meet actors’ demands for fair pay and protections against AI exploitation, Drescher didn’t just show up — she showed OUT. Her leadership was bold, unwavering, and fiercely protective of her union members. The strike required all hands on deck, and Fran gave it her full attention, rightfully pausing any side projects, including The Nanny  musical. Watch her now-iconic rallying cry that ignited headlines around the globe: Her strike speech was more than just a viral moment — it was a defining one. And while this detour may have delayed the musical even further, it also cemented Fran’s status as a powerhouse advocate and fearless leader . If anyone can reignite the musical after such a seismic event, it’s her. Getting a Show to Broadway Isn't That Easy For anyone unfamiliar with the inner workings of commercial theatre, here’s the truth: getting a musical to Broadway is an Olympic feat. Even with a built-in fan base and a household name attached, the road to Broadway is littered with unforeseen delays, rewrites, and all other manners of red tape everywhere for as far as the eye can see. A new musical needs: For musicals based on pre-existing works (like this one), rights to the characters and storyline, and periodic approvals from the rights holders throughout every step of the creative process A finished book, score, and lyrics Development labs or readings Workshops to try out material with actors Backers to raise millions in funding A full production with a full cast, crew, orchestra, marketing team, publicity plan, and enthusiastic members of the production team to keep the momentum going while the show is mounted at a regional theatre for an out-of-town tryout Rewrites after audience feedback, then money for rehearsals to put new material in where the feedback directs it to be Recasting, design overhauls, and finally, if the stars align… A Broadway house willing to take it on And that’s assuming everything  goes right. Now consider this: The Nanny  musical began development just before a global pandemic. Theatres went dark. Funding dried up. Travel halted. And one of its lead creative forces was gone. It’s a miracle any version of the show even exists in development limbo. Proposal: Mount The Nanny  Musical in Queens Let’s get creative, Fran. I've got an idea for you. (Updated May 6, 2025) With the National Endowment for the Arts being ripped from beneath our country's feet as I type this, theaters across the country will inevitably shutter, community programming for the arts will disappear, and artists everywhere will become even more marginalized and less supported than they already are. I don't work for any of the non-profit arts organizations that will feel (/are feeling) the most immediate blows from the defunding, but I know they are scrambling for their own survival. Among them, I would assume, is Queens Theatre, a state of the art, award-winning performance arts venue that was built in 1964 as part of the New York World's Fair—right smack dab in the middle of Flushing, Queens. Queens Theatre, architectural marvel and recipient of several awards for design and revitalization, located in Flushing, Queens Wait a second... Flushing, Queens? ...Don't we know someone from there? We need a blog post dedicated to this exclusively. Like this one. Read all about why Queens Theatre in Flushing Meadows-Corona Park is the ideal venue for The Nanny Musical , especially right now! Is There Still Hope? Yes — and no. Fran Drescher remains one of the industry’s most tenacious personalities. Her position as President of SAG-AFTRA proves she’s not one to let an idea go without a fight. Rachel Bloom is still one of the most inventive voices in entertainment, and it's possible she and the production team are retooling or reassembling. But the truth is: time matters in theatre . Projects lose urgency. Industry excitement fades. And unless a backer steps in to reignite momentum or a new composer is brought into the mix to finish what Schlesinger started, The Nanny Musical  risks becoming another brilliant idea that never sees the lights of Broadway. Read all about how the musical could possibly go down here . Why It Still Deserves a Shot It’s easy to see why The Nanny  would slay on stage. It’s got: A fierce fashion-forward lead Rich character dynamics perfect for ensemble moments Over-the-top comedy that begs for musical heightening A killer visual aesthetic with nostalgic glam And one-liners that practically sing  already. Plus, audiences are craving comfort, camp, and charisma — all of which Fran delivers in spades. The Final Curtain (For Now) So, will The Nanny  ever get to Broadway? It’s possible. But it would take serious recalibration, some bold creative hires, and a much better timing that didn't include a global pandemic and actors' strikes. Until then, we wait — like Sylvia in a buffet line — hoping someone finally dishes up the goods. She's got style, she's got flair... She's leaving Flushing for Times Square! (...in my dreams) Costumes You could go one of two ways here: lock down iconic Broadway costume designer William Ivey Long  or go all out and just hire Christian Siriano for the gig (in what would be his third Broadway production, after My Love Letter to Broadwa y and Kristin Chenoweth: For the Girls !). (More to come, stay tuned...) FAQ: The Nanny Musical, SAG-AFTRA, and What Comes Next Q: Why hasn’t The Nanny  musical opened yet? A: Multiple factors have slowed progress, including the tragic passing of composer Adam Schlesinger and Fran Drescher’s leadership of the SAG-AFTRA strike — which rightfully commanded her full energy and focus. Q: Did the actors strike really affect the timeline? A: Absolutely. As President of SAG-AFTRA, Fran Drescher was at the epicenter of one of Hollywood’s most historic labor disputes. She wasn’t just present — she was leading the charge. That level of advocacy takes time and commitment, but it also proves she’s got the stamina to see The Nanny  through. Q: What’s the benefit of workshopping The Nanny  in Queens? A: Workshopping in Queens honors the show’s legacy and could revitalize a neighborhood theatre with a high-profile run. It brings the production to the community that inspired it — and positions it for Broadway buzz with authenticity and heart. Q: Is the show still happening? A: The creative momentum was paused, but not lost. Fran Drescher is still involved. And now that the strike is behind us, it’s the perfect time to bring it back into focus. Final Thoughts... If you're hoping to make it to Broadway as a performer, you've found your way to the right place. Nailed it. Be sure to explore my website (don't forget to check out my portfolio while you're at it!) and imagine the possibilities of what could happen with me as your vocal coach (or Broadway producer—I'm looking at you, Fran... it wouldn't be my first time! ).

Since my life is so intimately tied to vocal use, performance, and delivery, I’m constantly thinking about how to protect, support, and optimize the voice. I also have a massive sweet tooth. In most instances, vocal health and irrepressible sweet tooth cravings don't go hand-in-hand, so I usually have to forgo the sweets. But, on the rare occasion, I can have my cake and eat it too! This is one such occasion. That’s how this recipe came to life. Indulging Guilt-Free: The Creation of Honey Ice Cream I wanted something I could indulge in guilt-free that wouldn’t wreck my vocal cords with processed sugars and artificial ingredients. Honey—nature’s golden nectar—is a singer’s best friend. It coats the throat, soothes inflammation, and even has antimicrobial properties. And lucky for me, I always have copious amounts on hand. So when I hosted a bee-themed bridal shower garden party last year for one of my favorite Broadway dressers, I knew I had to turn my favorite vocal elixir into the star of the dessert table. Enter: Honey Ice Cream. Singers who can tolerate dairy: rejoice! Honey ice cream is your new best friend. Image: Tour de Fierce This delightful dessert is rich and luscious, and completely free of refined sugar. It contains just five real ingredients and boasts a ridiculously smooth texture that’ll have everyone buzzing. The Recipe: Honey Ice Cream (All Natural, No Refined Sugar or Artificial Flavors!) Ingredients 2 cups heavy cream 1 cup whole milk ½ cup raw honey (plus more to drizzle) 4 egg yolks 1 tsp pure vanilla extract Pinch of sea salt Instructions In a saucepan, gently heat the cream, milk, and honey until steaming (but not boiling). In a separate bowl, whisk the egg yolks until smooth. Temper the yolks by slowly pouring in a bit of the hot cream mixture while constantly whisking. This step is all about cooking the egg yolks without scrambling them. Add a little of the hot cream mixture into the yolks, then a little more, whisking all the time. This gradually increases the temperature of the yolks. If you see some scrambling, strain them out, and you're golden. Combine everything back in the saucepan and cook over medium-low heat until it thickens slightly and coats the back of a spoon, around 10 minutes. Remove from heat, stir in vanilla and salt. Let cool completely, then chill in the fridge for at least 4 hours. Pour into your ice cream maker and churn per manufacturer’s instructions. Serve soft or freeze for a few hours for a firmer scoop. Drizzle with extra honey if you’re feeling fancy. Why Singers Love It Raw honey supports the voice without irritating the throat. No refined sugar to dry out your cords or spike inflammation. Full-fat dairy provides lasting satisfaction and, let’s be honest, tastes incredible. It’s gorgeous —add edible flowers or fruit powders for a showstopper look. Enjoying Honey Ice Cream: Tips and Occasions Whether you’re planning a baby shower, hosting a summer garden soirée, or just want to treat your voice to something sweet, this honey ice cream hits all the right notes. Serving Suggestions Pair this delicious ice cream with fresh fruit, little pastries, or even serve in a honeycomb shell for added visual appeal. You can also offer various toppings such as nuts, edible petals, or even a sprinkle of cinnamon for a unique twist. Healthy Sweet Tooth With the addition of raw honey, you can indulge your sweet tooth without the guilt. Plus, since it's made without refined sugar, you can feel good about enjoying it; your vocal cords will thank you! Final Thoughts Whether you enjoy singing professionally or just love to belt out tunes in the shower, keeping your vocal cords healthy is essential. This honey ice cream recipe is a fantastic way to enjoy something sweet without compromising your vocal health. Want more tips on vocal health? Book a vocal coaching with me today!

Can an Online Vocal Teacher Really Transform Your Voice? Yes, and Here's the Proof! If you’ve ever wondered whether online vocal lessons with a private coach can truly  improve your singing, the answer is a resounding YES —and today, I’m going to prove it to you. Brand New to Beginners If you’ve been following my blog or are familiar with my portfolio, you probably know that up until very recently, my coaching career revolved exclusively around celebrity singers . I mean, color-me-lucky that I have a roster of already successful singers under my belt already, but it's not something I chased specifically: my career path just organically unfolded that way. (That's a story for another blog article.) So, for years, I've worked as a vocal coach exclusively for artists who already knew how to deliver powerhouse performances. But when Fiverr approached me to lead the implementation of their Fiverr Pro program, overseeing the rollout of online music lessons for voice, I thought it would be something cool and different to add to my resume. What I didn’t expect? That I’d be just as passionate—if not more—about working with A.) non-celebrities and B.) beginners. 3 Beginners, 3 Lessons Each My first three students experienced such mind-blowing transformations that I knew I had to take this further. And so, for the first time in my career, I decided to go public with my vocal coaching—to help more people learn to use their voices, no matter their starting point. And the results? Well, you’re about to hear them. Below, you’ll hear real before-and-after clips  of my very first 3 students who, in three lessons or less, made incredible transformations with their voices. These students came to me with zero vocal training, but they were all eager to improve. (Right attitude = 90% of the hard part. Read more about that here. ) As you're about to hear, having the right attitude and the right vocal coach turned out to be the secret formula for the immediate success of these three novice singers. If you've been searching for an online vocal teacher  who delivers real, measurable progress— this is your sign . Let’s dive in. Warning: your mind will likely be blown once you hear these recordings. Student Number 1 – From First Lesson to Singing a Duet in Just 3 Sessions (Well, 2 Lessons, Technically...) Student Number 1 had never taken a formal voice lesson before, but from the start, it was clear that he had natural musical instincts . He had an excellent sense of pitch and a cool, unique swagger in his baritone voice. During his third lesson, we did something special—we recorded a duet together live  over Zoom. (Yes, ladies and gentlemen, what you're about to hear was recorded on Zoom because that's the name of the game with online vocal teachers - unless you're in New York City, we'll meet up on webcam... so yes, the audio is not recording-studio-level, but it's actually not bad...) In under three sessions, he learned breath control, phrasing, and vocal blend , and really learned to bring out the unique colors previously hidden in his voice, allowing him to hold his own in a professional-level duet with a bona fide professional singer who's worked with the best of the best (how's that for intimidation?). You'll hear us singing in the same audio clip as Student 2 below. Online Voice Lessons with Hollywood's Favorite Vocal Coach Want to improve your singing in record timing?  I'm Joseph Stanek, online vocal teacher extraordinaire and vocal coach to some of Hollywood's brightest stars. I will accelerate your singing progress just like the singers featured in this post's audio clips, even if you’ve never had a lesson before, like them! Everyone's path is different, but if you're thinking about online voice lessons, here are some useful pages some of my other singers started with: Vocal Coach for Beginners Broadway Vocal Coach Vocal Coach for Belting Singing Lessons for Adults 👉 Book your first lesson today! Student Number 2 – From Pitch Uncertainty to Ear Training Success in Three Online Voice Lessons Student Number 2 and I had been messaging back and forth for a while before we actually met for a lesson on Zoom. I almost fell off the piano bench when I heard her sing the first time because it gave me flashbacks to the day I took out a tape player and recorded myself singing. Student Number 2 and I started at exactly the same place. That's all I'll say for now. I'll let you hear the progress she made in the recording below! Audio transcription with remarkable singing progress my first two beginner students, who came to me via Fiverr Pro. If you struggle with pitch accuracy, you don’t have to stay stuck. Virtual ear training with an online vocal teacher  can help you find your voice and sing with confidence. Trust me, I went from the struggle bus to Carnegie Hall and now I'm here to help you nail it, too! 👉 Start your vocal training today! If you're curious about how much voice lessons cost the average person, check out my full guide here . Student Number 3 – From the Silence: A Stunning Coloratura Voice Student Number 3 told me right off the bat that she had never sung a note in her life, she had no clue what, if anything, would come out of these vocal lessons, but she was an open book and willing to try anything. She also mentioned that she spent a portion of her life being nonverbal and taking voice lessons was a way to push herself beyond her comfort zone to make up for lost time. I knew she was my kind of person right away - this is the beginning of someone's success story if I've ever heard one! "You're willing to try... anything?" I asked. In every singer's first session with me, I do a lot of listening while they tell me about themselves, what they like, what makes them laugh. It's important for me to establish an authentic friendship with my singers because singing is so intimately tied to our emotions and our past traumas and our heartbreaks and our proudest achievements... Pretty much immediately after they start speaking, I know what voice type they are, what their challenges will be for singing, what they are going to be exceptionally good at with singing, all of that fun stuff. Singer Number 3 was giving me something I'd heard before, but not to this degree... never. "Okay then, can you whimper like a dog?" "Oh, I'm actually very good at that," She responded. (I knew it.) And she whimpered like a dog way up into the stratosphere of her voice, navigating those whistle tones with such impressive skill and ease that I nearly fell off my piano bench (again). That day we discovered that she had a very rare (and extraordinarily preserved) coloratura soprano range, the type of voice millions of people across the world would kill for. Since she was such a good sport and completely trusted me with her voice and her vocal journey, I came up with a little vocalise for her to sing (a vocalise is a piece of music for the voice that doesn't use words, rather it is sung on vowels). She made up a narrative to go along with this original composition about looking for a lost friend in the wilderness, and when she finds the friend, they harmonize together. Y'all better buckle up. ...And she had no idea what a marvelous treasure she'd been hiding her whole life! If you’ve ever doubted your own potential, let this be your proof—you have a voice worth discovering. Schedule your first lesson and let's find your own hidden treasure! Why Online Vocal Training Works (Even Better Than You Think!) If these transformations prove anything, it’s that virtual singing lessons work —often better than in-person coaching . Here’s why: Skip the Nerves and Get Straight to the Voice! I've found that, especially with beginner singers, we make much faster progress with online lessons than we do with in-person lessons. Why? My theory: there is definitely a window of time when people first start their voice training where the singer is getting comfortable letting someone else hear their voice in such an intimate setting. With in-person lessons, this period stretches out much longer than with virtual lessons because people are WAY more comfortable letting their inhibitions go when they are surrounded by familiar things instead of a strange music studio they've never been to before. Plus, when lessons are set in your home, it's easier to establish a regular practice routine in the same space in which you've just had a lesson. Much, much faster progress (and a fabulous online voice teacher doesn't hurt, either!). The Convenience of Learning to Sing Online Train from anywhere in the world with direct, real-time feedback , using professional techniques that work over Zoom . Real Results – No Studio Required! You don’t need a big recording studio to make real progress—you just need the right teacher  and the right training . FAQ: Online Vocal Teacher's Voice Student Transformations Q: Can you really improve your voice in just 3 lessons? A:  Yes—while every singer is different, the unique Dual Voice method renowned vocal coach Joseph Stanek uses can produce dramatic results immediately, so it's easy to see improvements in 3 whole lessons! Q: What makes Joseph Stanek’s vocal coaching method unique? A:  Joseph blends celebrity-endorsed coaching experience with intuitive, individualized coaching, helping singers of all levels develop their singing voices and their inner voices. Q: Do I need singing experience to book a lesson? A:  Not at all—Joseph works with absolute beginners all the way up to A-list performers. In fact, beginners see the most drastic singing improvements in under three lessons. Q: Can I learn to sing if my voice is bad? A: Yes. Even if your voice is sharp, flat, or ugly sounding, Joseph Stanek specializes in taking singers who are sharp, flat, or ugly-sounding and training them to be award-winning vocalists at the top of their game. He is famous for training singers to be international superstars, with drastic improvements in under 3 lessons. Q: Can anyone learn to sing? A: Yes. Anyone can not only learn to sing, but they can become the best singer in the world under Joseph Stanek's unique voice training method. Ready for Your Own Before & After Moment? Work With an Online Vocal Teacher Today! If these students can achieve incredible transformations in just three lessons , imagine what YOU  can do with expert training. Whether you’re a complete beginner, struggling with pitch, or ready to take your vocals to the next level— this is your time. Still on the fence? Scroll back up and listen to the transformations one more time—you could be the next voice success story! You know you wanna try Tour de Fierce's Interactive Tongue Twister Generator ...

When most people hear the phrase “affordable voice lessons” , they roll their eyes. We’ve all seen the too-good-to-be-true promises: “Inexpensive voice lessons…”“Cheap voice lessons…”“Free voice lessons…” These sound about as believable as spotting Bigfoot teaching a masterclass or the Loch Ness Monster warming up for an aria. In other words: pure fantasy. But here’s the plot twist: affordable voice lessons are real — and not just bargain-bin coaching that wastes your time.  There are industry-tested ways to access elite, Broadway-level training at a fraction of the price (or even free) without sacrificing progress. The key is knowing where the pros hide the discounts, how scholarships and grants actually work, and which strategies can unlock insider opportunities. In this post, I’ll pull back the curtain on the little-known secrets that allow singers to save big while still getting world-class training. Let’s get one thing straight: voice lessons aren’t cheap. Not if they’re worth your time. But the idea that you can’t afford  to train with a top vocal coach? That could be a misunderstanding of how the game works. And sure, "affordable" voice lessons is a relative term because "affordable" is different for everyone. But hang tight, I've got some killer ideas to throw your way, no matter what your definition of the word happens to be. In this post, we’re going to cover: Why most voice teachers charge what they charge (spoiler: it’s not just about their time) How to approach voice lessons from a value exchange  mindset Exact scripts you can customize to ask for a reduced rate (without sounding desperate) What top coaches look for when considering a barter or discount We’ll also tie this into our wildly popular blog on How Much Do Voice Lessons Cost , because cost doesn’t exist in a vacuum—it’s part of a much bigger picture. It never hurts to ask a voice teacher if a reduced fee is a possibility... especially when you're prepared to make an offer of your own! The Harsh Truth: You’re a Transaction Until You’re Not Most vocal coaches are artists. Many are brilliant. A handful are transformative. But first and foremost? They’re businesspeople. Unless you’ve worked with them long enough to build a real relationship, assume this: you are a transaction to them.  A line item. A deposit. A number. A line in a spreadsheet. And don’t let the warm smile and heartfelt affirmations fool you—remember, you’re dealing with trained actors . They know how to read a room, sell an idea, and craft a moment. Just like you shouldn’t fall in love with an actor playing a romantic lead, don’t fall in love with your coach’s persona until you’ve seen how they show up over time. Assume nothing. Protect yourself. Let them prove themselves. Now that we’ve got that out of the way... The "Why" Behind the Coach Now, to be fair: the best coaches out there aren’t in it just  for the money. They’ve dedicated their lives to this work because they’ve seen the power of singing to transform a person from the inside out. These coaches are few and far between, but when you find one, it’s worth making a case for why you  belong in their studio. Because when a passionate, purpose-driven coach meets a passionate, purpose-driven student?  That’s when the real magic happens. If you show up with authenticity, determination, and a well-articulated ask—you might just unlock a door you didn't even know was there for you. Negotiation 101: Don’t Just Ask for Less. Offer More. Let’s be real: if you email a coach and say, “Can I get a discount?” the answer is probably going to be no. But if you say: Hi, my name is _______. I've just moved to New York City and am looking for a vocal coach to polish up my audition book with one meeting a month or so. I keep returning to your website because I believe you and your teaching methods are a perfect match for me, but until I get my feet on the ground here a bit more, I cannot afford your full fee of $195 per individual session. I am curious, though, if you would be open to a bit of a barter in exchange for a reduced fee? I am a social media whiz, I have 750,000 followers on Instagram and I would love to use my skills and/or my following to benefit your social media. Would you be open to accepting me as an influencer or a brand ambassador for a lower rate? Or, if that's off the table, let me set up an Instagram account for your vocal studio and I'll come up with a schedule for posting, along with some great templates for you to use when posting on the account yourself. Let me know if any of this is appealing to you, and if so, let's work out the exact details to make sure we're on the same page about everything. Thank you so much for your time, I am really looking forward to hearing from you! Now you’re talking. You'll have to tweak the details according to your own life, but hopefully this gives you somewhere to start. Here's some more inspiration: Real Value You Can Offer a Vocal Coach in Exchange for a Discount: Social media support  (content creation, posting strategy, influencer collaborations) Website or SEO help  (optimize their visibility, offer a review, write them a testimonial) Manual labor  (organizing sheet music, cleaning, tech setup) Photography or videography  (if you’re skilled) Teaching referrals  (know other singers? bring them in) You can even offer to leave a detailed Google review , tag them in content , or be a case study  for their success. Sit down and really think about what you can bring to the table that no one else can. Make a list of your special skills and ask yourself if they could be valuable to the vocal coach you have in mind. Do you have any special connections you can call a favor into who might volunteer some expertise or consulting to a small business owner? Remember: vocal coaches are first and foremost businesspeople, as they run their own coaching businesses. If someone approached me and offered a week in their timeshare on the coast of Mexico, I would seriously consider free voice lessons. The key is this: Don’t position yourself as someone who needs a favor. Position yourself as someone worth investing in. How to Ask: Script Templates That Actually Work Here are a few copy-paste templates to get you started: “Social Media Barter” Template: "Hi [Coach Name], I’ve been following your work for a while now and I love your approach. I’m looking for a vocal coach who can help me sharpen my technique, but I’m currently working with a limited budget. I specialize in social media growth and have helped other creatives grow their platforms significantly. I’d love to offer social support in exchange for a partial barter on your rate. Would you be open to a short meeting to discuss this?" “Honest Review + Admin Support” Template: "Hi [Coach Name], I’m incredibly motivated to work with you and get serious about my vocal growth. I’m also mindful of my budget. I’m wondering if you’d consider a discount in exchange for a glowing Google review and help organizing your digital music library. I’m fast, detail-oriented, and would treat your materials with the same care I treat my own." Final Thoughts: Be Bold. Be Real. Be Worth It. You’re not entitled to a discount. But you are absolutely allowed to ask. And the way you ask says a lot  about what kind of student you are. Coaches want to work with people who: Show initiative Bring something to the table Aren’t afraid to be honest Offer value, even when they’re new The bottom line? Don’t be afraid to ask. But never show up empty-handed. And if you’re curious about how much voice lessons really cost in your city or online, don’t forget to check out our most-read guide right here: 👉 How Much Do Voice Lessons Cost? A Breakdown of Prices & What to Expect This post is the unofficial follow-up—and between the two, you’ll know exactly what to expect and  how to work the system like a pro. See you in the studio. Frequently Asked Questions (FAQ): Affordable Voice Lessons Question: How much should I expect to pay for voice lessons? Answer: Rates vary by location and experience. In major cities like NYC, top-tier coaches can charge $150–$300 per session. Online lessons may offer more flexibility in pricing. Question: Can you negotiate the price of voice lessons? Answer: Yes, but it should be done respectfully and professionally. The most effective way is to offer something of value in return—like social media help, referrals, or a glowing testimonial. Question: What if I can't afford voice lessons right now? Answer: Start by reading our guide on How Much Do Voice Lessons Cost . Then, consider bartering, asking about sliding scale rates, or committing to fewer lessons per month until your budget improves. Question: Do vocal coaches ever offer sliding scale pricing? Answer: Some do! Especially coaches who value accessibility or are passionate about helping driven students. It never hurts to ask. Question: What should I say when asking for a discount on voice lessons? Answer: Be honest, professional, and specific about what you can offer in return. Refer to the templates provided above to craft a strong message.

Unless you can afford the criminal price tag of a Cheryl Porter private coaching, you're probably wondering how to get the most bang for your buck when it comes to fine-tuning your singing voice. For those of us taking voice lessons in Astoria / Queens / New York City , we're used to paying top dollar for the astronomical cost of voice lessons in the live entertainment capital of the world. Then again, singing teacher rates should be reflective of the quality of training you're getting, so higher vocal coach costs are to be expected here. But what's the national average cost of voice lessons? I've done my own research to find out. Understanding Voice Lesson Pricing: How Much Should Vocal Training Cost? Look, I've Googled it, too: " How much do voice lessons cost ?" - actually, I've Googled it quite a bit recently. I've always got a finger on the pulse of vocal coaching costs, so you’re definitely not alone if you're asking this question. The cost of vocal lessons  varies widely based on factors like experience, location, and lesson format. Whether you're looking for in-person lessons with a private vocal coach in NYC , online lessons, or affordable group sessions, this guide will help you understand the singing lesson rates you'll encounter in your research and what to expect when pricing for music lessons becomes a part of your regular budget's expenses. Here's what we'll cover in this guide: VOCAL COACH SCAMS NO. 1 : YouTube “Vocal Coaches” and "Free Training Videos" VOCAL COACH SCAMS NO. 2 : Online Singing Courses VOCAL COACH SCAMS NO. 3 : New York City for Newbies What is the Average Price for Voice Lessons? Does Cheryl Porter Do Private Lessons? How Much Does a Private Lesson with Cheryl Porter Cost? How Much Does 30 Day Singer Cost? Hidden Costs of Online Singing Courses What You're Actually Paying for when you Hire a Vocal Coach Logistical Factors that Influence a Vocal Coach's Hourly Rate The True Cost of a Voice Degree How to Get the Best Value for Your Investment FAQ: Voice Lesson Costs and Singing Teacher Rates In this guide, we’ll break down everything from the average cost of voice lessons  to the hidden factors that affect a voice lessons price  — so you’re never caught off guard at checkout. In addition... This post provides a comprehensive breakdown of what voice lessons cost in 2025, covering factors like experience, city vs. online pricing, sliding scale options, and insider strategies for finding coaching that fits your goals and budget. Includes real pricing charts, negotiation tips, and exposes common vocal coaching scams so you don’t get ripped off. Spoiler alert: the cost of voice lessons can vary widely depending on the type of instructor and whether you take private or group classes. For example, some students wonder about the specific pricing of well-known teachers. Does Cheryl Porter do private lessons?  We've broken down what to expect from her studio, including potential costs. EDIT: The more I update the metrics on this post, the more frustrated I get with vocal coaches who hide the prices of their services. Trust me, I'm scouring their websites for any mention of what they charge; heck, I'd even take a ballpark figure for some of them, this rather important piece of information seems to be hidden from view for many voice coaches out there—that is, unless you send them your email address - then you'll receive a quote when they have the energy to respond. See, no one likes doing business with sneaky people. Whatever. I believe in completely transparent vocal coaching pricing  - which is why I post my prices directly on my website so they can take it or leave it. Beware the shady vocal coaches, y'all. Let me tell you a little secret: you don't have to pay full price for quality voice lessons. All you have to do is ask and offer something in return! You might surprise yourself with how receptive your coach may be... Read more about negotiating more affordable vocal coaching sessions here. VOCAL COACH SCAMS NO. 1: Beware the YouTube “Vocal Coach” and their "Free Training Videos" (Yes, I’m Going There.) I’m a firm believer in the old adage: You get what you pay for.  And when it comes to vocal coaching, that couldn’t be more true. Bargain-bin pricing for voice lessons might seem like a steal—until you realize what’s been stolen is your time, your progress, your vocal health, and your motivation to keep pursuing your dreams. Enter: the YouTube Vocal Coach™. In the era of short-form content and recycled wisdom, it seems anyone with a ring light and a WiFi connection can slap “vocal coach” in their handle and start barking warmed-over tips they found five minutes earlier on someone else’s channel. These are not experts. These are parrots with Canva accounts. Let’s be real. The best vocal coaches in the world aren’t spending their days optimizing their click-through rates or posting reaction videos to Ariana Grande whistle tones (btw, I know you saw our matching bomber jackets she had embroidered with our names during Hairspray Live , right?). No, no. The best vocal coaches are: working with clients in rehearsal rooms. working with clients in recording studios. working backstage at Madison Square Garden making sure the mic check goes flawlessly. on the phone with producers. pepping A-listers for high-stakes performances where one wrong note means millions of dollars (and careers) are on the line. And they’re not— I repeat, not —filming “5 Easy Tricks to Sound Like Beyoncé” in their childhood bedroom. DON'T BE FOOLED BY THE SCAMS! I’ve never had a serious conversation with my colleagues about the YouTube vocal coach epidemic, mostly because it’s laughable and irrelevant. When Kristin Chenoweth is in the studio needing adjustments in real time, I promise you we’re not pausing to gossip about the 22-year-old “expert” who just discovered the mixed voice last Tuesday. ...you’ll actually end up spending more—in time, energy, frustration, and yes, even money—the longer you rely on YouTube videos and online singing courses. But I have  taken it upon myself to call this mess out, at least here on this blog. Because I’ve seen too many singers misled, confused, or vocally injured after following cookie-cutter advice from unqualified content creators who have never coached a real singer through a real career in their life. And let me be crystal clear: if someone’s main credential is “popular on TikTok,” they shouldn’t be giving medical-grade guidance on your instrument. You wouldn’t take dental advice from a YouTuber who’s never been to dental school. So why trust your voice—your artistry, your career, your confidence—to someone whose only training is yelling “support from the diaphragm!” louder than the last guy? There are brilliant, credible vocal coaches out there doing transformational work with singers every single day. But you won’t find them trending on your "For You" page. You’ll find them in the room, making art happen. If you’re ready for tailored feedback instead of algorithms, try online voice lessons with a real coach who listens to your voice. VOCAL COACH SCAMS NO. 2: Online Singing Courses If you're serious about improving your singing, here's the irony: you’ll actually end up spending more —in time, energy, frustration, and yes, even money—the longer you rely on YouTube videos and online singing courses for your vocal training. How? It’s pretty simple: (For the overnight YouTube vocal coaching experts discussed above) The person clogging up your feed with “vocal hacks” and “top 3 tips to sound professional overnight” probably learned those tricks themselves… last week. They don’t understand anatomy, they don’t understand pedagogy, and they certainly don’t understand you —your voice, your habits, your history, or your goals. It doesn't matter how experienced they are, any vocal coach who builds their entire career around creating digital content that keeps them from seeing and working with the people they're coaching is a scam artist. They're figured out a way to make some money and are going full-speed ahead to get that coin with little regard for the damage they're doing to singers all over the world while doing it. To you, at home singing along to these online courses, it might feel  like you’re doing everything right—imitating their sounds, copying their language—but here's the truth: there’s a great chance you’re doing it wrong. Not because you’re not trying hard enough, but because you’re unconsciously compensating for bad or incomplete information. You think you're supporting, but your jaw is locking. You think you’re mixing, but you’re actually just yelling in chest voice. You started out in decent shape, but with every breath you take, the tiniest amount of tension is added to the back of your tongue, building upon itself little-by-little until you've reached the end of the first verse and it feels like you're wearing a metal vice around your neck and you're way too fatigued to seriously keep going and think you stand a chance of actually finishing the song, let alone sounding any good at it. ...And no one is there to catch it. And by the time you do finally seek out a real coach? You’re already dealing with muscle tension, fatigue, vocal strain, and a mountain of bad habits that have set you back months because they have to now be unlearned before  you can actually start making any progress. So no, that free video or that online course wasn’t “saving” you anything. It was laying the groundwork for vocal rehab. Get precise, real-time corrections with an online vocal teacher  who diagnoses your habits and designs exercises for you—not a template. If you value your voice, don’t gamble it on guesswork. Get yourself in the room (virtual or otherwise) with someone who knows what they are doing and actually cares about your progress. That's why no one should ever begin their singing journeys by watching YouTube or taking an online course. Meet a vocal coach in person or online and work with them to lay the basics down. Then, have at it. VOCAL COACH SCAMS NO. 3: New York City for Newbies When I moved to New York City in 2008, after I had a Bachelor's degree in singing and a Master's degree in singing, my first voice teacher here in the city charged me a whopping $750 per 60 minutes. [cue the chorus of crickets] Yes, that was in 2008. $750 for one hour. This voice teacher is still around, in her two-story penthouse apartment overlooking Lincoln Center, where the elevator opens inside her apartment because the entire floor is hers... And guess what? I enthusiastically paid her fee, not because of the amazing things she was teaching me, but because I didn't know any better and I thought that's what it cost to become a great singer... and in my mind, she was well-connected (not that it served me in the least bit) and I thought her name carried a lot of weight on my resume. She even held auditions for her private studio, and charged audition fees AND accompanist fees to participate in them. Now, I see it as a scam. This woman knew exactly what she was doing: she had retired from most of her conservatory teaching positions and used her private studio to supplement the income she was no longer making... and she targeted people just like me who didn't know any better. She was t the helm of her own business, because don't forget: vocal coaches are business people who are trained actors, and she had no problem creating this morally questionable business plan for herself. Anyway, be careful out there. Invest in your voice wisely. As we approach the meat of our discussion here, let's keep a few things in mind. If you're curious about the true cost of singing lessons and your goal is to be a professional singer, think big picture... Sure, think of the cost per lesson. But don't forget that once you find the right vocal coach, you'll want them around for life. You want a vocal coach who cares about your voice and your goals, because that is priceless. Just ask Beyoncé. Or Rihanna. Mariah Carey. Sabrina Carpenter. Training with a vocal coach is an investment in your future. Try this: instead of considering the price of a single voice lesson, think about the total cost of studying with that particular vocal instructor over an extended period of time, and how much you'll learn from their teaching style and pace during that period. For instance, my vocal coaching fee per session may appear to be higher than the average vocal coach out there, but three lessons with me are worth an entire year of studying with one of them (just listen to these Before & After Vocal Transformations to hear for yourself!). That's thousands of dollars in savings. My students advance at the speed of light because of the way that I teach, the resources I find and/or provide for each singer, the rehearsal and performance assets they receive, and the connections I have within the industry that have changed the game for many careers over the years. My singers always have a huge advantage over their peers because they study with me. However, most vocal coaches keep a steady eye on the clock, and when it's time for you to go, it's time for you to go. Also, most vocal coaches tried their hand at performing themselves once upon a time and didn't make it, so they landed in this job out of convenience and a last-resort mentality. These are the types of vocal coaches that don't have any industry connections that can help you with your goals, nor do they have the business wherewithal to advise you on your next moves. Personally, I'd pay a few extra bucks to have the full package than gie a penny to the uninvested vocal coach who only sees me as a paycheck. Average Cost of Voice Lessons In my own independent research based on my research covering over 300 vocal studios (accounting for vocal instruction in every US state), I've been able to draw the following metrics. Let’s look at the national average cost of voice lessons  across experience levels and formats: Voice Lessons Price Breakdown: What Most Singers Pay Lesson Type Price Range (Per Hour) Beginner Lessons $40 - $80 Intermediate to Advanced Lessons $75 - $150 Professional Vocal Coaching $150 - $300+ Online Voice Lessons $50 - $120 Group Singing Lessons $30 - $75 🆓➡️ (Speaking of 💵 money, who wants a free trial lesson  with a celebrity vocal coach?) As you can see, the average cost of voice lessons  can vary depending on the teacher’s experience, lesson length, and whether the session is online or in person. Still, most singers fall somewhere between $60 and $150 per hour for private instruction. If you’re seeing numbers wildly outside that range, it’s worth asking why that voice lessons price  is higher or lower than expected. But What About the Big Names? Let's Talk Cheryl Porter, 30 Day Singer, and the Hidden Costs of One-Size-Fits-All Programs While private voice lessons can vary in price based on experience level, location, and format (as we’ve already broken down above), many aspiring singers turn to popular online programs as an alternative. But how much does a lesson with Cheryl Porter cost? How much does 30 Day Singer cost? And more importantly… are they worth it? Cheryl Porter, famed voice coach, pre-records the vocals used in her online course about how to sing on pitch, pitch-corrects the recordings, then lip synchs to her pitch-corrected vocals during the recording? Let’s break it down, spill some T, and help you make an informed choice that serves your voice—not someone else’s branding. Does Cheryl Porter Do Private Lessons? Ah, the golden question: Can you actually book a private lesson with the queen of vocal motivation herself, Cheryl Porter? The short answer is yes — if you’ve got deep pockets and a lot of luck. While Cheryl is best known for her viral YouTube videos and popular courses like the "Complete Vocal Technique" program, she does offer one-on-one coaching —but it’s exclusive, pricey, and rarely available . These individual sessions are typically reserved for elite clients, industry professionals, or those who manage to land a rare private booking through her team. And get this: her private coaching sessions can cost thousands of dollars per hour . That’s right— thousands . So if you're dreaming of a personal session with Cheryl, be prepared to pay a premium. That said, most singers opt for her pre-recorded courses, which are far more affordable (and available). In the next section, I’ll break down those options—and the hidden truths about whether they’re worth your time. How Much Does a Lesson with Cheryl Porter Cost? Cheryl Porter is a powerhouse—her videos have inspired millions. But how much do Cheryl Porter lessons cost  when you're not just watching a viral clip, but actually trying to learn one-on-one with her? Before we get to the answer, maybe there's a little video you should watch. I'll drop it right here: Controversial Cheryl Porter? Better hold on to your wigs. Woah, woah, woah, hold the phone. Cheryl Porter, famed voice coach, pre-records the vocals used in her online course about how to sing on pitch, pitch-corrects the recordings, then lip synchs to her pitch-corrected vocals during the recording? Read that back again and let it really sink in. The implications of this are atrocious. By pitch-correcting her course materials, she's setting the bar impossibly high, something no human being is capable of replicating without the help of a machine, so she's setting you up to never be as good as she is, or as good as she appears to be. But of course, as a businesswoman, this makes complete sense. The more you dangle the carrot in front of your customers, keeping everyone from achieving their singing goals, the more singing courses they'll pay for. Not to mention that she psychologically manipulates her audiences into forming para-social relationships with her, but that's a tangent I don't want to get into right now. To top it all off, Cheryl Porter has many different ways that she will steal your money: online courses, private lessons, merchandise sales... Let's look at online courses first. Cheryl Porter’s vocal method is packaged in various forms, including her “Vocal Method Course”  and one-off masterclasses.   Here’s what the average student is paying for Cheryl Porter's online singing courses: Pre-recorded course access:  $197 (sometimes on sale for $99) Workbooks & materials:  Usually included in course price No live feedback, no 1-on-1 interaction Or, as you'll see below, she's got a new $27 offering But if you’ve been asking how much does a lesson with Cheryl Porter cost , the honest answer so far is: you’re not buying a lesson with these courses. You’re buying a pre-recorded show. Not just any show, though! A show where the singing instructor teaches you to sing on pitch... while lip synching  to recordings  of herself that she then pitch-corrected  to fool you into thinking that she is actually singing (/lip synching) on pitch. Where I come from (New York City), this is called fraud, and with as many victims as she has buying into her criminal business plan, this type of fraud is punishable by a big, fat prison sentence. I'm just going to spill the beans now. Cheryl Porter charges $1000 for a one hour private coaching. I am so, so, so sorry, Cheryl Porter.  $1000 for an hour of your time?  That's called stealing, especially when you lip synch and pitch-correct your training videos  in which you "teach" people how to sing on pitch. See below: If you don't know what a parasocial relationship is, and how scam artists use them to take your money, do yourself a favor, do some research, and stop wasting your time, money, and dreams on criminals like this. The truth is: it doesn't really break Cheryl Porter's heart that you can't afford her unreasonably atmospheric fee for individual lessons. She actually doesn't want to meet you, ever. So she jacked the price of her sessions up and offered you something else that you WILL pay. I don't know how she sleeps at night. (Plus, she sleeps through the filming of her online courses so much, how could she possibly get any MORE sleep??) How Much Does 30-Day Singer Cost? 30-Day Singer is another major player in the self-paced singing course world, promising a vocal transformation in a month or less. But how much is 30 Day Singer, really? Here’s the breakdown: Monthly membership:  $29.95/month Annual membership:  $129/year No personalized instruction “Beginner friendly” but not adaptive to individual voices If you’re wondering how much does 30 Day Singer cost , think of it like a subscription to a video library—cheap up front, but potentially expensive in the long run if it leads you down the wrong path. Also, consider this next section very seriously when evaluating the cost of 30-day singer: The Real Price of Hidden Costs: What They Don’t Tell You About Cookie-Cutter Vocal Training Let’s be clear: the issue isn’t with Cheryl Porter or 30 Day Singer as individuals. The issue is with programs that promise transformation without ever hearing you sing. These programs sell accessibility , but not accountability . They rely on parasocial relationships  to make singers feel seen, even when no one’s actually watching or listening. Here's what I see regularly as a vocal coach: Singers come to me after months or years  of online training… with injured technique, tension, breath issues, and pitch instability. Sure, they can throw around the right terms, and they know a ton of exercises by heart, but they've never been held accountable for doing the exercises correctly and healthily. They’ve developed habits that worked for someone else’s voice—but are totally wrong for theirs. They trusted these platforms because they were "affordable." But now they’re paying more  to unlearn what they never should’ve been taught. If you’re asking how much does vocal coach cost, keep this in mind: A real vocal coach may cost more per session—but that session is tailored to YOU. Your breath. Your range. Your goals. Programs like Cheryl Porter’s or 30 Day Singer are designed to scale. But your voice? That’s one-of-one. Beyond the Clock: Unpacking What You're Paying For in a Real Vocal Coaching So, you're wondering about the cost of voice lessons and what exactly you're investing in when you pay a vocal coach. It's a valid question! While the hourly rate might seem like the most obvious expense, the truth is, you're paying for much more than just the time spent in a room. If you’re comparing voice lessons prices , don’t forget to factor in what’s actually being delivered beyond just the time slot. You're investing in a comprehensive package of expertise, guidance, and support designed to help you reach your vocal goals. Here's a breakdown of what you're truly paying for when you hire a professional vocal coach: 1. Expert Instruction and Personalized Guidance: Technical Expertise:  A qualified vocal coach possesses in-depth knowledge of vocal anatomy, breath control (diaphragmatic breathing), vocal technique, resonance, and articulation. They understand the mechanics of singing and can identify areas for improvement. Personalized Feedback:  Every voice is unique. Ever person is unique, too. A good vocal coach provides tailored feedback and exercises specifically designed to address your individual strengths and weaknesses, and they should do it in a way that you understand. They'll help you develop your unique vocal identity. Goal Setting and Progress Tracking:  Your coach will work with you to establish clear vocal goals, whether it's improving your range, hitting higher notes, developing better pitch, or preparing for a performance. They'll track your progress and adjust their approach as needed. 2. Skill Development and Technique Refinement: Vocal Technique Training:  This is the core of vocal coaching. You'll learn proper posture, breathing techniques, vocal exercises (vocal warm-ups and cool-downs), and how to produce a healthy and resonant sound. Range Expansion and Control:  Coaches help you expand your vocal range, develop better control over your voice, and improve your ability to sing in different registers seamlessly. Pitch Accuracy and Intonation:  They'll train your ear and help you develop better pitch accuracy and intonation. Rhythm and Timing:  Many coaches also work on improving your sense of rhythm and timing. 3. Performance Skills and Confidence Building: Performance Preparation:  If you're looking to perform, your coach can help you prepare for auditions, recitals, or other performances. This includes song interpretation, stage presence, and managing performance anxiety . Musicality and Interpretation:  They can guide you in understanding the musicality of a song, interpreting lyrics, and adding emotion to your singing. Building Confidence:  A supportive vocal coach can significantly boost your confidence as a singer, encouraging you and helping you overcome vocal insecurities. 4. Ongoing Support and Accountability: Regular Practice Guidance:  Your coach can provide guidance on effective practice techniques and help you develop a consistent practice routine. Motivation and Encouragement:  They act as a motivator and provide ongoing encouragement and support throughout your vocal journey. Accountability:  Knowing you have regular lessons can help you stay accountable and committed to your vocal development. 5. Professional Experience and Resources: Years of Training and Experience:  You're paying for their years of training, experience working with various singers, and their understanding of vocal pedagogy. Access to Knowledge and Resources:  Many coaches have a wealth of knowledge and resources they can share, including vocal exercises, repertoire suggestions, and performance tips. Connections: Often, when listed on a performing resume or on social media or professional websites, well-known vocal coaches carry a lot of weight in casting decisions. In fact, in my humble opinion, if you're having a hard time getting callbacks and booking performing gigs, 9 out of 10 of you should blame your vocal coach . Logistical Factors that Influence a Vocal Coach's Hourly Rate Include the Following: Location  – Voice lessons in New York City  and major metropolitan areas typically cost more. This is where the best-of-the-best live and work. And if a vocal coach makes a living in New York City as a vocal coach, they know what they're doing. Lesson Format  – Online singing lessons  tend to be more affordable  than in-person coaching (more on this later...) Session Length  – 30-minute lessons are cheaper, while 60-90 minute sessions offer more value but come at a higher price. Sometimes voice teachers like to have lessons where they really want to focus on your performance instead of having to accompany on the piano, so they'll hire a pianist for your lesson, which you usually end up paying for at the end of the day. The True Cost of a Voice Degree: Why Your Voice is Worth the Investment When people ask about vocal lesson prices  or wonder why voice lessons for singing  cost what they do, they often forget the bigger picture: what it really  takes to train professionally. I know, because I lived it. I earned my undergraduate degree in voice at a private university with tuition of $61,000 per year. Multiply that by four years, and you’re looking at $244,000 . (Yes, that includes general education requirements, too, because I attended a liberal arts university—but let’s be honest, every course I took shaped the artist I became.) And I’m not alone. Many singers spend over a quarter of a million dollars  on their formal training. That’s the reality behind the degrees, the polished performances vs. the so-called “overnight success” stories from the instant YouTube vocal coaches. On top of tuition, aspiring professionals also pay for: Weekly private voice lessons (often $75–$200 per hour) Summer programs and intensives (up to $10,000 each) Masterclasses, competitions, accompanist, and audition fees Travel, recordings, and portfolio materials When you add it up, the average price for voice lessons  suddenly makes a lot more sense. Whether you’re paying $75 an hour or $350, you’re investing in the years of expertise, training, and artistry that your coach brings to the table. So the next time you see a vocal coach offering lessons for $30 an hour, ask yourself: Is that really the kind of training my voice deserves? Your voice is worth the investment. How to Get the Best Value for Your Investment Find a coach with a proven track record  (not a carnival barker with a YouTube channel). Scrutinize their portfolio (if they have one) and ask questions about specific projects they've worked on. A little research goes a long way here. Consider package deals  – Many coaches offer discounts on multiple lessons (including my 50% off payment plan !) Invest in quality over quantity  – A few lessons with a fierce vocal coach  is way more effective than years of mediocre training at bargain prices. I can't stress this enough. FAQ: Voice Lesson Costs & Singing Teacher Rates Q: Are private singing lessons worth the cost? A:  Yes! Private lessons give you one-on-one attention tailored to your voice. A great coach will accelerate your progress and prevent costly vocal mistakes. Check out the next answer for a breakdown of benefits you receive when your vocal coach is truly dope. Q: What exactly am I paying for when I spend money on a vocal coach? A: I can't speak for all vocal coaches out there, so I'll answer this question from my own perspective. Let's break down what you're investing in when you work with me, a seasoned NYC vocal coach with 17 years in the trenches. It's far more than just "singing lessons." You're buying a strategic partnership in your vocal development and career trajectory. Here’s a detailed look: 1. Expert Vocal Technique and Personalized Training: Deep Understanding of Vocal Mechanics:  You're not just getting "tips and tricks" like you see others doling out for free on Youtube. You're getting access to my comprehensive understanding of vocal anatomy, physiology, and acoustics. This means precise, targeted exercises to address your specific needs, whether it's expanding your range, improving breath control, or developing a consistent tone. Industry-Relevant Style and Versatility:  I don't just teach classical or one specific style. I'm fluent in a vast array of contemporary genres, from pop and R&B to musical theater and beyond. This is crucial in today's diverse music scene, where versatility is key. Troubleshooting and Problem-Solving:  If you're struggling with vocal fatigue, strain, or specific technical challenges, I can diagnose the root cause and provide effective solutions. This comes from years of experience dealing with the full spectrum of vocal issues. 2. Career Development and Industry Insight: Navigating the NYC Music Scene (and Beyond):  My extensive network and experience in the heart of the industry provide invaluable insights into auditions, networking, and the business side of being a professional singer. You’re getting a roadmap, not just singing exercises. Audition Preparation and Performance Coaching:  I don’t just get you ready to sing the song, I prepare you for the room. Knowing how to present yourself, how to choose the right material, and how to deliver a compelling performance is essential. Industry-Standard Feedback and Critique:  I provide honest, constructive feedback that aligns with the expectations of industry professionals. You’ll know exactly where you stand and what it takes to reach the next level. Demo Reel and Recording Guidance:  I can guide you through the process of creating professional-quality recordings and demo reels, which are crucial for showcasing your talent to potential employers and collaborators. 3. Personalized Attention and Ongoing Support: Tailored Lesson Plans:  I don't use a one-size-fits-all approach. Every lesson is customized to your individual goals, strengths, and weaknesses. Accountability and Motivation:  I'm your partner in progress, providing consistent support and encouragement to keep you motivated and on track. Ongoing Resource and Advice:  I'm available to answer your questions, provide feedback on your progress, and offer guidance between lessons. 4. The Value of Experience: Avoiding Costly Mistakes:  Learning from someone who has navigated the industry for 17 years can save you valuable time and money by helping you avoid common pitfalls. Accelerated Progress:  My experience allows me to identify and address your specific needs quickly and efficiently, leading to faster progress and better results. Confidence and Empowerment:  Ultimately, you're paying for the confidence and empowerment that comes from knowing you're working with a highly skilled professional who is invested in your success. In essence, you're not just paying for a lesson; you're investing in a strategic partnership that will accelerate your vocal development and career aspirations. You're buying access to my expertise, network, and unwavering commitment to your success. FAQ: How Much Do Vocal Lessons Cost? Q: What’s the national average cost of voice lessons in 2025? A:  While rates can vary by location and teacher experience, the average cost of voice lessons  in 2025 is between $90–$120 per hour in major metro areas and slightly less in suburban or rural regions. Online lessons tend to fall within the same voice lessons price  range depending on the teacher’s credentials and offerings. Q: How do you know that your singing instructor is going at the right pace for you or not? A: Unfortunately, you're probably going to have to have a lesson or two with them before you can make this call. I can tell you this definitively though: in my 17 years as a professional in the entertainment industry, I've never met another vocal coach who gets such drastic and amazing results that I get with my singers in such a short amount of time. Want proof? Check out these before and after audio clips from my real students  and tell me your mind isn't blown. When the before & after vocal transformations are this mind-blowing after just three lessons, you know the teacher is good. Q: Is it cheaper to take voice lessons online? A:  You know, I've never really understood this one... The answer to this question is: it depends on the coach. In most cases, voice teachers and vocal coaches charge less amounts of money when they book singers online verses in person. I, however, am not one of those coaches. My fee for both online and in-person sessions is exactly the same because the value each of them has is directly related to the amount of time and effort I give to each format. When teachers charge less for online teaching, it automatically makes me assume that they do not know how to teach someone online, therefore they reduce the price from their in-person fee. on the most cases, yes. Online voice lessons are often more affordable while offering the same level of quality—especially when you’re working with an experienced online vocal teacher. Check out my blog post on in-person vs. online vocal coaching . Q: How often should I take voice lessons? A:  Weekly lessons are the most common and effective. Plus, having a weekly commitment to learning to sing established vital practice routines that you want to develop early on in your singing journey. However, depending on your budget and goals, you can adjust the frequency with the guidance of your coach. Q: Do expensive lessons mean better coaching? A:  Not always. Some coaches charge more due to reputation or location. The best value comes from someone who has a proven method and real-world experience—not just a big price tag. Q: Can I get good results with short lessons? A:  Absolutely. Many singers thrive with 30-minute sessions when those lessons are well-structured, focused, and consistent. I even offer a 20-minute mini-session for my professionals who want an occasional tuneup. Frequently Asked Questions: Average Cost of Voice Lessons Q: How much is a vocal coach on average? A: Vocal coach cost can vary widely depending on experience, location, and reputation. A beginner vocal coach might charge $30–$60 per session, while top-tier coaches (like the ones who prep clients for Carnegie Hall or Broadway debuts!) typically charge between $150–$400 per session. Or, if you're Cheryl Porter, you can rob people by charging $1000 per hour. At Tour de Fierce, vocal coaching prices are transparent and tailored to the unique value and results you’ll receive. Q: Why does singing lessons cost range so much? A: Singing lessons cost factors in time, training, credentials, and results. You're not just paying for an hour—you’re investing in a transformation. Cheaper isn’t always better (and often costs you more in the long run). You want a coach who gets you results efficiently. That’s where strategy (and experience) come into play. Q: What should I look for when comparing vocal coach cost? A: Look beyond the price tag. Ask: Are the results consistent? Does the coach specialize in what you need—vocal health, Broadway prep, metal distortion, speech confidence, etc.? And most importantly, does their method actually work? That’s where Tour de Fierce’s Dual Voice Method  comes in. Take the Next Step Whether you’re budgeting for your first voice lesson or leveling up your training, understanding the average cost of voice lessons  helps you invest wisely in your vocal future. Want expert coaching at a competitive rate? Get high-level training with my proven method - The Dual Voice Method (the best way to learn singing, hands down)  - and stop wasting money and dashing your own dreams with ineffective lessons . Plus, I guarantee that you'll spend FAR LESS with me than you will with another vocal coach who may be cheaper, and who will string you along for years to make their coin. My students are in and out in no time. If you're in New York City, let's have an in-person lesson! You'll love the Tour de Fierce® Music Studio.

The Flashy Girl from Flushing is BACK! Image: Tour de Fierce The Nanny Musical Plot Outline: Act I: Years after saying “I do,” Fran Fine Sheffield has traded Flushing for Fifth Avenue. She’s exchanged nanny life for gala lunches and corner boutique ensembles for head-to-toe Chanel. Though she can't resist the occasional gold lamé stirrup when she finds them, life as Mrs. Sheffield seems perfect. Her children are all grown now. They have their families and lives. Fran is married to Broadway producer Maxwell Sheffield , living the dream... but is settling into anything truly good? Suddenly, an announcement shakes her world. Andrew Lloyd Webber, Mr. Sheffield's arch-nemesis, is penning a musical based on Fran's life! When Fran discovers that her rags-to-riches story is turning into a Broadway musical— with her blessing and creative consultation —she kvells. ( "From Flushing to Footlights" ) A massive fantasy sequence unfolds where she envisions herself headlining as herself . It’s a true tour de force, a quintessential Broadway number where she struts across the stage in absurd fashion mashups. Maxwell, of course, is offended that she would engage with his rival. Yet, Fran decides to move forward with the project. But then, disaster strikes. Fran accidentally overhears the producers discussing casting plans for the role of Fran Fine . They seek "a young unknown," someone "sexy" who can do "the accent" and "the laugh," but must also "switch it off when she sings so she doesn't leave the audience's ears bleeding with nails-on-a-chalkboard voice." They joke about how wild it would be to cast the real Fran Fine. "Can you imagine her doing eight shows a week? Oy vey, the insurance alone!" ( "Thanks, But No Thanks" ) Crushed, Fran spirals. Is she washed up? Has her time passed? ( "Hot Flashbacks" ). She slinks home, heartbroken, and plops onto her fainting couch. What does she do in a crisis? She reaches for a vintage copy of Cosmo —from 1993.* ( “The horoscopes were better back then. They didn’t sugarcoat your doom.” ) As she flips dramatically through the magazine, a handwritten, slightly crumpled flyer falls out. It flutters to the floor. The flyer reads: “Tired of being underestimated? Want to shut up your critics, out-sing your competition, and finally take center stage? Acting, Singing, Dancing... Three of the best Broadway coaches. One chance to reinvent yourself. Call: (555) 1-FLAIR-NOW. Serious inquiries only. No divas. No refunds. No flats.” Niles catches her in this moment of despair. She confides in him. He gently assures her, "You're not expired, you're just fermented." It's his mention of her "style and flair" that ignites her fire. Secretly, she books group classes every day until the audition. Meanwhile, Sylvia has orchestrated her way into a substitute role at Studio En Pointe. She lures the real instructors to Europe with all-expenses-paid "fellowships." No one questions the substitute acting, dance, and singing coaches (though they look strikingly alike...). They arrive just in time to teach Fran’s group classes. Fran's three new instructors are eccentric: Renata von Huffle : An Austrian dance teacher with a tight bun. She trained under Baryshnikov but blames him for her bad knees. Giuseppe Cannoli : An overly passionate Italian vocal coach who sobs during warm-ups. He insists Fran's voice has “the flavor of truffle oil, if truffle oil screamed.” Sheila Smalls : A jaded, chain-smoking Staten Island acting teacher. She once understudied Bernadette Peters and loves to reminisce about it. ( “Coach Me, Maybe” ) is a fast-paced comic tour de force. The actor quickly changes roles amid chaotic entrances and accents. Confusion mounts as Fran begins to suspect something is off: “Why do they all smell like pastrami on rye?!” As she juggles press junkets and pliés, Fran’s charisma shines. Her fashionable dancewear and over-the-top personality start turning heads. People now recognize her not as Mrs. Sheffield, but as “that dazzling, flashy woman from class with the voice like champagne and gravel.” ( "Who’s That Girl in the Leotard and Leopard?" ) She charms her teachers and inspires fellow students. Fran unintentionally launches a trend of 90s revival athleisure wear: FlairCore™ . Still, she struggles with exposure. Fans ask for selfies during class or shout, “Hey, Fran!” while she’s walking with Maxwell ( "This Nose Don’t Lie" ). Despite setbacks—a jazz square-induced hamstring pull, an accidental wig fire, and one particularly scathing mock audition—Fran grows. She begins to see herself as not the relic producers feared but a woman with resilience and heart. ( "My Second Act" —the emotional closing number of Act I). Act II: Fran is in the final stages of preparation. Her secret training is complete. The producers announce the final open auditions at the Minskoff Theatre. This time, it will be broadcast live on national television, with America deciding the vote. If Fran auditions and falters, it may derail the entire show. Nevertheless, she takes the plunge. Disguised as “Frannie Feinstein from Forest Hills,” she sports a new wig, a fake mole, and an exaggerated accent. The first round of auditions is intense. A grueling dance call tests her limits. However, Frannie Feinstein makes the cut. The second round focuses on acting. Each actress performs solo, with Frannie being the last in line. She overhears her classmates discussing her. "Has anyone actually seen her at an audition?" "This role was practically written for her." Conflicted, she contemplates her next move ("That's Me, Doll"). It's Frannie's turn. She steps onstage, visibly torn. Cameras are rolling. As she questions her motives for showing up, she discusses Hollywood standards. The machine forces people into self-doubt, convincing them they’re too old or irrelevant to be role models. Fran begins to shed her disguise gradually. Growing in passion, she finally reveals her identity to a captivated audience. Exhausted from pressuring herself to fit another's expectations, she declares the need for authenticity. The atmosphere buzzes with raucous applause as America clears her for the next audition round. She re-enters the stage, radiating confidence. A smile and a wink accompany a shout-out to her acting coach. Backstage, the producers announce they’re short on time. They skip the singing round and head straight into the performance that combines singing, acting, and dancing. This will determine the next cast member. In this moment, Fran panics. Riding high from the audience's approval, the pressure re-sets her reality. She must sing... on live TV... after emotionally opening her heart onstage. As she falters, her three coaches—Renata, Giuseppe, and Sheila—rush into the dressing room, arguing in overlapping accents. The camera crew captures their chaotic enthusiasm. RENATA: “You must zink about your core and your lines!” GIUSEPPE: “No! She must sing from the stomach-a like she’s digesting lasagna!” SHEILA: “You're both nuts. She just needs to hit her mark and not freeze like Liza at the Tonys in ’87.” Fran freezes. “What are you all doing here? Together?” The trio exchanges glances. Renata removes her bun. Giuseppe peels off his mustache. Sheila yanks off her wig. It’s Sylvia. Fran gasps, “Ma?!” Sylvia, in full Queens regalia beneath costume scraps, shrugs: “You were never gonna let your mother help you. So I figured—why not let three strangers do it?” They share a knowing laugh. Sylvia continues: “You think I don’t know what it feels like to be too much? Too loud? Too old, too Jewish, too rhinestone? You didn’t need fixing. You needed reminding.” They hug—a poignant moment. Then Sylvia snaps into stage mom mode. “Now go out there and show them what real flair looks like. You were born for this—literally, they had to induce me 'cause you wouldn't stop singing in the womb.” Cue the setup for the final performance. Finale Performance: "Flair Is a State of Mind" Fran confidently takes the stage for the final round—no disguises, no apologies. Surrounded by dancers and backup singers, she delivers “Flair Is a State of Mind” . It’s a passionate anthem about owning one’s story and never letting age determine the light that shines from within. Final Scene / Curtain: The stage transforms into a dreamscape—a blend of Queens and Broadway. Maxwell beams from the wings. Niles pops a bottle. The chorus floods the stage. Sylvia appears at center stage, radiant in sequins. Everyone joins for the “Style & Flair (Reprise)” —including Fran’s classmates, the audience, and the TV crew. Regardless of whether she lands the role, Fran exits the stage transformed. Not as a new woman, but as one who finally remembers who she has always been. CURTAIN ON THE NANNY MUSICAL. STANDING OVATION. Glitter. Confetti. Wig reveal encore optional. (At least, this is how I see The Nanny musical on stage... Thoughts?) Don't you think Queens Theatre in Flushing would be the perfect place to mount The Nanny Musical ? Read every one of my thoughts about it here. Image: "Queens Theatre Gets a Makeover" Tour de Fierce

The anticipation for The Nanny Musical is palpable. Although it’s still in the works, I wanted to share my excitement early. This production could be a full-circle moment for one of television’s most iconic characters—Fran Fine. Bringing this story to Queens Theatre sends a powerful message. When national institutions like the NEA face cuts due to political agendas, local institutions rise to protect the creators, dreamers, and artists who embody the heart of American art. Here’s why Queens Theatre is the only place this story should debut: Queens Theatre: An Architectural Marvel" image via Tour de Fierce 1. A Love Letter to Queens—Told on Her Own Stage Fran Fine is Queens. The accent, the attitude, and the leopard print with a heart of gold all began in Flushing. Placing this story at Queens Theatre returns her to her roots. It celebrates the borough that gave her—and many underdog artists—a chance to shine. In an era when Broadway often overlooks outer-borough stories, this production gives Queens the spotlight it deserves. "Trump Slashed NEA Funds with the Precision of a Toddler with Scissors—and Just as Much Foresight" image via Tour de Fierce 2. Defending the Arts in an Age of Disinvestment The Trump Administration slashed the NEA's budget and canceled grant programs that support regional theaters. The Nanny: Broadway Musical becomes more than just entertainment—it’s an act of defiance. Queens Theatre, located in one of the most culturally diverse counties, serves as a vital access point for working-class, immigrant, and multilingual communities. They deserve high-quality theatre that reflects their lives and voices. Choosing this theatre stands for equity, resilience, and keeping the arts accessible. The Nanny Costume Exhibit: Coming 2027 to Queens Theatre in Flushing" image via Tour de Fierce 3. The Perfect Venue for a Glamorous Underdog Story This isn’t a sterile Midtown mega-musical. It’s Flushing meets Fosse . It’s shoulder pads and soul. Queens Theatre offers an intimate setting where Fran’s story can dazzle without losing its heart. Unlike many traditional Broadway houses, the theatre’s unique three-stage campus can accommodate immersive community engagement. This includes talkbacks with local artists and costume exhibits that highlight the 90s fashion revival sparked by the show. Fran Drescher is no stranger for standing up for her rights and the rights of others. Video via CBS News Youtube 4. Championing the Voices We Were Told to Tone Down Fran's nasal twang, big hair, and even bigger personality were once laughed at—until she became a global phenomenon. Mounting this production in Queens declares that the very voices deemed “too much” or “not marketable” are exactly what make American theatre sing. In the shadow of cuts meant to silence these stories, this show shouts, in perfect pitch: we’re still here . "Queens" image via Tour de Fierce 5. From Community Stage to Cultural Movement Launching at Queens Theatre could ignite a grassroots groundswell. Local press, borough pride, and a deep connection to the material make this more than a show—it’s a homegrown triumph. With strategic partnerships, such as Queens College, NYC public schools, and multicultural arts organizations, The Nanny: The Musical could become a template for building art with community—not despite it. In Conclusion The Nanny: The Musical at Queens Theatre is not just poetic justice—it’s revolutionary theatre at the right time and place. When federal funding falls short, Queens Theatre proves that New York artists won’t wait for permission to slay. Frequently Asked Questions: The Nanny Broadway Musical Is The Nanny Musical even written yet? As far as we know, The Nanny Musical is not complete yet. However, Fran Drescher says she's working on it. There have been setbacks that have impacted the timing, but here's to hoping articles like this can keep the conversation going. We want The Nanny on Broadway! Is Queens Theatre a Broadway theatre? No, Queens Theatre is not a Broadway theatre. However, with a grassroots movement like this, I am confident the TONY® nominating committee would consider the production for that season's awards, given the political climate's attacks on the National Endowment for the Arts and the detrimental impact the executive branch of the US government has on the arts nationwide. Is Queens Theatre a union theater? Yes, Queens Theatre is a union theater. It complies with all union requirements and hires Actors' Equity Association performers, stage managers, and all union wardrobe, wig, runners, and other back-of-house stagehands and workers. No problems here. Could Fran Drescher use a showbiz spitfire on her team to help lead The Nanny Musical to the stage? I don't know if she has someone already at the helm of the project. However, I do know a certain someone who has produced Broadway shows before. He's a huge fan of The Nanny ... a certain entertainment figurehead who is young, dashing, and a creative genius [see portfolio ] that could fill such a position beautifully.

In rare occurrences throughout history, certain musical instruments have transcended their physical form to become mythical. According to legend, Paganini sold his soul to the devil in exchange for Il Cannone , history's most famous violin David's harp, immortalized in ancient scripture, was said to bring kings to tears and heal the wounded heart. Even Mrs. Mills, the name of the perfectly "honky-tonk" Steinway piano of Abbey Road Studios, is a pop culture icon in her own right. A piano . Other instruments throughout history are rumored to be blessed by angels, to cure diseases, to open portals to hell — or even possessed by the power of Satan himself. But what if the most extraordinary instruments weren't crafted by human hands at all? What if they lived inside the human body — bone, muscle, and emotion fused into a singular force of sound? Here, we celebrate the rarest of the rare: the voices so otherworldly, so technically superhuman, so emotionally seismic, that they belong alongside the most legendary instruments in history (perhaps even above them!). This page is a living tribute to the female voices that seem to carve masterful sculptures of sound from what would otherwise be silent air around us. These voices exist in a rarified stratosphere where their abilities are almost mythological—superhuman in range, resonance, agility, and sheer emotional magnitude. An ever-evolving and supremely exclusive tribute t the greatest female vocal phenomena ever captured in recordings as new legends emerge and timeless icons are rediscovered. These are the most extraordinary female singers in history. Simply put: each of these singers occupies a league of her own. These are the most extraordinary vocalists ever to walk the face of the earth. Image: "The Most Extraordinary Female Singers in History" Tour de Fierce This blog post is a work in progress. Stay tuned for more names worthy of this distinction. The Most Extraordinary Female Singers in History Yma Súmac "The Incan Princess of Five Octaves" Signature Recording: "Chuncho (The Forest Creatures)"(Listen at your own risk — you might never recover.) Listen to these vocals and just TRY to tell me Yma Súmac isn't one of the greatest singers of all time. Video: "Yma Sumac - Chuncho (The Forest Creatures) (1953)" Via Youtube If Mother Nature opened her mouth and delivered her best vocal performance for us, I'm pretty sure it would sound like Yma Súmac. Her vocal abilities are so otherworldly, we totally believe her when she claims to be a descendent of the last Incan Emperor Atahualpa. (This would make her an Incan princess by blood.) Whether it's true or not, I'm here for it. Súmac unleashed a vocal range spanning more than five octaves , from volcanic, beastly chest tones to birdlike whistle tones and trills. Her singing transcended category — at once wild, ethereal, and utterly otherworldly . One moment she was imitating the guttural growl of a jaguar; the next, she floated higher than most coloratura sopranos ever dared. She even appeared on Broadway in a show called Flahooley (check out this clip of her "Birds / Enchantment" solo number!) Coincidentally, this production marked Barbara Cook's Broadway debut, also. Jessye Norman "The Voice That Could Move Mountains" Signature Recording:   "Mild und Leise" from Tristan und Isolde (she starts singing around 5:55 in the video) Jessye Norman was born and raised in Augusta, Georgia. Seems fitting that such an extraordinary talent would be from the American South. (Watch Jessye perform — glistening in sweat, drenched in artistry — makes you reconsider your perspective on the question: is singing a sport? ) Legend has it that Carnegie Hall's entire sound system was destroyed sometime during Jessye Norman's first solo concert at the illustrious venue; the remarkable thing about this is that the sound system was powered off for the entire duration of her performance. Think about that for a second. Jessye Norman's un-amplified singing resonated so profoundly in the acoustic that it rendered the world's most advanced audio equipment inoperable, even when it was just in the same room as her. ...makes you LOL at the poor opera singers who try so hard (and fail) to shatter glass, right? Jessye Norman's voice was a force of nature by sheer magnitude alone, let alone the vast spectrum of colors she was able to access throughout her entire range. While other voices, at best, would offer shimmering wisps of golden tone in the surrounding air, Ms. Norman's voice was building cathedrals out of her sound. Her massive, sumptuous soprano could expand to seismic proportions, filled with such depth, dignity, and resonance that it felt sacred. And it was sacred. Cool fact: Jessye Norman's voice is classified as a falcon soprano, which is the rarest vocal classification among singers. Falcon sopranos have the powerful lower range of a contralto on one end, and the titanic high notes of a dramatic soprano on the other. And yet, within that hurricane of sound, she controlled the finest thread of pianissimo with breathtaking finesse. Norman wasn’t just a voice — she was a tour de fierce—whoops, a tour de force— operating at the absolute summit of technical and emotional mastery. Cecilia Bartoli "The Firecracker of Coloratura" Signature Recording:   "Anche il mar par che sommerga"(Hold onto your wigs — this is not for the faint of heart.) Cecilia Bartoli's rendition of "Anch'il mar..." is the benchmark for vocal agility. Video: "Cecilia Bartoli: Anch'il mar par che sommerga (Vivaldi)" Via Youtube Cecilia Bartoli doesn't sing coloratura passages — she ignites  them and shoots them into the stratosphere where they burst in dazzling, enormously impressive displays for those fortunate enough to be in her presence. Known for her fearless vocal agility, razor-sharp runs, and expressive warmth, Bartoli redefined what a mezzo-soprano could achieve. Her "Anche il mar par che sommerga"  is a pyrotechnic masterclass  — no safety net, no compromises, just pure, exhilarating technique at speeds that seem to defy the laws of human possibility. Mado Robin "The Queen of the Sky-High Notes" Signature Recording:   "The Bell Song" from Lakmé (Prepare to pee your pants.) ...Did the dogs on your block just erupt in barking, too? Video: "Mado Robin sings Bb over high C!!!" via YouTube If Ms. Bartoli's agility didn't make you wet your pants, this one is pretty much guaranteed to. Mado Robin’s voice puts Mariah Carey's puny whistle tones to shame. Her effortless high notes soared above the staff like beams of pure light, often reaching up to the highest pitches ever recorded on video or audio  with a shimmering, silvery vibrato that somehow remained tender and human. At a time when technology was just starting to capture vocal feats for posterity, Mado’s recordings immortalized a sound that still feels impossible today. Audra McDonald "The Leading Musical Tragidienne" of Our Time - The New York Times Signature Recording: "Some People" from Gypsy When it comes to song interpretation, Audra McDonald  stands in a league of her own. A six-time Tony Award winner and one of the most versatile singers in the world, Audra’s voice is a masterclass in technical precision, emotional storytelling, and vocal artistry. Audra’s gift lies not just in her flawless technique—her shimmering soprano effortlessly glides through demanding operatic roles, jazz standards, and musical theatre ballads—but in her ability to infuse every note with soul and character. She’s the rare kind of artist who can live inside  a song, making it feel like it was written just for her, in that very moment. Whether she’s breathing life into classics like "Summertime," redefining musical theatre's best role as Mama Rose in Gypsy , or breaking hearts in "Bill" from Show Boat , Audra doesn’t just sing—she freakin changes lives. Her impact extends far beyond the stage. Audra is an advocate for social justice, an inspiration to young artists everywhere, and proof that vocal excellence and emotional vulnerability are not mutually exclusive—they’re what make a singer truly great. If you want to understand what it means to be an extraordinary female singer, just listen to Audra McDonald across the many genres she has perfected. The voice, the presence, the artistry—it’s a masterclass every time she opens her mouth. More Voices to Be Added Soon... Got a goddess you think belongs on this list? Let me know in the comments and we'll see if she makes the cut... The archive of greatness is always expanding — and, thanks to the technological marvel that is audio recording, these legends never truly leave us. Frequently Asked Questions (FAQ) Q: What makes a singer’s voice "extraordinary"? A: An extraordinary voice often defies normal human limitations — exhibiting superhuman range, extreme agility, stunning tonal beauty, or emotional transcendence that leaves a lasting impression across generations. Q: How rare is it to have an extreme vocal range like Yma Sumac or Mado Robin? A: Extremely rare. Most trained singers have a range of about two octaves; legends like Yma Sumac spanned four to five octaves, making them once-in-a-century phenomena. Q: Can vocal ability be compared to legendary musical instruments? A: Absolutely. Just as Stradivari violins are revered for their unparalleled craftsmanship, extraordinary human voices are considered living instruments shaped by nature and refined by artistry. Q: Will more extraordinary singers be added to this article over time? A: Yes! This article is a living archive, updated as new rare vocal recordings, discoveries, or performances come to light. Q: Are there modern singers who might eventually earn a place among these legends? A: Potentially. While it's too soon to canonize contemporary singers, artists who demonstrate unprecedented technical mastery or emotional power may someday join the ranks of vocal immortals.